Year: 2012

Updates: Recent Science Fiction Acquisitions No. XXVI (Malzberg + Wells + Gunn +Pohl)

/ Joachim Boaz / 12 Comments

A nice (varied) selection of finds….

I’ve continued to be on the lookout for Malzberg’s novels and, due to the proliferation of comments by my readers about what is his best, I’ve acquiesced and picked up a copy of his acknowledged masterpiece, Beyond Apollo (1972).  I suspect it will be as good as In The Enclosure (1973).

If there is any area (besides sci-fi from the 21st century) that I haven’t read a good portion of the classics, it’s works from around the turn of the century.  I have read a large swathe of Verne’s works and from beginning of the 20th century  all of Edgar Rice Burroughs’ John Carter series — but, only a few of H. G. Wells’ oeuvre (The War of the Worlds and The Time Machine).  So, when I came across a 60s edition of The First Men in the Moon (1901) with a nostalgic looking cover I snatched it up!

The two short story collections are unknown commodities: Frederick Pohl’s In The Problem Pit (1976) and James Gunn’s Station in Space (1958).  I’ve never heard of Gunn and sort of dislike what I’ve read of Pohl so far.  Regardless, both works have intriguing covers!

Enjoy!

1. Beyond Apollo, Barry Malzberg (1972)

(Don Maitz’ cover for Continue reading →

Book Review: The Falling Torch, Algis Budrys (1959)

/ Joachim Boaz / 12 Comments

(Bob Engle’s cover for the 1959 edition)

3.25/5 (Vaguely Good)

A smile, or tears, perhaps.  Tears are easier than laughter.  Tears need no gust of breath, as laughter must though breath is short — tears do not crack the muscles of the back or make the jaws ache when the jaws are sore-gummed from the artificial teeth — yes old men’s or old women’s gentle tears; these too are safe; not grown men’s sobs, but children’s tears;  not children’s tantrum-cries but children’s tears upon the moment when they learn that, in all justice, children, too, can fairly died–those are the tears that we regain when we are very old (pg 149).

Algis Budrys’ The Falling Torch (1959) is on the surface yet another simplistic brave oppressed mankind rebelling against the alien invaders who have conquered Earth novel à la Aldiss’ Bow Down to Nul (variant title: The Interpreter) (1960) and the ilk.  And I was deluded into thinking it was Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXV (Silverberg + Dickson + Bester + et al.)

/ Joachim Boaz / 4 Comments

I have a substantial backlog of purchases from my “productive” book hunting Spring Break in Texas….

I’ve read Alfred Bester’s The Demolished Man (1952), which I loved, and The Stars My Destination (1956), which I mostly enjoyed, however I’ve rarely seen his short story collections in used book stores.  I snatched up the gorgeous covered The Dark Side of the Earth (1956).  I suspect Bester is even better at short stories than his novel length works….

The Time of the Great Freeze (1964) is considered one of Robert Silverberg’s best pulp works.  On indirect advise of my friend Michael Dalke at Potpourri of Science Fiction Literature, I’ve procured more of Gordon R. Dickson’s short works…  Thankfully, he hasn’t reviewed the collection The Star Road (1973) yet (I think) — we have a “rivalry.”  Haha.

I’ve already reviewed the short story collection edited by Donald Wollheim, The End of the World (1956) (MY REVIEW), and highly recommend it. A few of the stories are duds but two are in my top 5 short work list.  Philip K. Dick’s ‘Impostor’ (1953) alone is reason enough to track down the volume.

1. The Dark Side of the Earth (1964), Alfred Bester (MY REVIEW)

(Uncredited cover for the 1964 edition) Continue reading →

Book Review: The End of the World (1956), ed. Donald Wollheim

/ Joachim Boaz / 12 Comments

(Ed Emshwiller’s? cover for the 1956 edition)

3.75/5 (Good)

 The End of the World (1956) is a highly readable collection of short works by some of the leading figures of the 50s:  Robert Heinlein, Edmond Hamilton, Philip K. Dick,  and Arthur C. Clarke are the most notable contributors.  All the works, including the short by the virtually unknown author Amelia Reynolds Long, have appeared in other volumes but it’s nice to have them grouped according to theme with a quality Ace edition 50s Emshwiller cover.

Wollheim gathers together a fascinating range of accounts of the end of the world — seen through the eyes of aliens, humans from the present viewing the future, the last men on earth surveying the ruins, a robotic bomb who thinks it’s human and “accidentally” triggers the end of the Continue reading →

Adventures in Science Fiction Art: Doomed Cities Part III (the attack of the metal missile casings, monks among ruins)

/ Joachim Boaz / 11 Comments

(Rod Turner’s cover for the 1952 edition of The G-Bomb (1952), Vargo Statten (i.e. John Russell Fearn)

Make sure to check out Part I and Part II if you haven’t.  Some of the doomed cities are stunning!

Of all the 50s pulp covers, Rod Turner’s series for Vargo Statten’s novels (John Russell Fearn) has become one of my favorites (above).  Although they adhere to every possible cliché, the pure exuberance of delivery is addicting — the books themselves are supposed to be pure drivel.

Enjoy monks among ruins, spaceships hovering above the fragments of past cities, hordes emerging from the wrecked husks of our august metropolises, the attack Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXIV (Simak + Henderson + Pangborn + Coney)

/ Joachim Boaz / 15 Comments

Returning to my old haunt (Texas) conjures the normal quality science fiction haul….  Not the range of Dallas’ spectacular Half Price Books but still a nice selection.

As always, I took a few risks.  I know very little about Zenna Henderson’s short stories — and the cover for the 72 edition of Holding Wonder (1971) (below) is atrocious!  But she’s generally considered a worthwhile author despite the rather hokey premise of her The People series.  I’m most interested in Edgar Pangborn’s A Mirror for Observers (1954) — and I promise not only because of the Richard Powers’ cover.  My father disliked Simak’s Our Children’s Children (magazine 1973) so I don’t have high hopes…  I’m rather ambivalent towards Simak.  I enjoyed City (1954) but would never call it a masterpiece.  Cemetery World (1973) was an interesting read but more in concept than delivery.  Way Station (1963) didn’t deserve the Hugo award but had its moments… etc.

Michael G. Coney’s The Hero of the Downway (1973) was an impulsive buy.  I know very little about the quality of his writing but was persuaded by Josh Kirby’s cover!  And underground societies usually hold my interest — even if they don’t achieve the heights of David F. Galouye’s wonderful Dark Universe (1961).

Enjoy the covers!  And the back cover blurbs!

1. A Mirror for Observers (1954), Edgar Pangborn

(Richard Powers’ cover Continue reading →

Updates: New Book Review Index by Rating

/ Joachim Boaz / 8 Comments

I’ve added a new index ordered by rating for easy navigation to my book reviews (here).  This is in addition to by index by author (here).  This makes my best  (here) and worst science fiction book index (here) redundant and I might get rid of it at a later date.  I’ll also add more themed indexes in addition to my Sci-Fi Novels about Overpopulation Index, Sci-Fi Works by Female Authors over the course of the next few weeks.

All the indexes can be found on the bar on the righthand side.

Thanks for all the fascinating comments/observations and words of encouragement.  I’ve greatly enjoyed reading/reviewing and conversing!

Book Review: The Bright Phoenix, Harold Mead (1955)

/ Joachim Boaz / 7 Comments

(Richard Powers’ cover for the 1956 edition)

3/5 (Average)

Harold Mead’s The Bright Phoenix is a readable future ultra-regulated “perfect” State themed science fiction novel with a time-worn but proven plot. Unfortunately, the end product, despite moments of intriguing characterization and oppressive gloom, sinks into forgettable melodrama and the conclusion resorts to frustratingly obvious references to a “second coming” (of sorts).  Mead is less interested in describing the mechanisms of the “perfect” state and more interested in the slow evolution of a character coming to grips with the deficiencies of the system.  This is an admirable program that falls woefully short in part due to the paltry descriptions of the before mentioned system.  This causes our hero’s evolution to occasionally ring hollow.  The primitive but somehow “truer” pseudo-Christian civilization contacted by our hero, the fulcrum of his transformation, lacks any seductive qualities that would facilitate Continue reading →

Adventures in Science Fiction Cover Art: Through the View Screen, Through the Window

/ Joachim Boaz / 8 Comments

(Julian S. Krupa’s cover for the July 1947 issue of Amazing Stories)

Through the window, through the view screen cities are discovered, worlds end in searing flame,  vectors to unknown lands are plotted, the horrors of earth are left behind.  Alone in a space station an astronaut observes the fragile construction arrayed around him.  Through the window, through the view screen aliens observe our strife, loved ones watch in agony, and the culmination of our era’s scientific endeavors are arrayed in orderly rows.  

In short, the possibilities are endless.  The glass (or some scientifically advanced clear material) frames the story, we watch others watching or we see what they see while we stand among them… 

Definitely a delightful sci-fi cover art trope worth exploring.  Here are a broad selection of covers from juvenile science fiction novels, pulp magazines, edited Continue reading →