Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)

/ Joachim Boaz / 11 Comments

M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:

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Don’t worry, I certainly intend to “see tomorrow today!”  I’ll be disappointed if I can’t!

The others are a strange blend…  From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.

Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim.  But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK).  Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973).  With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)….  I will review two or three of the novels in the omnibus one at a time over the next few months.

Thoughts?

1. The Machine in Shaft Ten, M. John Harrison (1975)

THMCSTRS071975

(Chris Foss’ cover for the 1975 edition) Continue reading →

Guest Post: Where Late The Sweet Birds Sang, Kate Wilhelm (1976)

/ Joachim Boaz / 30 Comments

The first in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Admiral Ironbombs (twitter) who blogs, rather compulsively, on Vintage SF and other things over at Battered, Tattered, Yellowed, & Creased.   Check out his site if you haven’t already!

~

(Ed Soyka’s cover for the 1977 edition)

Won the 1977 Hugo Award for Best Novel

Won the 1977 Locus Award for Best Novel

Nominated for the 1977 Nebula Award for Best Novel

Before Joachim asked me to write a review as part of this guest post series, I didn’t know much about Kate Wilhelm. (That being the point, of course, a way to raise awareness of lesser­-known but deserving authors.) I knew Wilhelm was the wife of famed editor­critic Damon Knight, I’ve seen other SF bloggers write glowing praise for her novels, and I’ve enjoyed a few of her short fiction in the not too distant past. But I’m Continue reading →

Update: Kate Wilhelm Guest Post Series Announcement

/ Joachim Boaz / 2 Comments

Kate Wilhelm is most widely known for her Hugo- and Locus-winning,  Nebula-nominated, fix-up novel masterpiece Where Late The Sweet Birds Sang (1976).  However, this linked series of novellas (her favorite form) was already the product of a long and fruitful career starting with somewhat standard pulp in the late 1950s.  By the late 1960s and early 1970s her SF took on psychologically heavy and often devastatingly effective themes with great success: for example, in 1972 she was nominated for an astounding four Nebulas (winning none of them).

Most of her critical success focused on shorter forms which might be the reason why other than Where Late the Sweet Birds Sang (1976) little of her work has remained firmly entrenched in the SF canon.  Which is a crying shame as she is easily one of the most regularly brilliant writers I have encountered.

Thus I have rounded up my normal suspects from across the vintage SF blog sphere for my second guest post series! The first covered the work of Michael Bishop.  As always, I have no idea whether they like her work or not but the purpose is to expose my readers to the range of her amazing visions.  I will place links to their twitter accounts (if they have them) and Continue reading →

Adventures in Science Fiction Art: Tentacles and Other Strange Appendages

/ Joachim Boaz / 25 Comments

ALIENWL1964

(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)

Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977).  I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents…  It terrified me for years.  The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…

…hence, today’s themed art post!

Tentacles and Other Strange Appendages.

 I have a confession:  I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXXIV (Jakes + Anthology + Malzberg + Zelazny)

/ Joachim Boaz / 16 Comments

Roger Zelazny’s most radical (according to some critics) novel…

A fun Ace Double with a rather disturbing face imprisoned in a skull cover by Kelly Freas….

More Malzberg (one can never have enough)…

And another anthology from the single best year of SF — 1972!  (my opinion of course).

Thoughts?

1. Tonight We Steal The Stars / The Wagered World, John Jakes / Laurence M. Janifer and S. J. Treibich (1969) (Ace Double)

(Kelly Freas’ cover for the 1969 edition) Continue reading →

Book Review: Friends Come in Boxes, Michael G. Coney (1973)

/ Joachim Boaz / 11 Comments

(John Holmes’ cover for the 1973 edition)

4.25/5 (Good)

“KEEP A CLEAN SHEET OR YOU’LL END UP AS MEAT” (72)

Michael G. Coney’s focus on everyday struggles—the normal minutiae of life—reached wonderful heights in the lyrical paean to youth and youthful travails Hello Summer, Goodbye (variant title: Rax) (1975).  While the true import of Hello Summer, Goodbye‘s narrative only slowly unfurls as the young man comes of age and perceives more about his world, the world of  Friends Come in Boxes (1973) relentlessly writhes and boils as each main character is compelled to commit a crime Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXXVIII (Malzberg + Robinson + Berk + Ball)

/ Joachim Boaz / 19 Comments

A few more books from Carl V. Anderson‘s gift + two acquisitions of my own.  Including my first Spider Robinson novel, an unknown post-apocalyptical quantity via Howard Beck, and more pulp by Brian N. Ball—not going to lie, Singularity Station (1973) was fun!

I now own a nearly complete Barry N. Malzberg collection of his SF solo works (i.e. no co-written novels with Bill Pronzini).  What I am missing: his first two novels which are more speculative rather than SF, Oracle of a Thousand Hands (1968), Screen (1968), his SF novel Scop (1976), his movie novelization Phase IV (1973) which I have held off buying despite seeing it for cheap in used stores, and his non-SF novel Underlay (1974).  I have all his collections of short fiction pre-1994 other than Final War and Other Fantasies (1969), The Best of Barry N. Malzberg (1976), and Down Here in Dream Quarter (1976).

Thus, I own a grand total of 28 Malzberg novels and collections!

Thoughts?

1. Overlay, Barry N. Malzberg (1972)

Screen shot 2015-03-11 at 10.14.49 AM

(Ray Feibush’s cover for the 1975 edition) Continue reading →

Book Review: Orbit 8, ed. Damon Knight (1970)

/ Joachim Boaz / 33 Comments

(Paul Lehr’s cover for the 1971 edition)

3.25/5 (collated rating: Good)

The avant-garde leaning Orbit anthology series, edited by Damon Knight, had an illustrious run from 1966-1976.  Recently I have become more and more intrigued by the anthology as a way to access a wider range of authors and radical visions.  Despite my rather lowish collated rating of Best SF Stories from New Worlds 2, ed. Michael Moorcock, it was a satisfying collection which exposed me to the SF of Langdon Jones and Pamela Zoline.  Likewise, it somewhat rehabilitated my view of Charles Platt whose Planet of the Voles (1971) has long been one of my least favorite SF novels.

Anthologies are fascinating cross sections of the genre reflecting what was perceived as worthwhile SF by editors.  They will almost always be more uneven than single author collections.  But the exposure to forgotten authors and authors who never received a single author collection makes them almost always worthwhile.

Orbit 8 (1970) is no exception.  The anthology swings wildly from Gardner Dozois’ masterpiece “Horse of Air” (1970) Continue reading →