Adventures in Science Fiction Cover Art: Johann Peter Reuter’s Surreal Forms Arrayed Across the Plains

German painter and graphic designer Johann Peter Reuter (1949-) created fourteen credited covers for German SF presses between 1977-1984.  I have identified a potential fifteenth cover included below–the 1977 edition of Isaac Asimov’s Second Foundation (1953)–that I believe fits his style and date range. From the information gleaned from his homepage, Reuter’s SF output occurred in the first few years as a freelance artist after studying art in Dortmund. He started as a figurative painter before evolving to non-figurative forms (brief artist blurb).

If you’re interested in his non-SF art, check out his fascinating series of paintings from 2004 on the visualization of the mass.

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Short Story Review: Kris Neville’s “Cold War” (1949)

The following review is the 7th post in my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay! I relish the act of literary archaeology.

Thank you Antyphayes, “Friend of the Site,” for bringing this story to my attention!

Previously: Theodore L. Thomas’ “Broken Tool” (1959)

Up next: Philip K. Dick’s “A Little Something For Us Tempunauts” (1974)

“Cold War” (1949), 3.5/5 (Good). You can read it online here. I read it in First Step Outward, ed. Robert Hoskins (1969). Now let’s dive into the psychological hellscape that is militarized SPACE!

“The Government needs YOU!

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Updates: New Purchases No. CCLXVII (Joanna Russ, J. T. McIntosh, Jean d’Ormesson, and a Terry Carr anthology)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Worlds Apart (variant title: Born Leader), J. T. McIntosh (1954)

Richard Powers’ cover for the 1958 edition

From the back cover: “ROG FOLEY had never seen Earth—and he never would. For all that was left of Earth was an atomic funeral pyre in the sky.

ROG FOLEY was a leader of the new generation of humans who were born and raised on Mundis, the distant planet circling Brinsen’s Star and to which the last survivors of Earth had escaped in a 17-year journey through space.

ROG FOLEY and his disciples were strongly Continue reading

Book Review: Survival Ship and Other Stories, Judith Merril (1974)

Derek Carter’s cover for the 1st edition

3.5/5 (collated rating: Good)

Ever since I read Judith Merril’s “Daughters of Earth” (1952), I’ve been fascinated by her subversive takes 1950s-60s gender roles and classic SF tropes. Survival Ship and Other Stories (1974) contains twelve short stories and a never-before-published poem selected by the author.

In addition to the merits of the tales within, I found Merril’s brief reflections on her early work fascinating. For example, she ruminates on the failure of her planned novel based on the generation ship launched by The Matriarchy in “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). She also describes a magazine “cover story” commission. The author would be provided with the cover art and asked to write a story containing its elements! The following three in this Continue reading

Adventures in Science Fiction Interior Art: Monday Maps and Diagrams 2/22/21: Cordwainer Smith’s Instrumentality of Mankind Timeline

Detail from Darrel K. Sweet’s cover for the 1st paperback edition of The Best from Cordwainer Smith (1975)

Today’s installment of my occasional Monday Maps and Diagrams series is a self-reminder that I must get over the poor taste left in my mouth by two forgettable Cordwainer Smith short stories and dive into the meat of his Instrumentality of Mankind sequence. Which should I have read?

I’m a sucker for future history timelines (Olaf Stapledon, Robert A. Heinlein, and Isaac Asimov come to mind). They add a sense of time and scope to what, at first glance, might seem like disparate pieces. I often wonder how much an author plans out a timeline. This one, scanned from The Best of Cordwainer Smith (1975), places each of the Instrumentality of Mankind stories into a functional timeline. I’m assuming it adds to the series’ sense of historical development and societal evolution?

Let me know what you think of the series and the timeline in the comments!

John J. Pierce’s timeline (he wrote the intro article) in the 1975 Ballantine Paperback edition

Isfdb.org note on the timeline’s publication history: “There are (at least) 2 variants of this timeline. A table version titled The Instrumentality of Mankind appears in the original July 1975 Nelson Doubleday hardcover. A reformatted graphical version titled Timeline from THE INSTRUMENTALITY OF MANKIND appears in Continue reading

Recent Science Fiction and Fantasy Purchases No. CCLXVII (Daniel F. Galouye, Gordon Eklund, Lisa Tuttle, George R. R. Martin, and Andrew Sinclair)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Windhaven, George R. R. Martin and Lisa Tuttle (1981)

Vincent Di Fate’s cover for the 1st edition

From the inside flap: “The planet Windhaven was settled by humans after the crash of a colony starship. Survivors discovered that people could actually fly on this world, aided by the light gravity and dense atmosphere, and using wings made from a virtually indestructible metal fabric that had once been part of the starship. On this planet of small islands, monster-infected seas Continue reading

Short Story Reviews: Theodore L. Thomas’ “Broken Tool” (1959), “The Far Look” (1956), and “The Good Work” (1959)

The following review of Theodore L. Thomas’ “Broken Tool” (1959) is the 6th post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” I have gone ahead and added two additional stories, including one that explores similar territory with a more positivist conclusion, by the same author.

Thank you Jennifer Jodell, “Friend of the Site,” for bringing it to my attention.

Previously: Theodore Sturgeon’s “The Man Who Lost the Sea” )1959).

Up next: Kris Neville’s “Cold War” (1949)

Martinez’s interior art for Theodore L. Thomas’ “Broken Tool” (1959)

“Broken Tool” (1959), 3.5/5 (Good): You can read the story online here.

Theodore L. Thomas speculates on an unintended consequence of training cadets for deep space exploration—the creation of a radical, unmoored from earth, who only looks outward. Our Continue reading

Updates: Recent Science Fiction Purchases No. CCLXVII (Ben Bova, Margaret O’Donnell, Dennis Schmidt, and a themed anthology on gentle invaders)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Millennium: A Novel About People and Politics in the Year 1999, Ben Bova (1976)

Fred Marcellino’s cover for the 1st edition

From the inside flap: “We are thrust into the terrifying world of the future in this chilling novel about people and politics in the year 1999. The Earth’s population has soared to eight billion. The two major powers are on the brink of nuclear war as they vie for control of the planet’s dwindling supply of natural resources.

Meanwhile, a few hundred kilometers above the Earth’s surface, on their respective Moon colonies, the United States Continue reading

Short Story Review: Theodore Sturgeon’s “The Man Who Lost the Sea” (1959)

The following review was originally conceived as the fifth post in my series on “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” However, it does not fit. It is a spectacular evocation of memory and triumph and worth the read.

Thank you Mark Pontin, “Friend of the Site,” for bringing it to my attention.

Previously: Katherine MacLean’s “Echo” (1970)

Up next: Theodore L. Thomas’ “Broken Tool” (1959)

Uncredited cover for the 1st edition of Alpha 8 (1977)

5/5 (Masterpiece)

Theodore Sturgeon’s “The Man Who Lost the Sea” (1959), nominated for the 1960 Hugo Award for Best Short Story, thrusts the reader into a seemingly delusional landscape, generated by extreme trauma, of narrative fragments. One thread follows a child as he presents increasingly complex toy Continue reading