paperbacks

Adventures in Science Fiction Cover Art: Domed Cities of the Future, Part III

/ Joachim Boaz / 23 Comments

(Kelly Freas’ cover for the 1955 edition of City of Glass (1942 magazine), Noel Loomis)

Part I, Part II of my series on domed cities of the future.

Bob Watkin’s cover for the 1955 issue of If Magazine depicts an old man regaling stories of futuristic domed cities.  His fantastic visions are reduced to their key elements in sketch form — a translucent dome, buildings.  I’ve selected a variety of images from pulp 50s works until the late 70s depicting more fantastic/futuristic domed cities than the old man’s imagination conjures.  Ed Emshwiller’s cover for the  1953 edition of City at World’s End (1950) depicts two futuristic metropoli — a trend in future city development?  The first is a planned circular city spreading horizontally across the plain.  The other, an incredibly stylized “futuristic complex” Continue reading →

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds, Part II

/ Joachim Boaz / 13 Comments

(Pattee’s cover for the November 1950 issue of Astounding Science Fiction)

In case you missed Part I.

Pattee’s cover for the Astounding Science Fiction November 1950 issue is visually stunning.  A transparent man (his arteries + brain showing) holds the atomic symbol aloft.  On the horizon a gigantic mushroom cloud is transposed with a spaceship.  Does man use atomic power for science and the good of mankind or evil and the destruction of mankind?  The message is made even more abundantly clear by the title of the piece of art — “Choice.”  Although this rhetoric might seem somewhat ham-fisted to modern post-Cold War readers, it produced some remarkable works of science fiction and science fiction art.  (If anyone knows the full name of the artist, I’d be grateful).

As with Part I, I’ve included some covers from the notorious hackwork spewing conveyor belt publisher Badger Books for giggles and Continue reading →

Book Review: Galaxies Like Grains of Sand, Brian Aldiss (1960)

/ Joachim Boaz / 19 Comments

(Paul Lehr’s cover for the 1960 edition)

3/5 (collated rating: Average)

The concept behind Brian Aldiss’ short story collection Galaxies Like Grains of Sand (1960) is intriguing.  Take previously published stories (in this case from magazines in the late 50s), graft them together by means of mini-introductions, and arrange them so they fit into a future history framework à la Olaf Stapledon’s Last and First Men (1930) or Isaac Asimov’s Foundation Trilogy (1951-1953).

The quality of the stories makes the format less than successful.   Only three stories are worth reading — ‘Secret of a Mighty City’ (1958), ‘Out of Reach’ (1957), and ‘All Continue reading →

Updates: Recent Science Fiction Acquisitions N. XL (Miller, Jr + Cogswell + Pohl/del Rey + Kornbluth/Merril)

/ Joachim Boaz / 11 Comments

A couple from my father + a few left over Marx Book purchases….

Three delightfully gorgeous Powers covers.  And one stunning John Schoenherr cover despite the unknown quality of the short stories within….

A short story collection and a three novella collection by Walter M. Miller, Jr., the author of A Canticle for Leibowitz (1959)…  A scathing, and hilarious satire by Frederik Pohl and Lester del Rey…  Among others.

1.  The View from the Stars, Walter M. Miller, Jr. (1965) (MY REVIEW)

(Richard Powers’ cover for the 1965 edition) Continue reading →

Adventures in Science Fiction Cover Art: The Statue of Liberty on Pre-1968 Magazine and Novel Covers

/ Joachim Boaz / 27 Comments

pota-statue-of-liberty-2.jpeg

(Still from the 1968 film Planet of the Apes, dir. Franklin J. Schaffner)

For more covers on the same theme see Part II

I suspect that virtually all science fiction fans and film cineastes recall the vivid sequence near the end of the 1968 film Planet of the Apes where the Statue of Liberty lies half-buried in the sands.  Franklin J. Schaffner’s film draws on a rich tradition in pulp science fiction cover art.  I’ve included six cover from 1941-1965, all before the film was released, that depict the Statue of Liberty submerged by apocalyptical floods and excavated by future spacemen.  I have a large catalogue of covers that show various landmarks destroyed by mechanical monsters, ogled at by aliens, and wrecked by a variety of world ending disasters.  The Hollywood penchant for destroying as many national landmarks as possible in movies is deeply rooted in existing visual traditions.

My favorite is by far Blanchard’s (does anyone know his full name) cover for the 1959 edition of John Bowen’s After The Rain (1958).  The dark skies, the stormy waters reaching up to her nose, the survivors of the flood perched near the flame, the boats and roofs of houses floating about, perfectly evoke the extent of the disaster — and, “elements gone wild!”

Enjoy!

(if I’ve missed any pre-1968 covers please let me know.  I know that there are multiple later covers but they might be purposefully referencing Planet of the Apes)

(Blanchard’s cover for the 1959 edition of After The Rain (1958), John Bowen) Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXXIX (Priest + Brunner + Crowley + Wallace + Duncan)

/ Joachim Boaz / 14 Comments

Ah, what a delightful group! A few from my father, a few from Marx books which I hadn’t posted yet….  Priest and Crowley’s novels involve fascinating worldscapes — a world winched across the horizon, a world at the top of a pillar…  Both are considered among the better stylists in science fiction and fantasy.

And, my 22nd (?) Brunner novel!  The Stone That Never Came Down (1973) — from his glory period of the late 60s-early 70s (this period produced Stand on Zanzibar, The Sheep Look Up, Shockwave Rider, The Jagged Orbit).

And two more impulsive finds — Ian Wallace’s Croyd (1967) — a reader claimed it was one of the best sci-fi novels of the 60s, and thus due to my intense curiosity, I had to find a copy.  And Dark Dominion (1954), I know little about David Duncan — he wrote only three sci-fi novels in the 50s.  His work is described by SF encyclopedia as “quietly eloquent, inherently memorable, worth remarking upon.”

And the covers!

1. The Inverted World, Christopher Priest (1974)

(Jack Fargasso’s cover for the 1975 edition) Continue reading →

Book Review: The Joy Makers, James Gunn (1961, magazine publication 1955)

/ Joachim Boaz / 8 Comments

(William Hofmann’s cover for the 1961 edition)

4.25/5 (collated rating: Good)

The three parts of James Gunn’s fix-up novel The Joy Makers (1961) were originally published in magazine form in 1955 as ‘Name Your Pleasure,’ ‘The Naked Sky’, and ‘The Unhappy Man.’  I have not read the originals so I’m unsure of how much was added or subtracted or completely re-conceptualized.  Largely a satire — Gunn pushes his point to the logical, and terrifying extreme — each part is a further chronological progression of a society whose chief aim is to make people happy.  It is hard not to read Part I as a satirical take on some aspects of Scientology,  a movement that was gaining force in the early 1950s.

Because each part is only linked thematically to the others

Continue reading →

Book Review: The Eden Cycle, Raymond Z. Gallun (1974)

/ Joachim Boaz / 11 Comments

(Kelly Freas’ cover for the 1974 edition)

4/5 (Good)

Raymond Z. Gallun is best known for his pulp sci-fi from the 1930s-50s.  From the 50s onward he wrote a handful of novels of varying quality.  The Eden Cycle (1974), probably his single best science fiction work, is a successful integration of pulp ideas and lush environments with a poignant and often haunting depiction of the social ramifications of a future world where everyone, “blessed” with immortality, can “live” in any virtual reality of their choice, shift  from simulation to simulation at will, and spontaneously conjure new ones.

Brief Plot Summary/Analysis

In the near future mankind receives mysterious signals from space.  Gallun is careful to slowly reveal the main backstory over the course of the first third of the novel.  After Continue reading →

Book Review: Farewell, Earth’s Bliss, D. G. Compton (1966)

/ Joachim Boaz / 7 Comments

(Karel Thole’s cover for the 1971 edition)

4.5/5 (Very Good)

(*some spoilers due to the limited nature of the plot*)

Another D. G. Compton novel, another wonderful (and terrifying) experience…  The only one of his novels so far that has failed to hold my interest was The Missionaries (1971), a lackluster satire on religion.  The Continuous Katherine Mortenhoe (variant title: The Unsleeping Eye) (1973) is a masterpiece and Farewell, Earth’s Bliss (1966) and Synthajoy (1968) are close behind.

Farewell, Earth’s Bliss is best described as a character study of a group of convicts sent to Mars and their attempts to integrate into an incredibly repressive and conservative society (derived in part to to the extreme dangers of the Martian environment) — in short, a piece of race and religion themed social science fiction.  Be warned, there  is little to no action.  As with most of Compton’s works, near future environments are the perfect vehicle for societal ruminations Continue reading →