(The 1967 edition of Mindswap (1966), Robert Sheckley)
A few weeks ago I reviewed Clifford D. Simak’s The Werewolf Principle (1967) and came across Terry James’ cover (below) for the 1969 Science Fiction Book Club (UK) edition. The spectral shedding/transforming of the human figure matched the uncanny vibe of the novel. And I headed immediately to isfdb.org to browse his ouvre (note: a few volumes in the pub. series are clearly his but remain uncredited)! And I decided to put together a series of posts showcasing his work.
His art, the entire catalog of SFBC editions between 1968 and the mid-way point of 1971, works with little Continue reading Adventures in Science Fiction Cover Art: The Spectral Visions of Terry James, Part I
1. My exploration of the early 80s continues with an intriguing Mars mystery. I had not heard of the author—Lewis Shiner—until browsing SF Encyclopedia recently. It’s also graced with a stirring, if rather simple, Di Fate spaceship.
2. Giants in the Dust (1976) might be Chad Oliver’s least known SF novel. Clute describes it thus: “Giants in the Dust (1976) argues the thesis that mankind’s fundamental nature is that of a hunting animal, and that our progress from that condition has fundamentally deracinated us.” I reviewed another one of Oliver’s 70s visions—The Shores of Another Sea (1973)—a few years ago.
I’m positive that this is Di Fate’s cover as well although it’s uncredited. One of his clunkier works…. His figures are always slightly off.
3. I picked up one of the later volumes of Suzette Haden Elgin’s Coyote Jones sequence. Did not care for At the Seventh Level (1972).
4. And finally, I bought a large pile (20?) magazines for less than a dollar each. People might be obsessed with the aesthetic of old SF but the magazines and paperbacks are cheap as dust at some of the stores I frequent…. I’ll post them slowly over the coming months.
Let me know what books/covers intrigue you. Which have you read? Enjoyed? Hated?
1. Frontera, Lewis Shiner (1984) (MY REVIEW)
(Vincent Di Fate’s cover for the 1st edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CCXIX (Elgin + Oliver + Shiner + Worlds of Tomorrow Magazine)
(Ludovico De Luigi’s “Thomas Mann,” 2007)
When you think of Italian SF art, the name that immediately springs to mind is the brilliant Dutch painter Karel Thole (1914-2000), who seemed to illustrate half of the Italian SF publications in the 60s/70s…. However, a whole series of fascinating artists were brought in for short spats of covers. Continue reading Adventures in Science Fiction Cover Art: The Surreal Cityscape Covers of Ludovico De Luigi
Today’s installment of Monday Maps and Diagrams returns to a recent acquisition of mine—a signed copy of Greg Bear’s first published novel Hegira (1979), which seems to be a Riverworld and Ringworld inspired read involving the discovery of the nature of an unusual world…
I’m impressed with the simple effectiveness of Greg Bear’s map—created by his own hand (citation bottom right corner). The ocean is nicely indicated as are the rivers and regions (and of course, the unusual wall in the far north–one of the story’s many mysteries).
Enjoy! And, as always, comments are welcome and appreciated!
For my recent acquisition post which included novel’s plot blurb and discussion in comment section about the Greg Bear’s early works, click here.
Citation: Greg Bear’s own map for the Dell 1st edition of Hegira (1979), Greg Bear. Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 7/15/19: Greg Bear’s Hegira (1979)
The book-buying bug has hit particularly hard as of late. I suspect the promise of the end of the semester is part of my mental metric.
In this haul….
An early graphic novel written by Samuel R. Delany and illustrated by Howard V. Chaykin!
A collection of parallel worlds short stories by a whole range of authors I’ve never encountered (Lucy Cores, Robert Coulson, Rob Chilson, Dimitri V. Gat, H. R. Percy, Michael Orgill, Olga Ley, etc.) and a few I want to return to (Chelsea Quinn Yarbro, Gordon Eklund, George Zebrowski, etc.).
And two lesser known novels by lesser known authors…. Robert G. Griffin and Stuart Gordon.
As always, I love hearing your thoughts on the volumes and authors and covers.
I look forward to your comments!
1. Empire, Samuel R. Delany and Howard V. Chaykin (1978)
(Howard V. Chaykin’s cover for the 1st edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CCXI (Delany + Griffin + Gordon + Parallel Worlds Anthology)
(Detail from Alan Daniels’ cover for the 1980 German edition of Open Prison (1964), James White)
The crashed spaceship — a wrecked hulk spinning in the emptiness of space, shattered metal struts strewn across an alien landscape…. I find few SF scenarios more nostalgic than this one as a younger me was obsessed with books about the societies formed from the survivors of such cataclysms (Anne McCaffrey’s Acorna Universe sequence, of dubious quality now, was a cornerstone of my youth).
I have selected a range of fascinating covers which add to a series I made in 2012 (Part I) and 2013 (Part II). My favorite of the bunch is Tibor Csernus’ cover for the 1973 French edition of Clifford D. Simak’s Time and Again (1951) due to the verdant and wet landscape the spaceship finds itself in. My second favorite is Dean Ellis’ “descriptive” cover for the 1974 edition of Alan Dean Foster Icerigger (1974). It doesn’t try to be surreal but rather depicts a scene straight from novel. I usually prefer when the artist takes a more unusual approach but in this case Ellis narrows in on the wonder of the premise. Continue reading Adventures in Science Fiction Cover Art: Crashed Spaceships, Part III
(Yves Tanguy’s cover for the 1963 edition of Mission of Gravity (1954), Hal Clement)
On the birthday of French-American surrealist Yves Tanguy (1900-1955) (January 5th), I always take a minute to browse his art online. I faintly recalled seeing his art on various 1960s Penguin edition covers…. And lo and behold, J. G. Ballard’s New Wave masterpiece The Drowned World (1962) and Hal Clement’s pioneering work of hard SF, Mission of Gravity (1954) were both graced with Tanguy’s canvases. Penguin regularly used the work of famous mainstream artists–for example, Max Ernst (I identified ten covers). China Miéville’s novella “The Last Days of New Paris” (2018) also uses a Tanguy/Lamba/Breton exquisite corpse collage (I’m focusing primarily on earlier covers in this post). Continue reading Adventures in Science Fiction Cover Art: Yves Tanguy and Penguin SF Cover Art