aliens

Updates: Recent Science Fiction Acquisitions No. XXV (Silverberg + Dickson + Bester + et al.)

/ Joachim Boaz / 4 Comments

I have a substantial backlog of purchases from my “productive” book hunting Spring Break in Texas….

I’ve read Alfred Bester’s The Demolished Man (1952), which I loved, and The Stars My Destination (1956), which I mostly enjoyed, however I’ve rarely seen his short story collections in used book stores.  I snatched up the gorgeous covered The Dark Side of the Earth (1956).  I suspect Bester is even better at short stories than his novel length works….

The Time of the Great Freeze (1964) is considered one of Robert Silverberg’s best pulp works.  On indirect advise of my friend Michael Dalke at Potpourri of Science Fiction Literature, I’ve procured more of Gordon R. Dickson’s short works…  Thankfully, he hasn’t reviewed the collection The Star Road (1973) yet (I think) — we have a “rivalry.”  Haha.

I’ve already reviewed the short story collection edited by Donald Wollheim, The End of the World (1956) (MY REVIEW), and highly recommend it. A few of the stories are duds but two are in my top 5 short work list.  Philip K. Dick’s ‘Impostor’ (1953) alone is reason enough to track down the volume.

1. The Dark Side of the Earth (1964), Alfred Bester (MY REVIEW)

(Uncredited cover for the 1964 edition) Continue reading →

Adventures in Science Fiction Art: Doomed Cities Part III (the attack of the metal missile casings, monks among ruins)

/ Joachim Boaz / 11 Comments

(Rod Turner’s cover for the 1952 edition of The G-Bomb (1952), Vargo Statten (i.e. John Russell Fearn)

Make sure to check out Part I and Part II if you haven’t.  Some of the doomed cities are stunning!

Of all the 50s pulp covers, Rod Turner’s series for Vargo Statten’s novels (John Russell Fearn) has become one of my favorites (above).  Although they adhere to every possible cliché, the pure exuberance of delivery is addicting — the books themselves are supposed to be pure drivel.

Enjoy monks among ruins, spaceships hovering above the fragments of past cities, hordes emerging from the wrecked husks of our august metropolises, the attack Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXIV (Simak + Henderson + Pangborn + Coney)

/ Joachim Boaz / 15 Comments

Returning to my old haunt (Texas) conjures the normal quality science fiction haul….  Not the range of Dallas’ spectacular Half Price Books but still a nice selection.

As always, I took a few risks.  I know very little about Zenna Henderson’s short stories — and the cover for the 72 edition of Holding Wonder (1971) (below) is atrocious!  But she’s generally considered a worthwhile author despite the rather hokey premise of her The People series.  I’m most interested in Edgar Pangborn’s A Mirror for Observers (1954) — and I promise not only because of the Richard Powers’ cover.  My father disliked Simak’s Our Children’s Children (magazine 1973) so I don’t have high hopes…  I’m rather ambivalent towards Simak.  I enjoyed City (1954) but would never call it a masterpiece.  Cemetery World (1973) was an interesting read but more in concept than delivery.  Way Station (1963) didn’t deserve the Hugo award but had its moments… etc.

Michael G. Coney’s The Hero of the Downway (1973) was an impulsive buy.  I know very little about the quality of his writing but was persuaded by Josh Kirby’s cover!  And underground societies usually hold my interest — even if they don’t achieve the heights of David F. Galouye’s wonderful Dark Universe (1961).

Enjoy the covers!  And the back cover blurbs!

1. A Mirror for Observers (1954), Edgar Pangborn

(Richard Powers’ cover Continue reading →

Adventures in Science Fiction Cover Art: Through the View Screen, Through the Window

/ Joachim Boaz / 8 Comments

(Julian S. Krupa’s cover for the July 1947 issue of Amazing Stories)

Through the window, through the view screen cities are discovered, worlds end in searing flame,  vectors to unknown lands are plotted, the horrors of earth are left behind.  Alone in a space station an astronaut observes the fragile construction arrayed around him.  Through the window, through the view screen aliens observe our strife, loved ones watch in agony, and the culmination of our era’s scientific endeavors are arrayed in orderly rows.  

In short, the possibilities are endless.  The glass (or some scientifically advanced clear material) frames the story, we watch others watching or we see what they see while we stand among them… 

Definitely a delightful sci-fi cover art trope worth exploring.  Here are a broad selection of covers from juvenile science fiction novels, pulp magazines, edited Continue reading →

Adventures in Science Fiction Cover Art: The Art of Robert Foster, Part II

/ Joachim Boaz / 34 Comments

(Robert Foster’s cover for the 1971 edition of The Dakota Project (1968), Jack Beeching)

Unfortunately, science fiction covers from the 60s/70s are not always credited — Robert Foster’s covers are no exception.  Originally I assumed that Foster had only produced a handful (see my first post on his work, Part I), but after searching under Bob Foster and identifying covers by sight I’ve cobbled together another varied/intriguing/unusual collection of his work.

His work are often characterized by fascinating collaged, geared, industrial machinery paired with nudes and semi-nudes Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXIII (Farmer, Malzberg + et al.)

/ Joachim Boaz / 10 Comments

A while back I slogged through Philip José Farmer’s dismal To Your Scattered Bodies Go (1971) (the worst novel ever to win the Hugo Award?) and all the increasingly terrible sequels and made a solemn vow to wait a few years before I returned to his extensive oeuvre — so, against my better judgement I picked up a copy of  Traitor to the Living (1973).  I don’t have high hopes (but I love the cover!).  I hope my two dollars were well spent.

Malzberg is shaping into my “under read/unjustly forgotten author of the year” whom I’ll showcase.  Last year’s winner was the brilliant D. G. Compton (see INDEX for reviews).  Fresh off Conversations (1975) and In The Enclosure (1973) I picked up a copy of Guernica Night (1975).  I can’t wait!

Harold Mead’s The Bright Phoenix (1955) is yet another against the oppressive state à la Orwell’s 1984… But, I’ve found that the premise generally holds up despite frequent re-interpretations…

Greenfield’s Waters of Death (1967) should be avoided — at all cost.  I’ve already written a scathing review (rant).

1. Traitor to the Living (1973), Philip José Farmer (MY REVIEW)

(Hans Ulrich Osterwalder and Ute Continue reading →

Book Review: In The Enclosure, Barry N. Malzberg (1973)

/ Joachim Boaz / 14 Comments

(Davis Meltzer’s cover for the 1973 edition)

4.5/5 (Very Good)

Fresh off Malzberg’s intriguing young adult novel, Conversations (1975), I picked up a copy of the altogether more disturbing, transfixing, unnervingly prescient, and at moments, brilliant In The Enclosure (1972).  As with many of Malzberg’s oeuvre, the work is infused with a steady dose of metafiction — our hero laments (and we writhe along with him in a malaise of unease), “I will never really know” (189).  Just as Quir is unsure of his own reality, his diaristic words — which the reader is desperate to hold on to — are admittedly, “an impression, a conception, nothing more” (190).

Combining the science fiction trope of implanted memories with the literary narrative mode of the unreliable narrator creates an overwhelmingly uncomfortable gulf between reality and constructed reality.  The result, the overpowering desire to pick up a piece of pulp science fiction where the future is rosy, technology = happiness, the kids smart, where rockets Continue reading →

Book Review: Eight Keys to Eden, Mark Clifton (1960)

/ Joachim Boaz / 24 Comments

(Ralph Brillhart’s cover for the 1962 edition)

3.25/5 (Average)

Mark Clifton’s readable and thought-provoking Eight Keys to Eden (1960) has been unfortunately overshadowed by his dismal failure, They’d Rather Be Right (1955) (co-written with Frank Riley), which is generally considered the worst novel ever to win the Hugo Award.  Although I wouldn’t classify Eight Keys to Eden as a masterpiece, the novel does contains an original premise, good plotting, and sufficiently thought out “pseudo-intellectual” content that is only overbearing at the work’s climax.  The serious nature of the premise is weakened by a forced strain of unfunny “humor” that creeps in at the wrong moments.  Also, a complete lack of character development makes us care little for the challenges Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXII (Cooper + Wilhelm + Kornbluth + Merril)

/ Joachim Boaz / 6 Comments

I was so impressed with C. M. Kornbluth’s masterful collection The Explorers (1954) that I picked up a copy his 1958 collection A Mile Beyond the Moon (I own the hardback first edition but I prefer Powers’ cover below).  Also, recently inspired (again) to read more 1960s works by female authors I bought a collection of three novellas by Merril and a 1963 collection of shorts by Kate Wilhelm.  Wilhem and Merril aren’t always top-notch but worth a read (and in Wilhelm’s case, a second chance — I enjoyed Where Late the Sweet Birds Sang (1977) but I’m still not convinced it was Hugo/Nebula quality work).

Cooper’s Seed of Light (1958) is considered one of his more mature works — to the chagrin of some of his fans who prefer his more “pulpish” works — but my obsession with generation ships was my real motivation to add it to my collection.

One short story, a novel, and one of the novellas take place on generation ships!

A nice haul — a mixture of lesser known works by some famous figures.

Enjoy (the covers)!

1. Daughters of Earth (1968), Judith Merril (MY REVIEW)

(Robert Foster’s cover for Continue reading →