Book Review: Three Worlds of Futurity, Margaret St. Clair (1964)

March 12, 2016June 10, 2023 / Joachim Boaz / 26 Comments

(Jack Gaughan’s cover for the 1964 edition)

3/5 (collated rating: Average)

Margaret St. Clair (1911-1995) was a mainstay of the major pulp magazines and maintained a prolific career from 1946 to the late 60s (between the 70s and early 80s she produced only one novel and a handful of stories). Previously, I found myself disenchanted with her work as I struggled through the Wicca-inspired ramblings of Sign of the Labrys (1963). However, I thought I would give her short fiction a try and snagged a copy of the 1964 Ace Double #M-105 that contained her collection Three Worlds of Futurity (1964) and her best known novel Message from the Eocene (1964) (which I might read sometime in the future).

Three Worlds of Futurity contains five stories from her most prolific period—the late 40s-early 60s. Although the majority do not rise above their fellow pulp ilk, “The Rages” (variant title “The Rations of Tantalus” 1954, revised 1964) shows a measured and incisive feminist inspired vision and the unusual subject matter of “Roberta” (1962) suggests St. Clair’s willingness to tackle controversial subjects. Most of the stories contain evocative imagery although the delivery rarely transfixes. Also, although most of the main characters in St. Clair’s stories are men, women scientists and pilots (etc) populate the pages. I suspect Continue reading →

Book Review: Code Three, Rick Raphael (fix-up 1967)

February 2, 2016August 1, 2019 / Joachim Boaz / 23 Comments

(John Schoenherr’s cover for the 1963 magazine version)

3.25/5 (Above Average)

A discussion first about taglines… The 1967 Berkley Medallion edition (with its murky Jerome Podwil cover: photo) reads: “A future world of gigantic expressways—and the men who patrol them.” The 1985 Panther edition with its ubiquitous Chris Foss Textured Mass (CFTM for short) police car reads: “Before MAD MAX there was CODE THREE.” Both are in error. I proffer two edits. “A future world of gigantic expressways—and the people who patrol them.” And the latter should be rendered: ” Continue reading →

Book Review: Irrational Numbers, George Alec Effinger (1976)

January 26, 2016January 26, 2016 / Joachim Boaz / 14 Comments

(Michael Flanagan’s cover for the 1976 edition)

4.5/5 (collated rating: Very Good)

George Alec Effinger’s What Entropy Means to Me (1972) exemplifies the elements of the New Wave movement that continue to fascinate me, i.e. a fascination that compels my endless Orbit, Nebula, Universe, etc. anthology purchases! Effinger’s short fiction holds the same allure—he tackles a vast variety of subjects and themes: trauma, commercialization, sports, and biological apocalypse are paired with the daily experience, the mundane. Interested in SF about a man obsessed with his fish tank confronting his disintegrating relationship and the end of the world? A regimented cult, or psychological experiment (?), organized around Mithraic ritual and the memorization Continue reading →

Book Review: Universe 1, ed. Terry Carr (1971)

January 6, 2016January 6, 2016 / Joachim Boaz / 9 Comments

(Davis Meltzer’s cover for the 1971 edition)

3.75/5 (Collated rating: Good)

Won the Locus 1972 Award for Best Original Anthology.

The Universe series of anthologies contained original SF that had not yet appeared in print. And, the inaugural volume Universe 1 (1971) ed. by Terry Carr certainly hit critical pay dirt: Robert Silverberg’s minimalist the first robotic pope tale won the Nebula for Best Short Story, George Alec Effinger’s anti-war black comedy was nominated for the Hugo Award for Best Short Story, Joanna Russ’ alt-history (sort of) fable was nominated for the Nebula Award for Best Novelette, and Edgar Pangborn’s sentient “alien” animals look for a caretaker mood piece was nominated for the Nebula Award for Best Novelette.

On the whole the quality is fairly Continue reading →

Short SF Book Reviews: Michaelmas, Algis Budrys (1976), The Machine in Shaft Ten, M. John Harrison (1975), and Catacomb Years, Michael Bishop (1979)

January 1, 2016August 10, 2019 / Joachim Boaz / 20 Comments

[The second of four review catch up posts. The first — > here]

1. Catacomb Years, Michael Bishop (1979)

(Ron Walotsky’s cover for the 1979 edition)

5/5 (collated rating: Masterpiece)

Michael Bishop’s Catacomb Years (1979) takes the form of a complex and multi-layered future history of a single city, the Urban Nucleus of Atlanta, Georgia—entombed/reborn under a vast dome where even the sky is obscured. Over the course of seven short SF works linked by recurring characters (and character references), theme, and chronology Bishop weaves one of the more spectacular future history canvases. This is a future history of a profoundly human scope focusing on transformative junctures in the life of the city from the point of view of a range of the inhabitants—from the old to the young, from technicians to recluses obsessed with bonsai, from teachers to human caregivers of the alien visitors… And most intriguing is Bishop’s willingness to Continue reading →

Short SF Book Reviews: If All Else Fails…., Craig Strete (1980), My Petition for More Space, John Hersey (1974), and All Judgement Fled, James White (serialized 1967)

December 19, 2015June 14, 2026 / Joachim Boaz / 43 Comments

[Preliminary Note: This year saw a massive drop off in the number of reviews I’ve managed to put together due to professional pressures etc. I wish I had been able to write fuller reviews–especially as much of the SF I read is lesser known and deserves a wider audience. In some cases, I waited too long to write and thus loss the necessary momentum. I have ten or so more waiting in the wings–hopefully they will allow me “to catch up” so to speak.]

1. If All Else Fails…, Craig Strete (1980)

(Margo Herr’s cover for the 1980 edition)

4.75/5 (collated rating: Very Good)

Craig Strete, one of the few Native American SF authors, picked up three Nebula Award nominations for short SF over the 70s and early 80s (“The Bleeding Man” in 1976, “Time Deer” in 1976, and “A Sunday Visit With Great-Grandfather” in 1981 although it was withdrawn). The first two are in If All Else Fails… (1980). They are both far from the best of the collection.

Favorites: “All My Statues Have Stone Wings” (1980), “To See the City Sitting on Its Buildings” (1975), and “A Horse of a Different Technicolor” (1975).

The pages reek with despair at the loss of Native American culture …. The narrator of the “All My Statues” is reminded of his “grandfather who died humming all the songs he had kept silent because there was no one left to sing them” (11). In “To See the City” the dead try to escape the concrete prisons of the cities that desecrate the holy places: “Buried animal and ground Continue reading →

Book Review: Interface, Mark Adlard (1971)

November 29, 2015June 19, 2016 / Joachim Boaz / 8 Comments

(Paul Alexander’s cover for the 1977 edition)

3.25/5 (Vaguely Good)

“Stahlex! Stahlex!

I want it thick!

I want it quick!

I want something that’ll do the trick!

Use Stahlex! Use Stahlex!

A benevo-o-olent monopo-o-oly” (160).

Mark Adlard’s SF output consisted primarily of the Tcity trilogy: Interface (1971), Volteface (1972), and Multiface (1975). The domed (and doomed) city is a powerful scenario to explore a cornucopia of future social issues such as conformity, Continue reading →

Book Review: An Infinite Summer, Christopher Priest (1979)

November 18, 2015June 22, 2019 / Joachim Boaz / 29 Comments

(Don Puchatz’s cover for the 1981 edition)

4.75/5 (collated rating: Very Good)

With Christopher Priest’s second short story collection, An Infinite Summer (1979), he enters the pantheon of my favorite SF authors. The thing is, I knew he would all along once I moved past the sour taste of his first novel Indoctrinaire (1970) and finally picked up one of his later endeavors.

Priest’s fiction appeals to my sensibilities: he is the consummate wordsmith; his worlds (especially the stories in the loose sequence of the Dream Archipelago) are evocative; the stories drip with a certain nostalgic longing and/or are populated with characters who cannot escape their memories; metafictional experimentation (a novel within a story, a novel that Priest himself would go on to write–perhaps with a different plot!) is rooted to the aims of each story (you cannot separate the two without Continue reading →

Book Review: Scop, Barry N. Malzberg (1976)

October 7, 2015October 7, 2015 / Joachim Boaz / 28 Comments

(Stephen Fabian’s cover for the 1976 edition)

3.5/5 (Good)

A TANTALIZING FRAGMENT/THE CONCEPTUAL CORE: “‘Don’t you understand what is going on here? [Scop] said, “Don’t you realize that we are living not in a present but in a dream of waste, an extension of all the terrors of the past; don’t you realize that we live awash in blood?” (105).

WHOSE BLOOD?/THE HISTORICAL JUNCTION: John F. Kennedy is assassinated on November 22^nd, 1963 by Lee Harvey Oswald. Abraham Zapruder, a private citizen, films the death from the Grassy Knoll in Dealey Plaza, Dallas. Jack Ruby kills Oswald, who was awaiting trial, on November 24th. James Earl Ray assassinates Martin Luther Jing, Jr. on April 4th, 1968. Robert F. Kennedy is assassinated by Sirhan Sirhan on June 5th, 1968.

Scop wants all three to never have Continue reading →