Michael (2theD), one of my friends whose reviews on Amazon I’ve been compulsively reading, has just started a review blog (on blogspot) called the Potpourri of Science Fiction Literature.
(the titles above are a small sample of the works Continue reading
A few fellow History grad students and I (and two or three from various departments — Gender Studies, English) have cobbled together a science fiction reading group list for this fall and spring: mainly social sci-fi by female authors along with a few random gems by Ballard (The Drowned World), Silverberg (The World Inside), and Delany (Nova). I wasn’t going to buy any sci-fi books this semester. I promise. That is before we formed our reading group! So, I had to pick up the few works on our list that I didn’t already own.
What a haul!
1. The Drowned World (1962), J. G. Ballard
(uncredited cover for the 1975 edition of Growing Up in Tier 3000 (1975), Felix C. Gotschalk)
“After a seven days’ march through woodland, the traveler directed towards Baucis cannot see the city and yet he has arrived. The slender stilts that rise from the grown at a great distance from one another and are lost above the clouds that support the city […] There are three hypotheses about the inhabitants of Baucis: that they hate the earth; that they respect it to much they avoid all contact; that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it, leaf by leaf, stone by stone, ant by ant, contemplating with fascination their own absence” — Italo Calvino (Invisible Cities, 1972, pg. 77)
I’ve always been fascinated by imaginary and historical cities: the utopian (Tommaso Campanella’s 1602 work The City of the Sun), the allegorical (Calvino’s Invisible Cities), the multi-layered (Rome), the planned (16th century Palmanova), the decaying (Jeff VanderMeer’s Ambergris), the multi-tiered (Tolkein’s Minas Tirith)… Continue reading
(Hoot von Zitzewitz’s cover for the 1967 edition of The Winged Man (1966), A. E. van Vogt and E. Mayne Hull)
In the 1960s the sci-fi covers of the major publishers Dell, Berkley Medallion, Signet, Avon, Ace (etc) ran the gamut from Richard Powers’ avant-garde landscapes and conglomerate faces to the fantastic collages of a relatively unknown artist by the name of Hoot von Zitzewitz (Hubertus Octavio von Zitzewitz).
I’ve cobbled together a few bits of a biography (if any one knows some more concrete facts let me know). He was a fine arts teacher at Hofstra University and passed away around 2002. Hoot worke Continue reading
(Cover for the 1972 edition of Plunder (1972), Ron Goulart)
The covers of Vincent Di Fate (1945-) often evoke a Terry Gilliam-esque romp — for example, Ron Goulart’s Plunder — a lone facade and a house dot a purple and green plain, mountains emerge in the distance, planets pepper the sky, a head floats ominously, a bizarre reptilian creature in a boatie rides an antique bicycle. I desperately want to know if it’s a scene from the book. If so, I’m tracking down a copy!
Vincent Di Fate’s work graced a few of the great works of the genre Continue reading
I’ve never been a fan of A. E. van Vogt. A while back, having just finished his “masterpiece” The World of Null-A (1948), I headed to the used book store and saw Jerome Podwil’s cover for Vogt’s sequel, The Players of Null-A (1966) and had to pick it up. Simply put, it is a spectacular piece of art. Discovering Podwil’s Calder-esque machine extending its limbs across the plain made me pay more attention to the covers as art and the artists who made them. Hence this series of posts! (Adventures in Science Fiction Art Index)
(Are any of the books worth reading? What’s your favorite of his work (perhaps one I haven’t listed)?)
(Cover for the 1966 edition of The Players of Null-A (1966), A. E. van Vogt)
Robert Foster produced only a handful of science fiction covers. The most inventive graced a span of Frederik Pohl novels and short story collections released by Ballantine Books in the late 60s. Sadly, I can find no information about the artist himself online (if you do please let me know). Here’s a selection of the most interesting, haunting, and spectacular…
Part II (here)
Mechanical man — a bedraggled simulacra. Nude woman — embodiment of flesh. A lunar landscape greets them…
(ranks among my favorite covers of all time)
(Cover for the 1969 edition of Turn Left at Thursday (1961), Frederik Pohl) Continue reading
This is the second post in a potential series of posts showcasing the science fiction cover art by Richard Powers (1921-1996). My first post discussed a few surrealist cityscape covers from the 1950s. Here I’ve selected a variety of surrealistic, composite, conglomerated, and masked faces from his 1970s covers.
A delightful green human shape — mouthless — replete with translucent hollows? emerging occupants or surfacing memories?
(Cover for the 1973 edition of All Flesh is Grass (1965), Clifford D. Simak)
The Eternal Frontiers utilizes another Continue reading
Richard Powers (1921-1996) is one of my favorite science fiction cover artists. Heavily influenced by the likes of Yves Tanguey and Picasso, his delightful vein of surrealism graced the covers of multiple classics of the genre (for example, Simak’s City, Clarke’s Earthlight and The City and the Stars, Norton’s Sky Gate, Vonnegut’s The Sirens of Titan, Sturgeon’s More Than Human). His covers are unmistakable and extremely easy to identify. I’ve decided to showcase a few of his surrealist cityscapes.
(cover for 1956 edition of Reach for Tomorrow (1956), Arthur C. Clarke)
The cover for Reach for Tomorrow achieves a wonderful Continue reading
Science Fiction and Other Suspect Ruminations 