Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds

(Ed Valigursky’s cover for the 1957 edition of Doomsday Eve (1957). Robert Moore Williams)

The nuclear scare produced some of the best dystopic visions ever put to paper — the devastation would be utter, complete, and the radiation, oh what fun science fiction authors and filmakers had with the effects of radiation.  A red spectrum! Mutations! Hybrid bug people!  Godzilla!  Women with two heads!  An endless assortments of monsters…  I’ve selected a wide range of covers depicting the actual nuclear explosion — not the after effects.  Families gaze from caves in dispair, watching the bomb incinerate their world.  People run helter-skelter away from the explosion.  Or, artists take a more stylized approach to the explosion — figures are cast upward amongst the wreckage of buildings. Continue reading →

Book Review: Planet of the Voles, Charles Platt (1971)

(Paul Lehr’s cover for the 1972 edition)

1/5 (Terrible)

Charles Platt’s Planet of the Voles (1971) has a similar feel to one of the more atrocious episodes of Stargate SG-1.  In place of all the horridly butchered Egyptian mythology is a weird pseudo-mythology about the inevitability of a battle between the sexes uneasily pasted on an archetypal military sci-fi plot.  The work is filled with alien landscapes which look like Earth, soldier/scientists who can do anything and everything with anything anywhere, random bits of hokey technology appear as if by magic to facilitate the pedestrian plot (this black box will make alien birds carry us into the fortress!) etc.

Platt’s prose is lacking all ability to convey human emotions.  After our Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXXII (Cowper + Vance + Williamson + MacTyre)

As always Half Price Bookstore in Northern Austin, TX yielded a wonderful collection of sci-fi paperbacks…  I bought Doomsday, 1999 (1962) solely on the cover art — cool looking city exploding…  Richard Cowper’s Profundis (1979) on recommendation of my friend 2theD at Potpourri of Science Fiction Literature who waxed prophetic (hopefully)/intellectually about to joys of this seldom read author (well, his fantasy at least).  I personally, do not have high hopes considering the questionable nature of the back flap blurb.  My previous Williamson experiment, Trial of Terra (1962), had promise so I picked up one of his supposedly best works, Bright New Universe (1967).  And well, Vance is Vance and thus almost always worth reading….

1. Doomsday, 1999 (variant title: Midge),  Paul MacTyre (1962)

(Uncredited cover for the 1963 Continue reading →

Book Review: The Penultimate Truth, Philip K. Dick (1964)

(Uncredited cover for the 1964 edition)

4/5 (Good)

Although I’ve read a great majority of Philip K. Dick’s novels and short stories, I’ve only reviewed one of Philip K. Dick’s novels in the lifetime of this blog, The Man Who Japed (1956).  Despite not reaching the near perfection which characterizes his best works, The Penultimate Truth (1964) is worth the read.  The work’s premise is pure PKD.  As with his best, an uncanny sci-fi infused surrealism seeps from the pages….  However, the work is plagued by ramshackle editing, the unfortunate tendency to use words like “homeostatic” and “tropism” ever few pages, and an ungainly plethora of named characters who have little to no import in the novel creates unnecessary confusion.

Brief Plot Summary (limited spoilers)

Most of the inhabitants of Earth, due to worries about an approaching nuclear war with the Soviets, retreated to massive underground facilities (Tom Mix Continue reading →

Adventures in Science Fiction Cover Art: Spaceships Under Construction

(James B. Settles’ cover for the October 1948 issue of Amazing Stories)

A spaceship rearing from the plain, scaffolding surrounds its lithe form…  A classic image (the new Star Trek movie for example)!  Often utilizing a very traditional science fiction trope which I’ve dubbed Rocket Field Figure, cover art concerning spaceship construction is often more stylized than realistic.  My favorite is Carlo Jacono’s cover for the Italian edition of The Stars are Ours (1954).  I’m not sure that he is actually the artist due to the fact that MANY foreign editions use the work of American or British artists  modified slightly (this is not a hard fast rule, the work Continue reading →

Adventures in Science Fiction Cover Art: My Top 15 Science Fiction Covers

1. Harold Bruder’s cover for the 1967 edition of Pyschogeist (1966), L. P. Davies.

Because everyone loves lists…

…I’ve selected from my collection of cover art, placed in no particular order, my fifteen favorite science fiction covers of all time.  Of course, lists being lists, and the fact that I’ve only seen a portion of all the covers ever made, it is incomplete and maleable.  Although many of the most famous sci-fi artists (Powers, Lehr, and pulp masters such as Wesso) feature, some of my favorites are by lesser known artists whose visual contributions to the field should not be forgotten (Bruder, Podwil, Foster, Schongut, etc).

A few points to consider: 1) The artist rarely had control over the font.  If the graphic designer responsible for putting together the final cover wasn’t up to snuff, the text often doesn’t Continue reading →

Adventures in Science Fiction Cover Art: Disembodied Brains, Part I

(Gerard Quinn’s cover for the December 1956 issue of New Worlds)

Disembodied brains — in large metal womb-like containers, floating in space or levitating in the air (you know, implying PSYCHIC POWER), pulsating in glass chambers, planets with brain-like undulations, pasted in the sky (GOD!, surprise) above the Garden of Eden replete with mechanical contrivances among the flowers and butterflies and naked people… The possibilities are endless, and more often than not, taken in rather absurd directions.

I’ve cobbled together a large variety of images from pulp magazines to covers from the late 70s.  My favorites include Valigrusky’s Continue reading →

Book Review: The Long Winter, John Christopher (1962)

(Paul Lehr’s cover for the 1968 edition)

3.75/5 (Good)

Although known for his famous young adult Tripod Trilogy (The White Mountains, The City of Gold and Lead, The Pool of Fire), John Christopher produced a substantial corpus of science fiction works for older readers — most notably, the post-apocalyptical tale No Blade of Grass (1956).  The Long Winter (1961), one of Christopher’s lesser known works, is on the surface another post-apocalyptical novel (or sorts).  However, the post-apocalyptical elements are subsumed by a bitting satire on colonial and post-colonial British attitudes towards their colonies.  The publication date of 1962 is of vital importance in understanding the work.  Nigeria gained its independence from the British in 1960, Ghana in 1957, and South  Africa in 1961.

A large percentage of the reviews I’ve read complain that they Continue reading →

Adventures in Science Fiction Cover Art: Scenes from the Control Room

(Malcolm Smith’s cover for the October 1953 issue of Imagination)

Inspired by some of the cover art I found for my earlier post Through the View Screen, Through the Window, I decided to focus on the image of gazing from within the control room of a spaceship (either at objects within or scenes outside the view screens).  The trope is extraordinarily effective at conveying the action of a story: the unfolding canvas of an epic battle, the tension of charting a course through the stars and nefarious nebulae, the destruction of cities, the last glance at a beautiful astronaut adrift, or even, Earth within grasp!

I’ve tried not to be redundant in the covers I use — with this Continue reading →