Note: collage, hand carved ink stamps, hand drawn map, pastel, lacquer
(Jack Gaughan’s cover for the 1969 edition)
As I read Roger Zelazny’s post-apocalyptical adventure Damnation Alley (1969), the relentless throbbing of Hawkwind’s 1977 song inspired by the novel along with cringeworthy lines of dialogue from the 1977 film version kept interjecting themselves into my reading experience.
First, a snippet from the song….
I’ve got the serum and I’m going to take it
All the way to Boston, oh I’ve got to get through
The going won’t be easy, but I’m going to make it
It’s the only thing that I’m cut out to do
Ride the post-atomic radioactive trash
The sky’s on fire from the nuclear flash
Driving through the burning hoop of doom,
In an eight wheeled anti-radiation tomb
Thank you Dr. Strangelove for going doolally,
and leaving me the heritage of Damnation Alley […].
Absent from Hawkwind’s interpretation that Continue reading Book Review: Damnation Alley, Roger Zelazny (1969)
(Cover for Fiction, 133 (1964), ed. Alain Dorémieux)
The four credited covers of Philippe Jean for the French SF magazine Fiction (between 1963-1964) show remarkable clarity of vision. Each explores the patina of decay made manifest in a haunting landscape that stretches across the page, still inhabited by small figures who weave among the ruined buildings and statuary. The detail from Fiction, #133 below shows a decaying recumbent form amongst brittle shadows of the masts of stranded ships — small human figures move around it.
In another instance, here Fiction, 121, Continue reading Adventures in Science Fiction Cover Art: Otherworldly Textures and the Patina of Decay (the SF art of Philippe Jean)
Joachim Boaz compiling a post about SF comic book art? Wait. Wait. That can’t be, I remember reading in a comment months ago that he hasn’t opened a comic book once in his entire life. Oh, that makes more sense, the French artist Serge Clerc, who worked for Métal Hurlant early in his career, also created SF covers….
…and they are quite fun in their wacky way. In 1977 for the French Presses de la Cité – Futurama, Serge Clerc created eight covers–gracing works by Brunner, Octavia Butler, E. C. Tubb, and James Gunn–of which I’ve included seven in this post. My favorite is his 1977 edition of John Brunner’s Continue reading Adventures in Science Fiction Cover Art: French comic book style 70s SF art by Serge Clerc
(Michael Payne’s cover for the 1978 edition of Envisaged Worlds (1978), ed. Paul Collins)
Michael Payne created a handful of covers for Australian SF presses in the 1970s. They are difficult to track down (especially in high-quality images) so I’ve provided three tantalizing covers that suggest potential if he had continued to produce SF art. They feature careful pencil work and an eye for the slightly surreal–especially the repeated human figures in Envisaged Worlds (1978) (my favorite of the bunch).
This post is also a call for any additional information you might be able to find about his career, non-SF art (if any), or even the Australian presses (Wren and Void Publications). The art for Beyond Tomorrow (1976) also appeared on the 1975 Science Fiction Monthly, July 1975 “AussieCon Special” edition. If someone has that copy of Science Fiction Monthly please let Continue reading Adventures in Science Fiction Cover Art: Three Tantalizing Australian SF Covers by Michael Payne
(Karel Thole’s cover for the 1986 edition of The Divine Invasion (1981), Philip K. Dick)
Following close on the heels of my post on European (Italy, France, and Spain) editions of Robert Silverberg’s SF I present fifteen Italian covers for Philip K. Dick’s novels and short story collections. Karel Thole, as always, puts in the best shift. But there are some other gems—for example Libero Vitali’s cover for the 1974 edition of PKD’s wonderful (and terrifying) novel A Maze of Death (1970). My favorite Thole cover of the bunch is for Urania #897 (1981), which contains contains various PKD short stories gathered by the Italian editors. Thole’s delightful ability to interject uncanny surrealist elements in his art matches perfectly PKD’s own stylistic tendencies.
Note: There’s a fantastic (but incomplete) resource that gathers thumbnail images of many of the PKD’s foreign editions. I have tried to find higher quality ones that also appealed to me for the sake of this post. But check Continue reading Adventures in Science Fiction Cover Art: Italian Covers for Philip K. Dick’s Novels and Short Story Collections
(Uncredited cover for the 1977 French edition of Tower of Glass (1970), Robert Silverberg)
Robert Silverberg (b. 1935) has long been one of my favorite SF authors. Especially between 1967-1975 (i.e. his shift away from pulp and before his momentary retirement), Silverberg produced a prodigious and thought-provoking corpus of writing. The sheer number of brilliant works crammed into those few years is only rivaled by Barry N. Malzberg (1969-1976) and Kate Wilhelm (1967-c. 1976).
As I’ve been exploring other less known authors, I’ve not read a lot of Silverberg’s novel-length works recently. Tower of Glass (1970), Nightwings (1969), A Time of Changes (1971), The Stochastic Man (1975), Son of Man (1971), and Up the Line (1969) among others remain unread on my shelf. Rather, I’ve restricted my focus to a few wonderful short stories in various collections here and there—“Passengers” (1968), a haunting masterpiece story of alien possession; “When We Went to See the End of the World” (1972), suburban banter Continue reading Adventures in Science Fiction Cover Art: A Handful of French, Italian, and Spanish Editions of Robert Silverberg’s Science Fiction