Book Review: Mortals and Monsters, Lester del Rey (1965)

(Richard Powers’ cover for the 1965 edition)

3.25/5 (collated rating: Average)

Lester del Rey’s collection Mortals and Monsters (1965) — first editions are adorned with a gorgeous collage by the superb Richard Powers — is comprised of eight short stories from the 50s and four from the early 60s.  The collection, as with all but the best collections, is a mixed bag.  ‘The Years Draw Nigh’ (1951) is almost a masterpiece while ‘Recessional’ (1965) is an upsetting exercise in 60s sexism despite the fascinating premise.

I found that a few of the del Rey’s shorts are some of the more blatantly sexist 50s works Continue reading

Updates: Recent Science Fiction Acquisitions No. LXVII (Simak, Clement, Bradley, White)

I just came back from more than a month in Paris where I was rather sci-fi deprived so I headed immediately (well, not literally) to the local used bookstore.  A nice collection of novels from some of the genre’s greats — Hal Clement, James White, Clifford D. Simak, and Marion Zimmer Bradley.  I’ve not read any of Bradley’s novels and I’ve heard that Darkover Landfall (1972) is probably the place to start.

And I’ve enjoyed James White’s work so far.  Clement isn’t exactly my cup of tea but it might be good to read another one of his novels before I come to a conclusion.

And some fun Paul Lehr covers…

1. Lifeboat (variant title: Inferno), James White (1972)

(John Berkey’s cover for the 1972 edition) Continue reading

Book Review: Mission of Gravity, Hal Clement (serialized, 1953)

(Joe Mugnaini’s cover for the 1954 edition)

3.5/5 (Good)

Hal Clement’s Mission of Gravity (1953) is generally considered one of the early classic (and most influential) novels of the hard science fiction subgenre.  The care in which Clement lavishes on the fascinating world of Mesklin is manifest on virtually every page.  The inherent logic of the unusual scientific properties of the planet Mesklin provides the superstructure for Clement’s development of the intelligent species that inhabits it and generates the majority of the plot.  Clement, a Harvard educated astronomer, applies the (remorseless) logic of the world to almost every situation and every paragraph creating a convincing, if rather laborious Continue reading

Adventures in Science Fiction Cover Art: The Hand of God?

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(William Timmins’ cover for the January 1947 issue of Astounding Science Fiction)

A hand from a body off canvas enters the fray….  An alien’s hands wrap around the Earth, amused or disturbed by its creations?  A hand rises from a variety of desolate landscapes…  Is it the remnant of a robotic construct or a relics from some age old creator?

This particular theme — a powerful force depicted via an often disembodied hand — has yielded some fantastic covers.  Brian Lewis’ cover for the 1958 issue of Science Fantasy is one of my favorites.  I find the scene — a group of people discovering a robotic hand reaching from the f Continue reading

Updates: Recent Science Fiction Acquisitions No. LXVI (Anderson + Simak + Ballard)

Gifts!  From my fiancé!

Four more wonderful books…  I can’t wait to read J. G. Ballard’s The Burning World (1964) and Poul Anderson’s short story collection Time and Stars (1964)…  Ballard is a genius and Anderson is a solid writer who always produced fun plot-driven works (I suspect his Hugo nominated There Will Be Time (1973) will be similar).  Also, despite my general frustration with Clifford D. Simak’s ouvre, I’m intrigued by Why Call Them Back From Heaven? (1967)….

Enjoy the two Powers covers!

1. The Burning World, J. G. Ballard (1964)

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(Richard Powers’ cover for the 1964 first edition) Continue reading

Book Review: The People Trap (full title: The People Trap and other Pitfalls, Snares, Devices, Delusions, as Well as Two Sniggles and a Contrivance), Robert Sheckley (1968)

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(Photo Media’s cover for the 1968 edition)

4/5 (collated rating: Good)

Although Robert Sheckley’s collection The People Trap (1968) does not approach the heights of Store of Infinity (1960), there are plenty of gems and the overall quality should compel any fan of satirical 50s/60s science fiction to find a copy.   Sheckley’s stories are characterized by delightful wit (despite serious themes such as the effects of colonization, technology, and nuclear disaster), surprising twist-endings, a penchant for intellectual mind-games (especially his 60s stories), and often hilariously hapless Continue reading

Book Review: The Burning, James E. Gunn (1972)

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(Robert Foster’s evocative cover for the 1972 edition)

3.25/5 (collated rating: Above Average)

James E. Gunn’s The Burning (1972) is a fix-up novel containing three previously published but linked novelettes: ‘Witches Must Burn’ (1956), ‘Trial By Fire’ (1969), and ‘Witch Hunt’ (1969).  The first two are contiguous while the third section is more loosely related.  I will rate each separately as I did with the superior The Immortals (1962).

As someone who has lived in areas of the United States plagued by virulent strains of anti-intellectualism, massive higher education funding cuts (especially in the liberal arts), and an increasing emphasis on “practical” fields of study, James E. Gunn’s The Burning (1972) is a profoundly unsettling read.  Of course Gunn’s dystopic future is much more one of doom and gloom: The universities lie in smoldering ruins, the professors (“eggheads”) Continue reading

Updates: Recent Science Fiction Acquisitions No. LXIII (Simak + Tenn + Clement + Frayn)

A new bookstore in my hometown!  Great results! Dirt cheap (between 1-2 $ a book)!  Happy me!

I finally have a copy of Hal Clement’s hard science fiction masterpiece, Mission of Gravity (1953)…  And a collection of William Tenn’s short stories with a downright gorgeous Powers cover — Tenn is supposedly up there with Sheckley in the satirical pantheon of the 50s… Among others…

Has anyone read Michael Frayn’s A Very Private Live (1968)?  I’ve never heard of it before but the Lehr cover was too amazing to pass up…

1. The Human Angle, William Tenn (1956) (MY REVIEW)

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(Robert Powers’ cover for the 1956 edition)

From the inside flap: “WIT: an extra-terrestrial sells pornographic literature Continue reading

Adventures in Science Fiction Cover Art: The Power of the Atom!

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(John Richards’ cover for the 1958 edition of Crisis 2000 (1955), Charles Eric Maine)

On science fiction covers from the 40s and 50s the atom is often emblematic of atomic power and all the dangers and promises that such a scientific breakthrough could (and did) yield.  In John Richards’ cover for the 1958 edition of Charles Eric Maine’s Crisis 2000 (1955) the humanoid super beings arrive from Saturn to terrorize Earthmen — and, carefully covering the private areas of one of these denizens of Saturn is the atomic symbol surrounded by blood. The cover is made even more unnerving by the multiplicity of identical Continue reading