Book Review: Beasts, John Crowley (1976)

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(John Cayea’s cover for the 1976 edition)

4.5/5 (Very Good)

“‘They want to kill us all, you know.  They’re trying […].  The government.  Men.  You.’  Still his eyes searched hers. ‘We’re no use to them.  Worse than useless.  Poachers.  Thieves.  Polygamists.  We won’t be sterilized.  There’s no good in us.  We’re their creation, and they’re phasing us out.  When they can catch us'” (33).

While reading John Crowley’s Beasts (1976) I was reminded of the life of Stephan Bibrowski (1891-1932) à la Lionel the Lion-faced Man.  Stephan was afflicted with hypertrichosis (most likely) which caused his entire body to be covered with hair.  His mother was so horrified at his appearance  — which she believed was caused because she saw her husband mauled by a lion while she was pregnant Continue reading

Book Review: The Burning, James E. Gunn (1972)

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(Robert Foster’s evocative cover for the 1972 edition)

3.25/5 (collated rating: Above Average)

James E. Gunn’s The Burning (1972) is a fix-up novel containing three previously published but linked novelettes: ‘Witches Must Burn’ (1956), ‘Trial By Fire’ (1969), and ‘Witch Hunt’ (1969).  The first two are contiguous while the third section is more loosely related.  I will rate each separately as I did with the superior The Immortals (1962).

As someone who has lived in areas of the United States plagued by virulent strains of anti-intellectualism, massive higher education funding cuts (especially in the liberal arts), and an increasing emphasis on “practical” fields of study, James E. Gunn’s The Burning (1972) is a profoundly unsettling read.  Of course Gunn’s dystopic future is much more one of doom and gloom: The universities lie in smoldering ruins, the professors (“eggheads”) Continue reading

Adventures in Science Fiction Cover Art: The Power of the Atom!

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(John Richards’ cover for the 1958 edition of Crisis 2000 (1955), Charles Eric Maine)

On science fiction covers from the 40s and 50s the atom is often emblematic of atomic power and all the dangers and promises that such a scientific breakthrough could (and did) yield.  In John Richards’ cover for the 1958 edition of Charles Eric Maine’s Crisis 2000 (1955) the humanoid super beings arrive from Saturn to terrorize Earthmen — and, carefully covering the private areas of one of these denizens of Saturn is the atomic symbol surrounded by blood. The cover is made even more unnerving by the multiplicity of identical Continue reading

Updates: Recent Science Fiction Acquisitions No. LXII (Amis + Cummings + Van Vogt)

A strange conglomeration of novels….

If there’s any era I’m lacking knowledge in it’s late 20s-early 40s (well, I’ve read some Van Vogt + Edgar Rice Burroughs) pulp science fiction — so I decided to brush up on some of the greats.  With that in mind I acquired five Ray Cummings novels (the rest will be in a later acquisition post) and Van Vogt’s Slan (1940)…..  I don’t have high hopes.  But now I own my first Alex Schomburg cover!

I generally do not accept review copies due to the fact that most offers are for self-published works rather than republished novels from the period I’m most familiar with (and prefer to read) — 1950-1985.  So, when New York Review of Books offered me a copy of Kingsley Amis’ well-known alt-history/sci-fi (depending on whose definition you’re reading) novel The Alteration (1976) I happily agreed….

1. The Exile of Time, Ray Cummings (magazine publication 1931)

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(Alex Schomburg’s cover for the 1964 edition) Continue reading

Adventures in Science Fiction Cover Art: The Space Station, Part II

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(Arthur Hawkins’ cover for the 1959 edition of Skyport (1959), Curt Siodmak)

Part II of my series on cover art depicting space stations (Part I).  Here are vast assortment of primarily Alex Schomburg and Vincent Di Fate’s artwork — they did love their space stations.  But, I think my favorite is by far Arthur Hawkins’ cover for the 1959 edition of Curt Siodmak’s Skyport (1959) — the author is of course famous for the novel Donovan’s Brain (1942).  The delightful color scheme, the 50s aesthetic, the vague indication of continents below, the cluster of Continue reading

Updates: Recent Acquisitions No. LXI (James E. Gunn x 5)

I loved James E. Gunn’s The Joy Makers (1961) and found the collection Station in Space (1958) quite solid…  Thus, I snatched up a lot of Gunn’s fix-up novels and short story collections from ebay…. It is often difficult to distinguish Gunn’s short story collections from his novels due to the fact that his favorite form tended to be the novella and novelette — after their original magazine publications they were combined into “proper novels” or existing novellas, for example ‘The Listeners’ (1968), were expanded to novel length.

Regardless, I cannot wait to read these.  Which ones to do you recommend?

And some intriguing covers….

1. The Burning, James Gunn (1972) (MY REVIEW)

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(Robert Foster’s cover for the 1972 edition)

From the inside flap: “Death to the scientists!  The cry for blood vengeance went up all over the Continue reading

Adventures in Science Fiction Cover Art: On the Cross and Other Prophetic Imagery

Screen shot 2012-11-21 at 1.36.13 PM(Michael Whelan’s cover for the 1977 edition of The Gameplayers of Zan (1977), M. A. Foster)

On the cross, a future prophet (or false one)?  A martyr for a lost cause?  Or, some future priestly emissary of the Catholic church dispensing law on those gathered…. Perhaps some transformation of man to a godly state all hallowed and arrayed with religious accouterments of faith?  I’ve gathered a fun collection of science fiction prophets mostly decked out / depicted in distinctly Christian style.  

My favorite is Robert Foster’s cover for the 1970 edition of Behold the Man (1969) by Michael Moorcock…. And Gray Morrow’s cover for the 1970 edition of This Immortal (variant title: And Call Me Conrad) (1965) contains a fascinating color scheme — although there isn’t any mold on the figure’s face as Zelazny Continue reading

Updates: Recent Acquisitions No. LX (Galouye 4x + Bunch)

What a group of novels!  Four novels by the highly underrated and underread 1960s/early 70s author Daniel F. Galouye — the only novel of his I’m missing is The Infinite Man (1973)…  I’ve previously read his most famous work Dark Universe (1961) — here’s my review (be warned, one of my first reviews on the site, I’d like to think that I’ve improved) — but copies tend to go for around $10+ online so I didn’t own a copy until I stumbled on a great lot of his novels on ebay for a few bucks…

Just read the back covers quotes (below).  They all sound disturbing and absolutely fantastic.  Rainer Werner Fassbinder — yes, you read that correctly — even made a German language miniseries adaptation, Welt Am Draht (1973) (World on a Wire), of Simulacron-3 (1964). Criterion just released a DVD….  And of course, Josef Rusnak’s more famous film The Thirteenth Floor (1999) was a lose adaptation of the same novel.

Also, I spent the most I’ve ever spend on a paperback for David R. Bunch’s near masterpiece, Moderan (1971).  I finished the novel last week (interlibrary loan) and had to find a copy…  They are usually $18 + online but again, found a copy on ebay and made an offer.  I’ll have a review of Moderan up in a few days, I promise!

1. Lords of the Psychon, Daniel F. Galouye (1963)

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(Uncredited cover Continue reading

Adventures in Science Fiction Cover Art: The Rotating Wheel Space Station/Habitat, Part I

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(Dean Ellis’ cover for the 1973 edition of Operation Umanaq (1973), John Rankine)

Here are only a small portion of the cover images I’ve collected of space stations and space habitats of the rotating wheel variety — i.e. the ring (or a torus) spins creating pseudo-gravity.  As in the double-wheeled space station in 2001: A Space Odyssey (1968)…  I have always been enamored with space stations/habitats which was part of reason I adored Star Trek: Deep Space Nine as a kid (although today I prefer it over the over Star Treks due to the complicated arc Continue reading