Updates: Recent Science Fiction Acquisitions N. XLVI (Reed + Pratt + Brown + anthology)

Finally getting near the end of the pile of science fiction novels procured during my latest journey to Texas (a few were in clearance dollar bins) + gifts from 2theD.  I know very little about any of the authors (any info would be read with relish) — and I even bought a book from the early 1980s!  I know, shocker, but it has to do with drowned cities…. one of my favorite themes…. although it’ll never equal the uterine joys of Ballard’s magisterial The Drowned World (1962).

1. Under the City of Angels, Jerry Earl Brown (1981)

(Lou Feck’s cover for the 1981 edition) Continue reading

Adventures in Science Fiction Cover Art: Cosmic Fetuses + Other Uterine Spaces (+ levitating baby parts)

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(Paul Lehr’s cover for the 1970 edition of The Eyes of Heisenberg (1966), Frank Herbert)

Stanley Kubrick’s iconic baby in a balloon image at the end of his film 2001: A Space Odyssey (1968) spawned a handful of intriguing cosmic fetus science fiction covers.  Even the famous artist Paul Lehr crafted perhaps the most artistically interesting version for Frank Herbert’s novel, The Eyes of Heisenberg.  Other artists, for example the uncredited creator of The Adam Experiment‘s cover, render incredibly hokey + spooky rip-offs.  Because I’ve found only a few on this particular theme I’ve included a variety of other baby related covers — hovering baby heads in space, mini-holograms of babies, adult men Continue reading

Adventures in Science Fiction Cover Art: Easter Island Heads

(Ray Kalfus’ cover for the May 1963 issue of Amazing Stories)

The Easter Island heads have long been explained away by conspiracy theorists as the work of aliens!  Apparently there are a few short stories and novels that derive not only their cover art but entire stories from such hilariously awful material…. Regardless, the covers are giggle inducing, and in the case of the uncredited cover for William Tenn’s Of All Possible Worlds (1955) rather striking.  I’ve included one cover from the 40s, an Arkham house novel that might be more “horror” than “sci-fi.”  Regardless, the idea that the Easter Island heads evoke dread, is well, laughable.

If you know of any others please let me know — I could only round up these five Continue reading

Updates: Recent Science Fiction Acquisitions N. XLV (Heinlein + Farmer + Shaw + Lanier)

My San Antonio, TX haul….

I’ve read multiple of Shaw’s books in the past — they are often intriguing on the conceptual level but fall apart during delivery (Ground Zero Man, One Million Tomorrows)….  But, the back cover of Shadow of Heaven (1969) was intriguing enough to grab a copy.

The multiple Farmer novels I’ve read (most of the Riverworld series and Traitor to the Living) were trash.  But, I’m willing to give him another go — against my better judgement.

Heinlein is overrated but readable and Stephen Lanier’s Hiero’s Journey (1973) is supposed to be an intriguing post-apocalyptical tale….

1. Shadow of the Heaven, Bob Shaw (1969)

(George Underwood’s cover Continue reading

Updates: Recent Science Fiction Acquisitions N. XLIV (Anderson + Brunner + Bova + Budrys)

My Austin, TX haul….

Two classics I’ve yet to read: Budrys’ Who? (1958) and Poul Anderson’s Tau Zero (1970)…  The second in a trilogy by John Brunner, The Avengers of Carrig (1969) — the first, Polymath (first published in 1963 but expanded in 1974) was a readable Brunner pulp.

I’ve never enjoyed Bova’s novels, but I impulsively picked up As on a Darkling Plain (1972), perhaps influenced by the Ellis’ cover.

1. Who?, Algis Budrys (1958)

(Robert V. Engel’s cover for the 1958 edition) Continue reading

Adventures in Science Fiction Cover Art: Domed Cities of the Future, Part III

(Kelly Freas’ cover for the 1955 edition of City of Glass (1942 magazine), Noel Loomis)

Part I, Part II of my series on domed cities of the future.

Bob Watkin’s cover for the 1955 issue of If Magazine depicts an old man regaling stories of futuristic domed cities.  His fantastic visions are reduced to their key elements in sketch form — a translucent dome, buildings.  I’ve selected a variety of images from pulp 50s works until the late 70s depicting more fantastic/futuristic domed cities than the old man’s imagination conjures.  Ed Emshwiller’s cover for the  1953 edition of City at World’s End (1950) depicts two futuristic metropoli — a trend in future city development?  The first is a planned circular city spreading horizontally across the plain.  The other, an incredibly stylized “futuristic complex” Continue reading

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds, Part II

(Pattee’s cover for the November 1950 issue of Astounding Science Fiction)

In case you missed Part I.

Pattee’s cover for the Astounding Science Fiction November 1950 issue is visually stunning.  A transparent man (his arteries + brain showing) holds the atomic symbol aloft.  On the horizon a gigantic mushroom cloud is transposed with a spaceship.  Does man use atomic power for science and the good of mankind or evil and the destruction of mankind?  The message is made even more abundantly clear by the title of the piece of art — “Choice.”  Although this rhetoric might seem somewhat ham-fisted to modern post-Cold War readers, it produced some remarkable works of science fiction and science fiction art.  (If anyone knows the full name of the artist, I’d be grateful).

As with Part I, I’ve included some covers from the notorious hackwork spewing conveyor belt publisher Badger Books for giggles and Continue reading

Book Review: The Hieros Gamos of Sam and An Smith, Josephine Saxton (1969)

(Jack Faragasso’s cover for the 1970 edition)

4.5/5 (Very Good)

The Hieros Gamos of Sam and An Smith (1969) is an experimental (but approachable) science fiction fable set in a world which, at least on the surface, is very much like our own.  The buildings remain, food dispensers still dispense food, and undisturbed store shelves are fully stocked.  However, the majority of the animals have disappeared and people are almost all gone. Cannibalism is hinted at.  A few other individuals flit on the outskirts of the narrative, phantom-like, unsubstantial in their physicality.  Are they hallucinations, or external viewers of the spectacle who intrude when needed before vanishing with no evidence of their arrival?

Josephine Saxton deftly utilizes the coming of age narrative, Continue reading

Updates: Recent Science Fiction Acquisitions N. XLII (Malzberg + Roshwald + Clement + Moorcock)

A nice selection of books from my fellow book reviewer at Potpourri of Science Fiction Literature and a few from a recent trip to Indianapolis — the fried chicken and waffles at Maxine’s were far superior to their used book stores….

My trilogy of dark/brilliant/disturbed Malzberg novels dealing with the space program, The Falling Astronauts (1971), Revelations (1972), and Beyond Apollo (1972) is now complete!  When I get around to reading The Falling Astronauts I will put together a special post with a series of intriguing space program documents given to me by my fiancé — including a hilarious 1965 publication, The Astronauts & Their Families, where real life astronauts pose with their happy families, play with puppies, teach their children to shoot rifles, pose with their cars, pretend to play at the piano, etc — i.e. the oposite of Malzberg’s vision of the “manliest” of American heroes…

The Moorcock novel, The Ice Schooner (1969) was a rather impulsive buy — I’ve yet to read any of his works, but voyagers to cities wreathed in ice is always a fun trope.

Level 7 (1959) is generally considered a Cold War masterpiece…

Clement’s Through the Eye of the Needle (1978) is the sequel to Needle (magazine 1949) — I’ll probably want to find a copy of the first in the series before I give the sequel a shot….

1. The Falling Astronauts, Barry N. Malzberg (1971) (MY REVIEW)

(Davis Meltzer’s cover Continue reading