Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I

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(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)

At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….

While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces Continue reading

Updates: A New Classic SF Review Blog to add to your list

MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog.  Please visit him and comment on his posts!

queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online.  Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc).  However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVII (Cowper + Asimov + Clarke + Dickson)

Bargain bins yield some Clarke and Asimov classics I read when I was a teen but never owned….   I remember thinking at the time that Imperial Earth (1975) was one of Clarke’s best novels.  Dickson’s Dorsai! (1960) — I’ve never been a fan of military SF — is a classic I need to get around to reading.  And, my final find was Richard Cowper’s Time Out of Mind (1973).  I was surprisingly impressed with his lighthearted romp of a novel, Profundis (1979).

Thoughts on the books?

1. Time Out of Mind, Richard Cowper (1973)

(Don Maitz’s cover for the 1981 edition)

From the back cover: “As a young boy, Laurie Linton encountered a strange apparition: a ghostly man who urgently mouthed a message: KILL MAGOBION!  Years later, as members of the UN Narcotics Security Agency, Linton and the beautiful Carol Kennedy were assigned a special duty: investigation of a mysterious drug which endowed its addicts with superhuman powers. Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVI (Effinger + Morgan + deFord + Bishop)

A nice haul from the local used book store and various internet sources….  After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.

Miriam Allen deFord was a prolific 50s short story writer.  Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.

Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good.  I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.

Have you read any of these novels?  If so, what did you think?

1. Relatives, George Alec Effinger (1973)

(Uncredited cover for the 1976 edition) Continue reading

Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

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(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

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(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading

Adventures in Science Fiction Cover Art: The Vaguely Defined Looming Man Shape

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(John Richards’ cover for the 1961 edition of Earth Abides (1949), George R. Stewart)

Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy.  I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures).  Two of the three covers were made for Signet press and all three are from the early 1960s.  I suspect if I perused the covers from the Signet catalogue from that era I’d find even more….  Perhaps it’s the work of Sanford Kossin?  He was producing covers for Signet around the same time.  Solved: The cover artist is John Richard.

And now The Vaguely Defined Looming Man Shape Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading