1. The Trial of Terra (1962), Jack Williamson (MY REVIEW)
I’ve only read one of Jack Williamson’s novels co-authored with Frederik Pohl The Reefs of Space (1964) so I thought I’d pick up a solo effort. I don’t have high hopes but the general plot from the back cover sounds a lot like Star Trek’s Prime directive: “The Men of Earth were on the verge of breaking into space. The first of their manned moon rockets was on its way to Luna. Now, after ten thousand years, the celestial Continue reading
(Alex Schomburg’s cover for the 1955 edition of Secret of the Martian Moons (1955), Donald A. Wollheim)
Spontaneously conjure with but a meer glance — Excitement! Wonder! Adventure!
The best of the covers of old 50s/60s juveniles (sci-fi for younger readers) always stirs the recumbent inklings of adolescent wonder… Intrepid boy/men (sadly, rarely women) trek across the “expanses” of the space — rarely expansive, more like puddle jumping from planet to planet with the phrase, “and the hyperdrive shook the ship but John wasn’t afraid because he had once ridden a farm cart with one of them spooked horses back home in Smalltown, US of A” — discovering planets, setting up colonies, angering some weird looking Continue reading
3.25/5 (Average)
The Light That Never Was (1972) is an unusual take on space opera — there are no epic battles, voyages on spaceships, weird technology, or heroic figures. Instead, the swirling eddies of interstellar change descend on a tourist planet replete with legions of rather atrocious, silly, and easily maleable “artists.” The island of Zrilund on the plant of Donev is afflicted by a general artistic malaise — artists paint for the swarms of tourists which descend on the fountains and beaches of the island snatching Continue reading
3.75/5 (Good)
I was pleasantly surprised by Gordon R. Dickson’s intelligent and occasionally thought-provoking The Alien Way (1965). Considering he’s famous for his military sf Dorsai! saga, the lack of epic space battles — i.e. inter-species conflict in the traditional manner — came as a shock. There are a few instances of violence but they’re few and far between.
The ultimate message is a cautionary one — only when the pattern of human nature (its instincts, reactions, ets) is understood can non-violent contact be made with an alien species. We react to protect our species just as animals react to protect their young. Of course the aliens have to come to this realization Continue reading
Gifts! Gifts! A varied haul — Spinrad, Herbert, Dickson, Niven, Norton…
1. The Solarians (1966), Norman Spinrad
Before Norman Spinrad’s metafictional if Hitler wrote a pulp extravaganza The Iron Dream (1972) and Bug Jack Barron (1969) there was The Solarians… Continue reading
Success (i.e. infrequent purchases)! Only three new but unknown/fascinating/and potentially interesting) acquisitions to report….
1. The Alien Way (1965), Gordon R. Dickson (MY REVIEW HERE)
I’ve not read any of Gordon R. Dickson’s substantial corpus of novels. Yes, I need to pick up a copy of his classic work Dorsai! but, military sci-fi has never Continue reading
3.25/5 (Good)
A Life for the Stars is the second novel according to internal chronology in James Blish’s famous Cities in Flight series. Unlike the much more serious first installment, They Shall Have Stars (1956), A Life for the Stars is generally regarded as a juvenile work (i.e. science fiction for a younger audience containing a positive moral message, an intelligent but poor teen boy Continue reading
5/5 (Masterpiece)
I’d previously read four of D. G. Compton’s lesser known works before procuring a copy of his acknowledged masterpiece, The Unsleeping Eye (variant title: The Continuous Katherine Mortenhoe) (1973). The Unsleeping Eye far surpasses the remarkable The Steel Crocodile (1970) and Synthajoy (1968). Many of the themes and techniques Compton uses in the other works of his I’ve read are honed to perfection and greatly expanded on: strong intelligent female characters dominate the pages, Continue reading
1/5 (Bad)
Damon Knight’s dismal Beyond the Barrier (1964) is all plot, lacks even the most cursory world development, makes no attempt to construct a “character”, and contains one of the single most ludicrous scenes I’ve encountered. Knight is considered somewhat of a “master” of sci-fi but his supposed skills are not on show here (short stories?). Yes, there’s adventure, intrigue, action, bizarre technology, green frog aliens, time travel, Earth core traversing oscillating field machines, and time Continue reading
Science Fiction and Other Suspect Ruminations 