(Cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis)
Art Sussman produced a remarkable corpus of SF and other pulp covers (mysteries, crime, etc). He could easily shift gears between Richard Powers-esque surrealism—although distinctly his own take—to covers that suited an Agatha Christie mystery (browse the range here). I would be wary comparing him to Powers until you skim through the latter’s late 50s early 60s art (definitely an enjoyable activity!). Although Powers is still far superior, both were part of the SF art movement increasingly experimented with surreal/metaphoric and experimental art (there are still spaceships lurking around the edges, and futuristic cities, and other pulpy moments).
There is a precision of vision with Sussman’s art—his cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis places the astronauts in an outline of a vessel with strange hints at alien planets and experiences scattered gem-like in the distance. Sussman’s focus on the human form — often surrounded by surreal forms and humanlike membranes — showcases agony and despair. A great example (and my favorite of the bunch) pairs jagged black fields with a bloodied man, the 1960 Continue reading “Adventures in Science Fiction Cover Art: The 50s/60s Surrealistic Stylings of Art Sussman”
1) Lafferty collections are notoriously hard to find and tend to be on the expensive side—at least for 60s/70s paperbacks. I’ve already read two or three stories in the one below in different anthologies over the years—I remember “Continued on Next Rock” (1970) most clearly. The Jack Gaughan cover evokes the sheer oddness of Lafferty’s visions. Does it illustrate a story in the collection?
2) Readers have spoken highly of this particular Leiber novel. So I found a copy… not cheap. Alas. See, I sometimes listen to suggestions!
3) I always buy Soviet SF collections. The editor is uncredited but Judith Merril provides a five page introduction I’m eager to read. Maybe she’s the editor? EDIT: According to The Internet Speculative Fiction Database, Judith Merril holds the copyright — indicating that she is the uncredited editor.
4) My first Olaf Stapledon. Someone whose influence I’ve read widely about and been aware of for years. It’s about time I added a few of his works to my collection. I love Paul Klee, but not the art used for the Penguin cover! (In the Land of the Precious Stone, 1929).
All images are scans from my own collection (click image to zoom).
As always, thoughts/comments are welcome.
1. Strange Doings, R. A. Lafferty (1972)
(Jack Gaughan’s cover for the 1973 edition) Continue reading “Updates: Recent Science Fiction Acquisitons No. CLXX (Leiber + Lafferty + Stapledon + Soviet SF Anthology)”
Megan (twitter) over at From Couch to Moon—who, with boundless wit and intelligence, enjoys exploring the turbulent seas of lesser known SF both vintage and contemporary—provides the sixth guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts). Head over to her blog—do not miss her review of Brunner’s Stand on Zanzibar (1968) written in his style and more recent rundowns of various award slates, the 2015 Kitschies for example.
Here are three reviews of 1950s short fiction by Judith Merril, Margaret St. Clair, and Kit Reed.
As always, the required exhortation, find copies!
(“Survival Ship” appeared in the May 1955 issue of New Worlds Science Fiction, ed. John Carnell, cover: Gerard Quinn)
Reviews of “Survival Ship” (1951) by Judith Merril, “Short in the Chest” (1954) by Margaret St. Clair, and “The Wait” (1958) by Kit Reed
Not being much of a short fiction reader, these were all new-to-me stories that I thought I might appreciate. A selection of fifties SF, all of which are dark and strange and rebellious, and examine the social and political pressures that are often Continue reading “Guest Post: Pioneer Spaceships, Robot Therapists, and Oppressive Small Towns: “Survival Ship” (1951), Judith Merril, “Short in the Chest” (1954), Margaret St. Clair, “The Wait” (1958), Kit Reed”
(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)
The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.
Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.
Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.
Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading “Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969”
A person with the initials K.W.G ditched their entire SF collection at my local Half Price Books. So many books that the store made a new SF anthology section that did not exist a few months ago and the “vintage” SF books made up more than half the non-vintage SF section. I spent too much money. One of many future SF Acquisitions posts featuring books from the mysterious K. W. G….
A famous anthology important for showcasing UK authors in America! I’ve included the lengthy description of the collection by Ace and their position vis-à-vis New Wave SF. I find it humorous that the publisher has to defend their position!
An often praised 1950s post-apocalyptical novel by Wilson Tucker…. My 1969 edition was “rewritten” by the author–unfortunately, I have already started reading it (not sure how much it will tell me about its position in 1950s SF if it were rewritten in the 60s). Perhaps someone knows how much was changed? Admiral Ironbombs wrote a worthwhile review here.
Fred Saberhagen’s best known work.
And one of the few Frank Herbert novels I have not read…
Thoughts and comments are always welcome.
1. England Swings SF: Stories of Speculative Fiction, ed. Judith Merril (1968)
(Ron Walotsky’s cover for the 1970 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLV (Herbert + Tucker + Saberhagen + England Swings SF anthology)”
(Cover for the 1968 edition of Last Door to Aiya (1968), ed. Mirra Ginsburg)
My pseudo-series exploring the more esoteric reaches of SF art continues. Previous posts include The Brothers Quay and SF Covers, The 1960s Covers of Emanuel Schongut, and A Spotlight on the SF Covers of David McCall Johnston. You all read my site because of my more esoteric dalliances, right? Hah.
H. Lawrence Hoffman (b. 1911-1977) [wikipedia article] illustrated a vast range of covers for the major presses such as Popular Library—his mystery novel covers, including those by Dashiell Hammett, are particularly evocative [here is a substantial gallery displaying the range of his non-SF covers].
His use of coral and figures inspired by Central American Art (see his cover for The Gate of Worlds (1967), Robert Silverberg) demonstrate his more experimental moments. His coral covers are stunning— Last Door to Aiya (1968), ed. Mirra Ginsburg and A Century of Science Fiction (1962), ed. Damon Knight. And the 1973 edition of Alien Art by Gordon R. Dickson scratches a strange artistic itch…
What are your Continue reading “Adventures in Science Fiction Art: Cosmic Coral and Eye Trees: The SF Art of H. Lawrence Hoffman”
(Art Sussman’s cover for the 1960 edition)
3.25/5 (collated rating: Vaguely Good)
I have long been a fan of both Judith Merril’s fiction and edited volumes. The eponymous novella in the collection Daughters of Earth (1968) is one of more delightful visions from the 1950s I have encountered. Merril reframes biblical patrilineal genealogy as matrilineal–i.e. humankind’s conquest of space is traced via the female descendants of an august progenitor. The story is brilliant in part due to a remarkable metafictional twist, the story itself is compiled from historical documents to serve as an instructional template for future generations of women. Despite substantial editorial control that forced Merril to include a rather hokey plot on two hokey planets, the story remains memorable for the well crafted feminist Continue reading “Book Review: Out of Bounds, Judith Merril (1960)”
The Gollancz Masterwork series [list] ranges from famous novels such as Ursula Le Guin’s The Left Hand of Darkness (1969) to lesser known short story collections such as The Caltraps of Time (1968) by David I. Masson. The Masterwork series has the power to introduce readers to the canonical “best of SF” and works that should be considered classics. Many of the second group have not seen print for decades. Although I have some qualms about certain inclusions, I was genuinely blown away that they recently chose one of my favorite novels The Continuous Katherine Mortenhoe (variant title: The Unsleeping Eye) (1973) by D. G. Compton—an underread and unjustly forgotten author.
Over the course of the next week or so a handful of my fellow SF bloggers (most of whom have a focus on earlier SF) will release lists on their sites of SF they would like to see featured by Gollancz. I have not given them any guidelines so the lists should be varied and hopefully will generate some discussion. I highly recommend you head over to their sites (I will post the links as they come in) and comment.
Thoughts + comments are always welcome (as well as your own lists!).
More “What to Include in the Gollancz Masterwork Series” Lists (blog friends)
Chris over at Battered, Tattered, Yellowed, and Creased
Megan over at From Couch to Moon
2theD over at Potpourri of Science Fiction Literature
Ian Sales over at It Doesn’t Have to be Right…
Jesse over at Speculiction…
2theD over at Tongues of Speculation (his votes regarding translated SF)
Martin over at Martin’s Booklog
My guidelines for inclusion
1. My frequent readers know that I prefer (passionately) SF from the 50s-70s Continue reading “Updates: My Top 10 SF works (pre-1980) for inclusion in the Gollancz Masterwork series”
(Robert Foster’s cover for the 1970 edition)
Judith Merril was not only an important early science fiction author of novels and short stories but a political activist and a member of the influential 1940s sci-fi group known as the Futurians (members included her husband Frederik Pohl, James Blish, Damon Knight, David A. Wollheim, C. M. Kornbluth, et al.). Her fascinating collection, Daughters of Earth (1968), contains three novellas from the 1950s: ‘Project Nursemaid’ (1955), the highlight of the collection — ‘Daughters of Earth’ (1952), and the underwhelming ‘Homecalling’ (1956).
All three contain a plethora of female characters Continue reading “Book Review: Daughters of Earth, Judith Merril (1968)”