Updates: Recent Science Fiction Purchases No. CCLXII (John Shirley, Sheila Finch, Hank Lopez, David Ohle)

/ Joachim Boaz / 6 Comments

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Motorman, David Ohle (1972)

Matt Tracy’s cover for the 2008 edition

There is no cover or interior blurb for the 2008 reprint edition. From the back cover of the 1972 1st edition: “MOTORMAN is Moldenke, a man living in the City of one possible future—a man of little strength, few feelings, four implanted sheep’s hearts ticking away inside his chest, and a need to seek out the point where the square of existence becomes round. Of course it can’t be done, but his imagination sets out anyway on a Continue reading →

Book Review: Universe 4, ed. Terry Carr (1974) (Robert Silverberg, Pamela Sargent, Jack Vance, R. A. Lafferty, Alexei Panshin, Ron Goulart, et al.)

/ Joachim Boaz / 5 Comments

Jack Faragasso’s cover for the 1975 edition

3.25/5 (collated rating: Vaguely Good)

Terry Carr’s original anthology Universe 4 (1974) contains a cross-section of early 70s science fiction–from oblique New Wave allegories to “hard SF” first contact stories with unusual aliens.

Despite clocking in last in the installments I’ve read so far– behind Universe 2 (1972), Universe 1 (1971), and Universe 10 (1980)—the best stories, R. A. Lafferty’s rumination on memory and nostalgia, Pamela Sargent’s bleak account of urban Continue reading →

Updates: Recent Science Fiction Purchases No. CCLXI (Algis Budrys, Gwyneth Jones, Russell M. Griffin, Dino Buzzati)

/ Joachim Boaz / 11 Comments

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Some Will Not Die, Algis Budrys (1961, rev. 1978)

Frank Kelly Freas’ cover for the 1978 edition

My 1978 revised edition contains no inside flap or back cover blurb. Instead, here’s the brief description of the novel and its complex publication history from SF Encyclopedia: “Budrys’ first novel has a complex history. As False Night (March 1954 Galaxy as “Ironclad”; much exp. 1954) it was published in a form abridged from the manuscript version; this manuscript served as the basis for a reinstated text which, with additional new material, was published as Some Will Not Die (1961; rev 1978). In both versions a Post-Holocaust story is set in a plague-decimated Continue reading →

Adventures in Science Fiction Cover Art: The Surrealism of Carlos Ochagavia, Part I

/ Joachim Boaz / 12 Comments

Canvas for the 1977 edition of Universe 7, ed. Terry Carr (1978)

The covers for Pocket Books and Popular Library tend not to scream “visual zeitgeist of the 70s” like the catalogs of DAW, Ace, and Del Rey/Ballantine Books (note 1). But amongst the former’s primarily forgettable stable of artists who are often uncredited (2), a few gems emerge–notably the work of Carlos Ochagavia (1913-2006) (3).

I cannot find more than a few sentences of biographical material on Ochagavia online. He was born in Spain and moved at a young age to Argentina. He arrived in the United States Continue reading →

Updates: Recent Science Fiction Purchases No. CCLX (Scott Russell Sanders, Charles G. Finney, Gail Kimberly, Anthology of the Best SF of 1980)

/ Joachim Boaz / 35 Comments

As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Unholy City (1937) and The Magician Out of Manchuria (1968), Charles G. Finney

Jack Gaughan’s cover for the 1968 edition

From the back cover: “Long out of print, THE UNHOLY CITY is one of the most remarkable novels of fantastic adventures ever written. The nightmare City of Heilar-Wey, with its ghoulish pleasures, its zany riots, and a giant tiger ravening in its streets, is not a nice place to visit—but it’s a delight to read about!

THE MAGICIAN OUT OF MANCHURIA—a new short novel, published here for the first time Continue reading →

Book Review: The Wind From Nowhere, J. G. Ballard (1962)

/ Joachim Boaz / 25 Comments

Richard Powers’ cover for the 1st edition

3/5 (Average)

In J. G. Ballard’s The Wind From Nowhere (1962), cosmic radiation creates an immense natural disaster. Ever-increasing winds threaten to tear buildings out by their foundations and force the survivors into subterranean caverns. With the winds comes dust, a manifestation of erasure, that lacerates skin and engulfs all.

John Carnell serialized Ballard’s first novel in New Worlds in 1961 (issues 110 and 111). Continue reading →

SF Film Rumination: Chronopolis, dir. Piotr Kamler (1982)

/ Joachim Boaz / 9 Comments

A cabal of immortal beings

8/10 (Very Good)

Piotr Kamler’s SF film Chronopolis (1982) is a hypnotic exercise in sinister science whose imagery is lifted from an archaic stone vault (1). Against an unsettling patina of musique concrète composed by Luc Ferrari, we are plunged into a far future existence where immortal beings ensconced in a celestial city perform apathetic conjurations of matter. An external force, explorers climbing the pillars (?) that hold up the city, presage a deliverance from the languor that afflicts all.

Science as Ritual, Scientist as Priest Continue reading →

Recent Science Fiction Purchases No. CCLIX (Gwyneth Jones, Thomas F. Monteleone, Knut Faldbakken, Stefano Benni)

/ Joachim Boaz / 19 Comments

As always which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Guardian, Thomas F. Monteleone (1980)

Paul Alexander’s cover for the 1981 edition

From the back cover: “GUARDIAN. There existed nothing like it in the known World. It climbed boldly into the sky, a symbol of the power and imagination of those who had created it…. Varian Hamer stood face to face with a robot. It was not only fantastic—it was impossible. In the known World there were no such things as robots. They had been destroyed, along with everything else, thousands of years before, in what many supposed was Armageddon.

Continue reading →

Book Review: Quake, Rudolph Wurlitzer (1972)

/ Joachim Boaz / 8 Comments
Sandy Kossin’s cover for the 1974 edition

3.75/5 (Good)

Rudolph Wurlitzer’s Quake (1972) parades the traumatized victims of a near-future earthquake through a lust-filled black comedy. Wurlitzer deftly re-purposes the language of erotica for distinctly un-pornographic ends: the aimlessness of life transmutes into a priapic shuffle towards nothing.

Brief Summary

In the near future an earthquake destroys Los Angeles. A nameless transient (N), a recent transplant to the city’s “rituals and corruptions” (3), wakes to a scene of carnage. N stumbles from his cheap cabin, with a bed sheet tied around his waist, towards the hotel pool. Stretched out on the diving board, he observes hotel cabins collapse disgorging the sad dramas playing out within. A woman joins him on the diving board and attempts to converse. He refuses to give his name: “we’re overloaded as it is” (11).

Continue reading →