Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

/ Joachim Boaz / 21 Comments

THMMNTFCLP1979

(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

/ Joachim Boaz / 3 Comments

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading →

Book Review: The Mercy Men (variant title: A Man Obsessed), Alan E. Nourse (1955)

/ Joachim Boaz / 3 Comments

(Uncredited cover for the 1968 edition)

2.5/5 (Bad)

Alan E. Nourse’s The Mercy Men (1955) contains all the necessary parts for a riveting 1950s SF thriller: a disturbing future America where the destitute sell their bodies for medical experimentation, a world wrecked by increasing waves of mental illness, and a hero with a manic obsession with finding the man who killed his father.  However, Nourse’s strategic dousing of the characters and scenes with Extra Sensory Perception (ESP) hoopla muddles the wonder of the world and rigor of the action and leaves the reader imagining all the lost opportunities.

 And of course in the best pulp tradition which Nourse so fervently adheres to, science wins out in the end and provides nicely packaged easy Continue reading →

Book Review: Doomsday Morning, C. L. Moore (1957)

/ Joachim Boaz / 19 Comments

powers_doomsday-morning

(Richard Powers’ cover for the 1958 edition)

4.25/5 (Good)

C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy).  Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett).  And her second husband forbid her to write altogether…

Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States.  Against this backdrop intriguing characters come to life.  Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures.  Instead, the true extent of the government’s Continue reading →

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

/ Joachim Boaz / 46 Comments

Screen shot 2013-04-25 at 9.00.06 PM

(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading →

Book Review: The Human Angle, William Tenn (1956)

/ Joachim Boaz / 8 Comments

(Richard Powers’ cover for the 1964 edition)

3.75/5 (collated rating: Good)

I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations.  Despite the handful of duds — “The Human Angle” (1948), “Project Hush” (1954) and “The Discovery of Morniel Mathaway” (1955) —  that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.

Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic.  It’s worth getting your Continue reading →

Adventures in Science Fiction Cover Art: The Vaguely Defined Looming Man Shape

/ Joachim Boaz / 23 Comments

stewart01

(John Richards’ cover for the 1961 edition of Earth Abides (1949), George R. Stewart)

Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy.  I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures).  Two of the three covers were made for Signet press and all three are from the early 1960s.  I suspect if I perused the covers from the Signet catalogue from that era I’d find even more….  Perhaps it’s the work of Sanford Kossin?  He was producing covers for Signet around the same time.  Solved: The cover artist is John Richard.

And now The Vaguely Defined Looming Man Shape Continue reading →

Book Review: The Bridge, D. Keith Mano (1973)

/ Joachim Boaz / 8 Comments

(Uncredited — but looks like Jerome Podwil’s work — cover for the 1974 edition)

3.25/5 (Good)

The Bridge (1973) is D. Keith Mano’s only “full-fledged” SF work (Clute on SF encyclopedia).  Mano’s profoundly unsettling dystopic New York circa 2035 is characterized by an unusual mix of radical environmentalism gone amok and Christianity misinterpreted beyond recognition.  In our current day of overwhelming evidence of Global warming and other types of environmental devastation caused by mankind, Mano’s near future will come off as unnecessarily alarmist.

Clearly Mano means his work to be a satire of the most draconian rhetorical flourishes of the environmentalist Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

/ Joachim Boaz / 16 Comments

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading →