(Yves Tanguy’s cover for the 1963 edition of Mission of Gravity (1954), Hal Clement)
On the birthday of French-American surrealist Yves Tanguy (1900-1955) (January 5th), I always take a minute to browse his art online. I faintly recalled seeing his art on various 1960s Penguin edition covers…. And lo and behold, J. G. Ballard’s New Wave masterpiece The Drowned World (1962) and Hal Clement’s pioneering work of hard SF, Mission of Gravity (1954) were both graced with Tanguy’s canvases. Penguin regularly used the work of famous mainstream artists–for example, Max Ernst (I identified ten covers). China Miéville’s novella “The Last Days of New Paris” (2018) also uses a Tanguy/Lamba/Breton exquisite corpse collage (I’m focusing primarily on earlier covers in this post). Continue reading Adventures in Science Fiction Cover Art: Yves Tanguy and Penguin SF Cover Art
(Fiction 114, May 1963)
Whenever it is Philippe Curval’s birthday I am pulled back into the fascinating world of French SF cover art–in particular the magazine Fiction, which, during its early years, had an utterly different aesthetic than anything found on American magazines. As I desperately want to read his novels (the vast majority remain untranslated), I can only enjoy the magazine covers he created in the 50s (Part I and Part I of my series on his photocollages).
This is all to say, I have chosen another lesser known artist for Fiction to showcase, Michel Jakubowski. This post which continues a loose series I’ve cobbled together on Adventures in French Science Fiction Cover Art (list below). I cannot find any information on him online. Perhaps he’s related to the more famous French SF author and editor Maxim Continue reading Adventures in Science Fiction Cover Art: The Dark Depths and Haunting Layers of Michel Jakubowski
Monday Maps and Diagrams 12/24/18
Sometimes a map tells a story…. Sometimes a series of maps reveal the evolution of a story. C. J. Cherryh’s sequence of six maps of the same location in Forty Thousand in Gehenna (1983) tracks the evolving relationship between settlers, azi clones, and native caliban lizard creatures.
A careful eye might be able to discern the general trajectory of the novel’s plot — if you haven’t read it yet, than perhaps (if you can tear your eyes off of MAPS) proceed no further….
Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 12/24/18 — C. J. Cherryh’s Forty Thousand in Gehenna (1983)
Monday Maps and Diagrams 12/17/18
A map from one of the better known dystopias by one of my favorite authors… Russell Hoban’s Riddley Walker (1980). I have not read it, yet. I know, I know, I should. I have opened its pages and savored a passage or two–“Eusa sed, This is a dream. He opent up his iys but that ben open aul redde (34).”
Citation: Map from the 1998 Indiana University Press Expanded edition of Russell Hoban’s Riddley Walker (1980). [click to enlarge] Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 12/17/18 — Russell Hoban’s Riddley Walker (1980)
Monday Maps and Diagrams 12/10/18
A map from one of my absolute favorite SF novels… Suzy McKee Charnas’ Walk to the End of the World (1974).
Citation: Map from the Ballantine Books 1st edition of Suzy McKee Charnas’ Walk to the End of the World (1974)
Continue reading Fragment(s): Monday Maps and Diagrams (Science Fiction) 12/10/18 — Suzy McKee Charnas’ Walk to the End of the World (1974)
Mike Hinge (1931-2003) combined a distinct 70s pop art visual aesthetic with SF themes to great effect. For the general public in the early 70s, he was best known for his Time Magazine covers (Nixon, November 5, 1973, “The Push To Impeach” and Emperor Hirohito, October 4th, 1971, “It’s Tougher World for Japan”).
I have selected Hinge’s eight covers (between 1970-1975) for Amazing Science Fiction to feature—a small slice of his massive and varied output. I own three of the eight issues of Amazing Science Fiction included in this collection (my SF magazine piles still remain on the small side) and have often Continue reading Adventures in Science Fiction Art: The Amazing Science Fiction Magazine Covers of Mike Hinge
(Alberto Cavallari’s cover for 1972 edition (Galassia 178) of the anthology The Dark of the Soul (1970), ed. Don Ward)
As my 60s/70s Italian SF art explorations continue on both my site (here and here) and on twitter (@SFRuminations), I’ve come to the conclusion that Italy’s SF easily ranks among the most appealing (at least to me) graphic explorations of the dynamic genre. For most fans of SF art, one name will immediately spring to mind (in part because he created a few covers for American editions)—the masterful Karel Thole. However, I am increasingly impressed by less known Italian artists brought in for shorter periods of time by the Italian press Galassia. This post will focus on one of those figures—Alberto Continue reading Adventures in Science Fiction Cover Art: The Recumbent Figures and Constructing Cities of Alberto Cavallari
This piece of uncredited cover art appeared on the 1976 Italian edition of Jack Vance’s solid adventure novel The Blue World (variant Italian title: Pianeta D’Acqua) (1966)—my review. It’s my type of non-collage SF art. Hints at the “feel” of the novel, has a surreal touch, Continue reading Adventures in Science Fiction Cover Art: Help Identify the Artist (Italian SF art edition)
(Marcela Cordescu’s cover for the 1969 edition of Thaïs din Infern (1969), Alexandru Forje)
The Romanian graphic artist Marcela Cordescu produced a fascinating series of SFF covers from the 1950s-70s. For more on her consult this short article (most resources are in Romanian unfortunately). Many of her covers graced editions of Vladimir Colin’s (her husband) SFF works. I came across her eerie figures researching the publication history of the French SF author Gérard Klein—a collection of his short stories appeared in Romania with a Cordescu cover in 1973 (below). Her cover for the 1969 edition of Alexandru Forje‘s Continue reading Adventures in Science Fiction and Fantasy Art: Women SF Illustrators of the 1960s/70s, Part V: The Eerie Figures of Marcela Cordescu