SF Book Reviews

Book Review: Ashes, Ashes, We All Fall Down, Irene Schram (1972)

/ Joachim Boaz / 6 Comments
  • ashes-ashes-we-all-fall-down-irene-schram-1972
    Lawrence Ratzkin’s cover for the 1st edition

3/5 (Average)

“And he shot a little duck,

Right through the middle of the

Head, head, head.”

—Nursery song (29)

Irene Schram’s near-future (?) shocker Ashes, Ashes, We All Fall Down (1972) subjects a fifth-grade class and their teacher to a terrifying series of violent travails at the hands of emotionless men. Told mostly from the perspective of the young students who write their thoughts in a school notebook, Schram presents a wide-ranging critique of contemporary American society (pollution, Vietnam, police brutality, et al.). Despite the resilience of children, society will win. There’s no light at the end of the tunnel. I found Ashes, Ashes an occasionally successful exercise in epistemological displacement and the effects of normalized trauma weakened by a lack of focus and moments of excess that verge on comical. 

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A SF “bande dessinée” Review: Paul Gillon’s The Survivor, 1 (1985, trans. 1990)

/ Joachim Boaz / 2 Comments
  • Aude attempts to evade the automated police

Story: 1/5 (Bad)

Art: 3/5 (Average)

Paul Gillon’s La survivante (The Survivor) (1985-1991) is a four-part erotic SF “bande dessinée” marketed as “ADULTS ONLY.” The first two volumes were translated into English by Dwight Decker and published in 1990. This is a review of volume 1. It’s sexually explicit, post-apocalyptic, and French. It’s Barbarella (1962-1964) 80s style, but the new 60s sexual liberation of the later is recast as campy exploitation… Other than the front cover below, I have not included images of the kaleidoscope of sexual acts and nudity–male, female, and andromorphic robot–included within the mere 47 pages. Take my word for it.

Aude Albrespy emerges from her aquatic escape from a nuclear war to a transformed world. Her partner “died trying to escape” and his skeleton greets her emergence from the depths (1). Ravenous and nude, she traverses the scarred landscape hunting for canned food and survivors. A few humorous interludes transpire.

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Short Story Review: Kris Neville’s “Cold War” (1949)

/ Joachim Boaz / 16 Comments

The following review is the 7th post in my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay! I relish the act of literary archaeology.

Thank you Antyphayes, “Friend of the Site,” for bringing this story to my attention!

Previously: Theodore L. Thomas’ “Broken Tool” (1959)

Up next: Philip K. Dick’s “A Little Something For Us Tempunauts” (1974)

  • Richard Powers’ cover for the 1956 abridged edition of The Astounding Science Fiction Anthology (1952)

“Cold War” (1949), 3.5/5 (Good). You can read it online here. I read it in First Step Outward, ed. Robert Hoskins (1969). Now let’s dive into the psychological hellscape that is militarized SPACE!

“The Government needs YOU!

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Book Review: Survival Ship and Other Stories, Judith Merril (1974)

/ Joachim Boaz / 22 Comments

Derek Carter’s cover for the 1st edition

3.5/5 (collated rating: Good)

Ever since I read Judith Merril’s “Daughters of Earth” (1952), I’ve been fascinated by her subversive takes 1950s-60s gender roles and classic SF tropes. Survival Ship and Other Stories (1974) contains twelve short stories and a never-before-published poem selected by the author.

In addition to the merits of the tales within, I found Merril’s brief reflections on her early work fascinating. For example, she ruminates on the failure of her planned novel based on the generation ship launched by The Matriarchy in “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). She also describes a magazine “cover story” commission. The author would be provided with the cover art and asked to write a story containing its elements! The following three in this Continue reading →

Short Story Reviews: Theodore L. Thomas’ “Broken Tool” (1959), “The Far Look” (1956), and “The Good Work” (1959)

/ Joachim Boaz / 13 Comments

The following review of Theodore L. Thomas’ “Broken Tool” (1959) is the 6th post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” I have gone ahead and added two additional stories, including one that explores similar territory with a more positivist conclusion, by the same author.

Thank you Jennifer Jodell, “Friend of the Site,” for bringing it to my attention.

Previously: Theodore Sturgeon’s “The Man Who Lost the Sea” )1959).

Up next: Kris Neville’s “Cold War” (1949)

Martinez’s interior art for Theodore L. Thomas’ “Broken Tool” (1959)

“Broken Tool” (1959), 3.5/5 (Good): You can read the story online here.

Theodore L. Thomas speculates on an unintended consequence of training cadets for deep space exploration—the creation of a radical, unmoored from earth, who only looks outward. Our Continue reading →

Short Story Review: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959)

/ Joachim Boaz / 80 Comments

The following review was originally conceived as the fifth post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” However, it does not fit. It is a spectacular evocation of memory and triumph and worth the read.

Thank you Mark Pontin, “Friend of the Site,” for bringing it to my attention.

Previously: Katherine MacLean’s “Echo” (1970)

Up next: Theodore L. Thomas’ “Broken Tool” (1959)

Uncredited cover for the 1st edition of Alpha 8 (1977)

5/5 (Masterpiece)

Theodore Sturgeon’s “The Man Who Lost the Sea” (1959), nominated for the 1960 Hugo Award for Best Short Story, thrusts the reader into a seemingly delusional landscape, generated by extreme trauma, of narrative fragments. One thread follows a child as he presents increasingly complex toy Continue reading →

Book Review: Infinity One, ed. Robert Hoskins (1970) (Poul Anderson, Anne McCaffrey, Gene Wolfe, Robert Silverberg, Miriam Allen deFord, et al.)

/ Joachim Boaz / 15 Comments

This anthology contains the 4th post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!

Previously: William Tenn’s “Down Among the Dead Men” (1954).

Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959)

Jim Steranko’s cover for the 1st edition

3/5 (Collated rating: Average)

Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”

Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading →

Book Review: Of All Possible Worlds, William Tenn (1955)

/ Joachim Boaz / 32 Comments

This collection contains the third post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. After reading today’s installment, I decided to review the entire collection!

Previously: Edmond Hamilton’s “What’s It Like Out There?” (1952).

Up next: Katherine MacLean’s “Echo” (1970).

Richard Powers’ cover for the 1955 edition

3.25/5 (collated rating: Vaguely Good)

In the early days of my website, I reviewed two volumes by William Tenn–his sole novel Of Men and Monsters (1968) and his collection The Human Angle (1956). Of All Possible Worlds (1955) is his first published collection. The presence of “Down Among the Dead Men” (1954), “The Liberation of Earth” (1953), and “The Custodian” (1953) make this a must purchase (despite the handful of duds that drag down the overall rating) for fans of polished 50s satires in wrecked future worlds. Tenn’s narrators Continue reading →

Short Book Reviews: M. John Harrison’s A Storm of Wings (1980), Algis Budrys’ Some Will Not Die (1961, rev. 1978), and William Greenleaf’s The Tartarus Incident (1983)

/ Joachim Boaz / 27 Comments

James Gurney’s cover art detail for the 1st edition of William Greanleef’s The Tartarus Incident (1983)

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack. Stay tuned for more detailed and analytical reviews.

1. A Storm of Wings, M. John Harrison (1980)

Michael Whelan’s cover for the 1982 edition

4.5/5 (Very Good)

A Storm of Wings (1980) is the second volume, after The Pastel City (1971), of the Viriconium sequence. Far more dense and oblique than its predecessor, A Storm of Wings revels in the creation of a surreal urban tapestry–redolent with decay and decadent excess. Two Reborn Men (Fay Glass and Alstath Fulthor) attempt to animate the somnolent city of Viriconium Continue reading →