Book Review: The Eye of the Lens, Langdon Jones (1972)

May 10, 2016May 10, 2016 / Joachim Boaz / 17 Comments

(Richard Jones’ cover for the 1972 edition)

4/5 (collated rating: Good) (*see note below)

Langdon Jones is best known for his involvement in New Worlds Magazine: he contributed stories (published 16 in various New Worlds venues), cover art, and edited the April-July 1969 issues. One of his stories, “To Have and To Hold,” was slated to appear in the never published Last Dangerous Visions, and languishes unread and unknown. Why Ellison doesn’t relinquish control of the copyright is beyond me… Sadly, Jones’ output had all but dried up by 1969. If anyone knows why, please let me know.

Three of the seven stories in the collection—“The Hall of Machines” (1968), “The Coming of the Sun” (1968), and “The Eye of the Lens” (1968)—form a loose triptych (the religious connotations of the term is purposeful).

*NOTE: Recommended only for fans of the most radical New Wave SF that graced the pages of New Worlds magazine. Experimental, allegorical, and occasionally Borgesian, all the stories revolve around our perception of time and memory. Even in the collection’s weakest moments—the Continue reading →

Book Review: Starship and Haiku, Somtow Sucharitkul (S. P. Somtow) (1981)

May 6, 2016May 6, 2016 / Joachim Boaz / 7 Comments

(Gerry Daly’s cover for the 1981 edition)

3.25/5 (Vaguely Good)

“Nature does not write haiku. Men write haiku. The world cannot end in chaos, with things running wild, with gangs running rampant, with cannibals, with dog eating dog and plague-deaths and the abominable mutations. O, I know it is so in some other countries, but we are Japanese. We are the children of the whale, who have committed the original sin of patricide… but we have pride, and we must die in beauty” (131).

Somtow Sucharitkul (S. P. Somtow after 1985) is a fascinating individual. He’s a Thai-American SFF author/composer who moved back and forth between Thailand and the UK (English was his first language and he received his education at the University of Cambridge). Perhaps best known for his Mallworld sequence of stories (1979-2000), Somtow’s output is immense and ranges from horror to mainstream fiction (in addition to numerous symphonies and operas).

His first novel Starship & Haiku (1981), which won the 1982 Locus Best First Novel Award, joins the ranks of a veritable subgenre of SF about whales and pseudo-whales—including (off the top of my head, there are bound to be more!): Star Trek IV: The Voyage Home (1986), Ian Watson’s The Jonah Kit (1975), T. J. Bass’ The Godwhale (1974), Philip José Farmer’s The Wind Whales of Ishmael (1971), John Varley’s Gaean series (1979-1984), Alan Dean Foster’s Cachalot (1980), and Robert F. Young’s Spacewhale sequence of short stories (1962-1980) which includes “Starscape with Frieze of Dreams” (1970). And yes, a whale makes a fateful appearance in Adams’ The Hitchhiker’s Guide to the Galaxy (1979)… The interest in whale SF was probably rooted to the increasing scientific research on whale song in the 1970s. And whales do hold a certain allure as the largest mammals on our planet! Continue reading →

Book Review: The Alley God, Philip José Farmer (1962)

April 24, 2016April 25, 2016 / Joachim Boaz / 26 Comments

(Richard Powers’ cover for the 1962 edition)

3.5/5 (Collated rating: Good)

The 1950s stories in Philip José Farmer’s collection Strange Relations (1960) rekindled my interest in in his earlier work. Yes, I want odd stories about hard-shelled, hilltop living, female-only womb aliens who fertilize themselves via roving mobile “male” objects whom they capture and thrust into their womb-spaces. But, there is not an author whom I have more polarizing relationship with…. Outside of the 50s stories I’ve had no success with his work—readers of the site will know my views on Traitor to the Living (1972), To Your Scattered Bodies Go (1971), and the latter novel’s endlessly bland and bloated sequels. I recently read the novel version of Night of Light (1966), based on the 1957 story by the same name, Continue reading →

Book Review: The Dream Millennium, James White (serialized 1973, novel 1974)

April 17, 2016March 24, 2020 / Joachim Boaz / 36 Comments

( John Berkey’s cover for the 1974 edition)

4.75/5 (Very Good)

“The thought of the vast, utterly silent ship stretching away on all sides of his cubicle, guarded and guided by silent computers, was paralyzing his own ability to make sounds […]” (3)

The crew of a seed ship sent to find a new habitable planet dream the same dreams, dreams of unnatural clarity plagued by pain and death. As a young woman lies dying in her cold cubicle, her final meal at her lips and unaware of her predicament, she whispers to our reluctant hero (Devlin), “All I seem to dream about is being a lady dinosaur” (32). Devlin’s dreams follow some pseudo-evolutionary schema, first he dreams he’s a trilobite in some Silurian sea crushed by the tentacles of a cephalopod, “he went on feeding while the hot, constant flame of hunger was punctuated by explosions of pain as his appendages were twisted and crushed and torn away […]” (10). Then he dreams he’s a brontosaurus, and then an early primate…

Periodically, the automated machines that tend the colonists in cold storage awake their charges, “BASIC INSTRUCTIONS. SPEAK. EXERCISE. REMEMBER” (2). The Continue reading →

Book Review: Orbit 3, ed. Damon Knight (1968)

March 26, 2016July 9, 2023 / Joachim Boaz / 32 Comments

(Paul Lehr’s cover for the 1968 edition)

3.5/5 (collated rating: Good)

Orbit 3 contains both masterpieces (by Gene Wolfe and Kate Wilhelm) and complete duds (by Doris Pitkin Buck and Philip José Farmer). Damon Knight’s willingness to select a range of known and lesser known authors creates an enjoyable and unpredictable reading experience—but, most of the greats are on their game in this collection, other than Farmer who puts in a lazy shift… Contains two Nebula award winners: Wilson’s problematic “Mother to the World” (novelette) and Kate Wilhem’s “The Planners” (short story). The former was also nominated for a Hugo.

Recommended for fans of 60s SF of the experimental bent. Do not let the collated rating sway you—there are some great stories behind the Paul Lehr Continue reading →

Book Review: Three Worlds of Futurity, Margaret St. Clair (1964)

March 12, 2016June 10, 2023 / Joachim Boaz / 26 Comments

(Jack Gaughan’s cover for the 1964 edition)

3/5 (collated rating: Average)

Margaret St. Clair (1911-1995) was a mainstay of the major pulp magazines and maintained a prolific career from 1946 to the late 60s (between the 70s and early 80s she produced only one novel and a handful of stories). Previously, I found myself disenchanted with her work as I struggled through the Wicca-inspired ramblings of Sign of the Labrys (1963). However, I thought I would give her short fiction a try and snagged a copy of the 1964 Ace Double #M-105 that contained her collection Three Worlds of Futurity (1964) and her best known novel Message from the Eocene (1964) (which I might read sometime in the future).

Three Worlds of Futurity contains five stories from her most prolific period—the late 40s-early 60s. Although the majority do not rise above their fellow pulp ilk, “The Rages” (variant title “The Rations of Tantalus” 1954, revised 1964) shows a measured and incisive feminist inspired vision and the unusual subject matter of “Roberta” (1962) suggests St. Clair’s willingness to tackle controversial subjects. Most of the stories contain evocative imagery although the delivery rarely transfixes. Also, although most of the main characters in St. Clair’s stories are men, women scientists and pilots (etc) populate the pages. I suspect Continue reading →

Book Review: Code Three, Rick Raphael (fix-up 1967)

February 2, 2016August 1, 2019 / Joachim Boaz / 23 Comments

(John Schoenherr’s cover for the 1963 magazine version)

3.25/5 (Above Average)

A discussion first about taglines… The 1967 Berkley Medallion edition (with its murky Jerome Podwil cover: photo) reads: “A future world of gigantic expressways—and the men who patrol them.” The 1985 Panther edition with its ubiquitous Chris Foss Textured Mass (CFTM for short) police car reads: “Before MAD MAX there was CODE THREE.” Both are in error. I proffer two edits. “A future world of gigantic expressways—and the people who patrol them.” And the latter should be rendered: ” Continue reading →

Book Review: Irrational Numbers, George Alec Effinger (1976)

January 26, 2016January 26, 2016 / Joachim Boaz / 14 Comments

(Michael Flanagan’s cover for the 1976 edition)

4.5/5 (collated rating: Very Good)

George Alec Effinger’s What Entropy Means to Me (1972) exemplifies the elements of the New Wave movement that continue to fascinate me, i.e. a fascination that compels my endless Orbit, Nebula, Universe, etc. anthology purchases! Effinger’s short fiction holds the same allure—he tackles a vast variety of subjects and themes: trauma, commercialization, sports, and biological apocalypse are paired with the daily experience, the mundane. Interested in SF about a man obsessed with his fish tank confronting his disintegrating relationship and the end of the world? A regimented cult, or psychological experiment (?), organized around Mithraic ritual and the memorization Continue reading →

Book Review: Universe 1, ed. Terry Carr (1971)

January 6, 2016January 6, 2016 / Joachim Boaz / 9 Comments

(Davis Meltzer’s cover for the 1971 edition)

3.75/5 (Collated rating: Good)

Won the Locus 1972 Award for Best Original Anthology.

The Universe series of anthologies contained original SF that had not yet appeared in print. And, the inaugural volume Universe 1 (1971) ed. by Terry Carr certainly hit critical pay dirt: Robert Silverberg’s minimalist the first robotic pope tale won the Nebula for Best Short Story, George Alec Effinger’s anti-war black comedy was nominated for the Hugo Award for Best Short Story, Joanna Russ’ alt-history (sort of) fable was nominated for the Nebula Award for Best Novelette, and Edgar Pangborn’s sentient “alien” animals look for a caretaker mood piece was nominated for the Nebula Award for Best Novelette.

On the whole the quality is fairly Continue reading →