Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
(John Schoenherr’s cover for the 1972 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLXXXII (The Anthology Edition) (Best SF Stories from New Worlds 5, Orbit 6, Alpha 3, Best SF 1972)”
(Paul Lehr’s cover for the 1969 edition)
4.25/5 (collated rating: Very Good)
A quest for SF magazines! Alien possession and its psychological damage! The Supreme Court tackles future crime! And many more unusual visions….
Orbit 4 (1968) dethrones Orbit 3 (1968) for the overall collated rating crown (as of now) in the anthology sequence. All of the anthology so far contain worthwhile stories and should be tracked down by fans of SF from this era—see my reviews of Orbit 1 (1966) and Orbit 8 (1970).
Highly recommended for the Wilhelm, Emshwiller, Lafferty, Sallis, and Silverberg stories. A must buy Continue reading “Book Review: Orbit 4, ed. Damon Knight (1968) (Wilhelm + Silverberg + Vinge + Ellison + Lafferty, et al.)”
Dear readers, thank you all profusely for your comments, words of thanks, and emails over the year. It is my overarching goal to inspire you all to read more SF from the 50s-70s, dust off the boxes of your parents’ books in some forgotten closet, browse the shelves at your local used book store (or favorite online store), reflect on the often fascinating cover art…
2016 was not the most productive reading/reviewing year as my PhD dissertation defense date rapidly approaches. For the purposes of maintaining my sanity, reading and writing about SF remains my primary relaxation hobby—surprising perhaps as I read a lot of depressing SF that wouldn’t be “relaxing” for most people. According to Megan at From Couch to Moon I like my fiction “moody, broody, meta, and twisted.”
And other than a few satires here and there, my favorite SF reads of 2016 fit firmly within Megan’s descriptors.
- The Affirmation, Christopher Priest (1981)
- The Infernal Desire Machines of Doctor Hoffman (variant title: The War of Dreams), Angela Carter (1972). Review forthcoming
- The Dream Millennium, James White (serialized 1973, novel 1974)
- The Committed Men, M. John Harrison (1971)
Continue reading “Updates: 2016 in Review (best novels + best short stories + best anthologies + notable posts)”
(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)
The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.
Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.
Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.
Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading “Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969”
Recently reminded of Fritz Leiber’s beautiful story “A Pail of Air” (1951) which I reviewed a few years ago in the eponymous collection, I was delighted to come across another one of his short story collections. Thankfully, no Fafhrd and the Gray Mouser stories are in sight. And of course, another Richard Powers cover…
On twitter I mentioned my ignorance regarding the work of Isidore Haiblum, the author of the “the first Yiddish SF novel” according to the blurb on The Tsaddik of the Seven Wonders (1971). I have not come across a copy of that particular novel yet, but, another even lesser known quantity joins the books arrayed in piles across my library.
My dalliance with the 1980s continues in fits and starts: I wrote a short review of Christopher Priest’s masterpiece The Affirmation (1981) and recently reviewed Terry Carr’s edited volume Universe 10 (1980)… As Carter Scholz’s short story “The Johann Sebastian Bach Memorial Barbecue and Nervous Breakdown” (1980) made such a positive impression on me, I decided to find a copy of his collaborative novel.
And I love Damon Knight’s Orbit series of original anthologies. For reviews: Orbit 1 (1966), Orbit 3 (1968), and Orbit 8 (1970).
As always, thoughts/comments are welcome!
1. Fritz Leiber, The Night of the Wolf (1966)
(Richard Powers’ cover for the 1966 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLXV (Leiber + Haiblum + Scholz and Harcourt + Orbit Anthology)”
New books join the ranks of their happy brethren on my shelves…
Let’s start with Arno Schmidt’s 1957 SF parable (English translation 1979)–The Egghead Republic : A Short Novel from the Horse Latitudes… First, before you are tempted to buy the novel check out this fascinating series of images via Biblioklept from Schmidt’s later behemoth 1970 novel + rumination on James Joyce, Bottom’s Dream. You must be able to tolerate this level of experimentation. Although The Egghead Republic is far less intense and much shorter, it is not for the fainthearted (and probably not for fans of “SF only” or those who are frustrated with “artifice” or “literary” or “the author in the story”). There is a reason he wasn’t translated into English for a long long time! Here’s an image (with some of my notes) for demonstration purposes [click to enlarge]
And more experimentation in the SF fold via Moorcock and his then wife Hilary Bailey. Graced with a gorgeous Leo and Diane Dillon cover, as always.
Added to the mix is one of George Alec Effinger’s lesser known novels–I do not have high hopes despite how much I loved Heroics (1979) and his masterpiece What Entropy Means to Me (1972).
An early Kate Wilhelm novel, although I’ll be sticking to her late 60s/early 70s short stories for a while–they are that good! See my review of Abyss (1971) and The Downstairs Room and Other Speculative Fictions (1968).
As always comments/thoughts are welcome.
Has anyone read Schmidt? I read a review where this particular novel was compared to Lem.
Enjoy the covers!
1. The Black Corridor, Michael Moorcock and Hilary Bailey (1969)
(Diane and Leo Dillon’s cover for the 1969 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLXIV (Moorcock + Wilhelm + Schmidt + Effinger)”
More SF joins the ranks that cover my shelves, from a Jack Vance Demon Princes sequence novel to a promising Orbit anthology with early Vernor Vinge, Carol Emshwiller, Harlan Ellison, etc.
And the covers! Powers and Lehr at their best…
And what happened to SF art the 80s? (the Rudy Rucker novel cover terrifies — in a bad way).
As always, thoughts/comments are appreciated!
1.The Palace of Love, Jack Vance (serialized 1966)
(Richard Powers’ cover for the 1967 edition) Continue reading “Updates: Recent Science Fiction Acquisitions No. CLXII (Vance + Rucker + Kaye + Godwin + Orbit Anthology)”
Below are a group of uncredited covers whose artists I have not been able to firmly identify. Some were brought to my attention by Adam who runs a collectible SF store (link). I’d love to hear your input — make sure to read the guidelines.
Guidelines: If you think a cover is the work of a particular artist, please please please provide some evidence for your claim: for example, a comparison cover, a citation from a book/resource, or, perhaps a link to a canvas or artist webpage. This makes identifying the artist more authoritative than a vague claim and readers can follow along more easily. If you think you’ve identified the author, I recommend peeking at their other credited covers at The Internet Speculative Fiction Database.
Pocket Books was notoriously bad at citing their artists. If we are able to identify a few of those below (Margaret and I and Journey), we might be able to nail down tens more covers missing citations in their catalogue.
The three covers below for Fred Saberhagen’s Empire in the East sequence are clearly by the same artist—the style seems so familiar! And, the 1974 Signet edition of Cage a Man (1973), F. M. Busby is credited as FMA only. I wonder if it’s possible to identify who FMA was.
In some cases, I have a pretty good idea who the artist might be but don’t have enough evidence…. I am convinced that Stanislaw Fernandes created the 1974 Signet edition of New Dimensions IV (1974) , ed. Robert Silverberg. Although, it would be very early in his career and love to have some firm evidence.
I look forward to your ideas!
EDIT: I’ve gone ahead and indicated which ones have been solved by inserting the artist into the citation.
For more Adventures in SF Cover Art consult the INDEX
(Bob Haberfield’s cover for the 1971 Tandem edition of The Man in the Maze (1968), Robert Silverberg) Continue reading “Adventures in Science Fiction Cover Art: Art mysteries! Help Identify the SF Cover Artist (Novels by Clarke + Silverberg + Wilhelm, et al.)”
(Lou Feck’s cover for the 1973 edition)
4/5 (collated rating: Good)
Kate Wilhem’s SF forms one of the foundational pillars propping up my fascination with the genre. Her writing, sometimes oblique and interior, cuts to the very heart of things, exposing the hidden societal and psychological sinews that suppress and restrict. Her 60s/70s women characters, from linguists and mathematicians to discontented housewives, subtly subvert our expectations of how genre characters should behave. And for a few years in the early 70s, she dominated the award lists (four Nebula nominations in 1971, two in 1970, a win in 1968, and of course, her double Hugo and Nebula win in 1976 for her novel Where Late our Sweet Birds Sang). Totals: 14 Nebula nominations Continue reading “Book Review: Abyss, Kate Wilhelm (1971)”