(Diane and Leon Dillon’s cover for the 1971 edition of One Million Tomorrows (1971), Bob Shaw)
3/5 (Average)
One Million Tomorrows (1971) is the second of Bob Shaw’s science fiction novels I’ve read. The first, Ground Zero Man (1971), suffered from an extreme case of grating melodrama which weakened the insightful central message — the ever evolving danger (and nature) of nuclear war.
One Million Tomorrows attempts, in a dubious manner, to tackle another standard trope — immortality. That is, immortality with a catch, the sterilization and complete loss of sexual drive of all men who take the drug. Women, on the other-hand, become ageless and maintain whatever level of sexual desire they had when they took the Continue reading








