SF Book Reviews

Short Story Reviews: Four Stories from New Worlds Science Fiction (April 1964), ed. John Carnell

/ Joachim Boaz / 10 Comments

To mix things up a bit I decided to review four stories in John Carnell’s last issue of New Worlds Science Fiction (April 1964) before he handed over the reins of the dying publication to Michael Moorcock, who would elevate it to New Wave greatness. Other than the James White serial Open Prison, which I plan on reading in book form when I procure a copy, three of the four authors reviewed below owed much of their careers to John Carnell, and would see few stories in print after his departure (see the individual story reviews for details). Only Barrington J. Bayley, writing as P. F. Woods, would see continued publication (and growing popularity) in New Worlds under Moorcock.

Of the stories I recommend reading William Spencer’s rumination on overpopulation and urban life,  “Megapolitan Underground.” The others are worthwhile only for die-hard fans of Carnell’s New Worlds and other editorial projects. Continue reading →

Book Review: The Word for World is Forest, Ursula K. Le Guin (1972)

/ Joachim Boaz / 44 Comments

(Richard Powers’ cover for the 1976 edition)

4.5/5 (Very Good)

Won the 1973 Hugo for Best Novella. Nominated for the 1973 Nebula for Best Novella.

In November 1969, word of the My Lai Massacre (March 16, 1968), where American soldiers killed (and raped and mutilated) between 347-504 unarmed South Vietnamese civilians, reached American newspapers. Ronald L. Haeberle’s iconic (and horrifying) photograph of massacred children and adults–superimposed with, “Q. And babies? A. and babies,” the chilling lines from NBC’s interview with massacre participant Paul Meadlo–was transformed into the “most successful poster” opposing the Vietnam War by the Art Workers Coalition. While written (most likely) before news of the massacre appeared in the press, Ursula K.  Le Guin brilliantly channels this general anti-war anger, transposed to an alien local with colonizing humans as villains, in The Word for World is Forest (1972). Note: Le Guin wrote her uncannily similar novel in 1968, before word of the massacre appeared in the news. Continue reading →

Book Review: A Man of Double Deed, Leonard Daventry (1965)

/ Joachim Boaz / 21 Comments

(Richard Powers’ cover for the 1967 edition)

3/5 (Average)

Leonard Daventry’s A Man of Double Deed (1965) is a dark and grungy tale of polyamory, telepathy, and apocalyptical violence. Swinging between philosophical and emotional introspection and awkwardly explained action sequences based on the flimsiest of plots, Daventry’s novel succeeds as a noirish character study but fails as a compelling unity of parts. Continue reading →

Book Review: A City in the North, Marta Randall (1976)

/ Joachim Boaz / 13 Comments


(Vincent Di Fate’s cover for the 1976 edition)

3.75/5 (Good)

Marta Randall’s A City in the North (1976), is a work of anthropological SF that focuses on “authentic” relationships between its human and alien characters (see note). A commentary on the societal effects and cultural disconnects between natives, explorers, and colonizers, A City in the North refuses to provide easy answers. Although retreating into an occasional stock evil character to jolt the plot forward, on the whole Randall’s novel intrigues and provokes due to the underlying mysteries of native culture and ritual.  Continue reading →

Book Review: Freezing Down, Anders Bodelsen (1969, trans. 1971)

/ Joachim Boaz / 26 Comments


(Cloud Studio’s cover for the 1971 edition)

4.5/5 (Very Good)

Anders Bodelsen’s Freezing Down (1969, trans. 1971) is a harrowing collision of SF tropes and the emotional landscape of Scandinavian noir. Bodelsen, “primarily associated with 1960s New-Realism in Danish literature,” might be best known to English-speaking audiences for writing the source material for the 1978 heist film The Silent Partner, starring Christopher Plummer and Elliott Gould.

Freezing Down, Bodelsen’s lone SF work, is an icy and complex (despite its brief length) speculation on the promise of immortality.  Continue reading →

Book Review: New Dimensions 3, ed. Robert Silverberg (1973) (Le Guin + Tiptree, Jr. + Lafferty + Malzberg + Effinger + et al.)

/ Joachim Boaz / 12 Comments


(Dennis Anderson’s cover for the 1973 edition)

4/5 (Collated rating: Good)

For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.

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Book Review: Mindship, Gerard F. Conway (1974)

/ Joachim Boaz / 4 Comments

mindship conway(Kelly Freas’ cover for the 1974 edition)

3/5 (Average)

“The only truth is what happens, in plain and simple reality. I’ve seen the inside of too many minds to think any man’s intentions can be good. We’re evil inside ourselves Kilgarin. We’re sick and foul and filthy. The only ones who come close to being pure are those too stupid to be anything else” (72).

Back in 2016 I read Universe 1, ed. Terry Carr (1971) and was pleasantly surprised by Gerard F. Conway’s short story “Mindship” (1971) about telepathic (“sensitive”) “corks” who calm the minds of the spaceship crews whose psychic powers run interstellar “engines.” This story forms the prologue of Conway’s novel continuation. In an odd way, the novel reinterprets the original short story and adds an additional level of mystery (it wasn’t an accidental death, it was a murder!) to its straightforward plot.

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Book Review: Emphyrio, Jack Vance (1969)

/ Joachim Boaz / 29 Comments


(Gino D’Achille’s cover for the 1979 edition)

3.5/5 (Good)

Jack Vance’s Emphyrio (1969) is a story about how a story can create change and heighten our own yearning for escape. Although a pulp coming-of-age adventure at heart, Vance reigns in his baroque descriptive tendencies to spin a narrative that tries (successfully) to say something meaningful about the impact of storytelling.
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Book Review: Killerbowl, Gary K. Wolf (1975)

/ Joachim Boaz / 22 Comments
  • Steve Marcesi’s cover for the 1975 edition

4.75/5 (Very Good)

“The Minutemen’s hidden safety, crouching on the fifteenth floor of the Fontana West apartments, puts cross hairs on Gradington’s Adam’s apple, now even so slightly exposed just below the bottom of his bulletproof helmet and mask, just above the top of his body armor, and squeezes the trigger (5).”

In some ways SF comparisons between modern sports and Roman arenas, where blood and guts are spilled in obligatory fashion, might come off as a soft target. Imagine if the football players had knives! Pass. Imagine if one of the players had a gun! Double pass. Yes, we know sports can be violent and taxing on the mind and body. A quick browse through the current NFL injury list and articles such as The Boston Globe‘s six-part series on Aaron Hernandez makes grim and disturbing reading (researched only for this post). And adding levels of violence and trauma to an already splattered playing field is a predictable avenue of SF speculation. Predictable yet relentlessly fascinating in the hands of a talented author….

Continue reading →