This anthology contains the 4th post in a loose series on SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. I decided to review the entire anthology!
Today: Katherine MacLean’s “Echo” (1970), 3.75/5 (Good). The entire anthology is available online here.
Previously: William Tenn’s “Down Among the Dead Men” (1954)in the June 1954 issue of Galaxy Science Fiction, ed. H. L. Gold. You can read it online here.
Up Next: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959) in the October 1959 issue of The Magazine of Fantasy and Science Fiction, ed. Robert P. Mills. You can read the story online here.
Jim Steranko’s cover for the 1st edition
3/5 (Collated rating: Average)
Robert Hoskins “resurrected” Infinity Science Fiction magazine (1955-1958) as a five volume anthologies series between 1970-1973. The first volume, Infinity One (1970), contains sixteen original stories and one reprint from the original magazine–Arthur C. Clarke’s “The Star” (1955). SF Encyclopedia describes the anthology series as “a competent but not outstanding series.”
Eight of the seventeen stories fall into the “good” category. While none are masterpieces, Robert Silverberg, Arthur C. Clarke, Barry N. Malzberg co-writing with Kris Neville, Katherine MacLean, Gene Wolfe, and Poul Anderson Continue reading
(Tony Roberts’ (?) cover for the 1975 edition of Ten Thousand Light-Years From Home (1973), James Tiptree, Jr.)
Here’s a lighthearted themed science fiction art post on elephants, elephantine aliens, and prehistoric mammoths that I’ve cobbled together over the last few weeks. Elephants have always made me happy–especially baby elephants…. and yes, I have been known to watch Youtube videos of baby elephant antics. I digress.
The SF novel that first came to mind was Robert Silverberg’s masterful rumination on colonization on a decaying world Downward to the Earth (1970). Rather than Continue reading
1. I have yet to read anything by Barry B. Longyear, best known Enemy Mine (with David Gerrold) (1985) and Sea of Glass (1986). Circus World (1981) seems like a fun series of linked short stories published in 1978 and 1979 about the descendants of a crashed circus ship.
2. My Poul Anderson collections grows and grows. Sometimes I’m not sure why I bother procuring them… I mean, it was only $1. See the index for my extensive (and apparently contentious) reviews of his work i.e. Tau Zero (1971). And eww, a gauzy cover by Gene Szafran….
3. A complete unknown—and Kathleen M. Sidney’s only SF novel (she wrote three additional short stories according to isfdb.org).
4. Vintage French SF in translation! With a fantastic cover by Max Ernst. In addition to writing SF, Philippe Curval produced fascinating photo collage SF cover art. I’ve featured his art previously on the site: Part I and Part II.
Let me know what you think of the books and covers in the comments!
1. Circus World, Barry B. Longyear (1981)
(John Rush’s cover for the 1981 edition) Continue reading
1. As I read the vast majority of Philip K. Dick’s novels pre-blog (i.e. pre-2010), many of the details have faded into a general morass of surreal fragments and paranoiac dreams. I know for certain Flow My Tears, the Policeman Said (1974) remains one of only a handful of unread works in his vast oeuvre.
This UK edition has a bizarre cover….
2. I thoroughly enjoyed Tanith Lee’s Don’t Bite the Sun (1976) and snatched another one of her early SF works—Day by Night (1980)…. the premise intrigues! A storyteller spins tales on a popular TV network that might not be stories at all…. but true accounts of the denizens from the other side of the planet.
3. A candidate for the worst cover of all time? The book by Gordon Eklund and Poul Anderson might not be much better. Certainly the risk purchase of the batch!
4. And finally, a riff on Brian Aldiss’ Helliconia formula? I can’t wait to read this one.
Let me know what books/covers intrigue you. Which have you read? Disliked? Enjoyed?
1. Flow My Tears, the Policeman Said, Philip K. Dick (1974)
(Richard Clifton-Dey’s cover for the 1976 edition) Continue reading
(John Schoenherr’s cover for the 1972 edition)
3.5/5 (collated rating: Good)
The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972) doesn’t feel like a “best of” collection. The majority of the contents are unspectacular space operas and hard SF in the Analog vein. Amongst the chaff, a few more inventive visions shined through—in particular, Joanna Russ’ mysteriously gauzy and stylized experiment replete with twins and dream machines; Michael G. Coney’s evocative overpopulation story about tourist robots; Christopher Priest’s “factual” recounting of human experimental subjects that isn’t factual at all; and Barry Malzberg’s brief almost flash piece about differing perspectives all tied together by the New York metro.
On the whole, I give it a solid recommendation although the best can be found in single-author collections.
“The Fourth Profession” (1971), novelette by Larry Niven, 3/5 (Average): Nominated for the 1972 Continue reading
Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)
(John Schoenherr’s cover for the 1972 edition) Continue reading
1) Futuristic city? Yes! Is more needed? Okay, okay, I concede, more is needed. I hope Gotschalk’s novel with its fantastic Dean Ellis cover delivers. Among the least known of the Ace Science Fiction Special series…
Check out my older reviews of J. G. Ballard’s “Billennium” (1961), Future City, ed. Roger Elwood (1973), and The World Inside, Robert Silverberg (1971) for more SF on this theme of futuristic cities. If you delve through the archives you’ll find many more examples.
2) Ballard blurbs Martin Bax’s novel as “…the most exciting, stimulating and brilliantly conceived book I have read since Burroughs’ novels.” Hyperbole aside, the two reviews (here and here) I’ve read of Bax’s sole novel puts this at the top of my “to read” pile.
I have cheated a bit by including the cover for the first New Directions edition rather than the later Picador edition I own due to the cover quality.
3) Three acquisitions posts ago (here) I mentioned that the premise of Marge Piercy’s Dance the Eagle to Sleep (1970) did not inspire me to read it anytime soon. Thankfully I found a copy of what many consider her masterpiece Woman at the Edge of Time (1976) cheap at the local used book store.
4) I am not sure why I picked this collection up—I’ve heard good things about Joe Haldeman’s introduction which draws on his experience in the Vietnam War. As Isaac Asimov, Mack Reynolds, etc are not normally authors who intrigue me, I might do something I rarely do and read and review Effinger’s story only (and maybe Poul Anderson’s as he’s better in short form)…
As always thoughts and comments are welcome.
1. Growing up in Tier 3000, Felix C. Gotschalk (1976)
(Dean Ellis’ gorgeous cover for the 1976 edition) Continue reading
(Cover for the 1975 edition of The Hellhound (1975), Ron Goulart)
Over the past year or so I’ve explored the artists behind Doubleday Science Fiction—from the early art of The Brothers Quay, who later became well-known directors of experimental short film, to an interview with artist Emanuel Schongut. I’ve included the links to other posts in the loose series below.
Anita Siegel (1939-2011) was a Brooklyn based artist best known for her “sardonic collages seamlessly combining pictures into biting satires” (from her obituary). Her work also featured in the New York Times Op-Ed page (especially during Continue reading
(Anita Siegel’s cover for the 1970 edition)
Nominated for the 1971 Hugo Award for Best Novel
Poul Anderson’s Tau Zero (1970) exemplifies the type of SF I no longer enjoy. A younger me would have gobbled up the magical phrases: A Bussard Interstellar Ramjet! Disaster in space! Einstein’s theory of Special Relativity!
At one point Anderson’s adventure-heavy SF formed my bread and butter. Over the years I’ve reviewed thirteen of his novels and short story collections, most recently in 2013 — There Will Be Time (1972), Brain Wave (1953), and Time and Stars (1964). I have sat on this review for months in a state of indecision debating whether or not to insert my sharpened awl into the novel’s brittle hide so repeatedly tattooed with the Continue reading