Updates: Recent Science Fiction Acquisitions No. LXXVII (Cowper + Asimov + Clarke + Dickson)

Bargain bins yield some Clarke and Asimov classics I read when I was a teen but never owned….   I remember thinking at the time that Imperial Earth (1975) was one of Clarke’s best novels.  Dickson’s Dorsai! (1960) — I’ve never been a fan of military SF — is a classic I need to get around to reading.  And, my final find was Richard Cowper’s Time Out of Mind (1973).  I was surprisingly impressed with his lighthearted romp of a novel, Profundis (1979).

Thoughts on the books?

1. Time Out of Mind, Richard Cowper (1973)

(Don Maitz’s cover for the 1981 edition)

From the back cover: “As a young boy, Laurie Linton encountered a strange apparition: a ghostly man who urgently mouthed a message: KILL MAGOBION!  Years later, as members of the UN Narcotics Security Agency, Linton and the beautiful Carol Kennedy were assigned a special duty: investigation of a mysterious drug which endowed its addicts with superhuman powers. Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXVI (Effinger + Morgan + deFord + Bishop)

A nice haul from the local used book store and various internet sources….  After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.

Miriam Allen deFord was a prolific 50s short story writer.  Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.

Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good.  I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.

Have you read any of these novels?  If so, what did you think?

1. Relatives, George Alec Effinger (1973)

(Uncredited cover for the 1976 edition) Continue reading →

Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

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(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading →

Adventures in Science Fiction Cover Art: The City as Canvas, Part I

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(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)

The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city.    The city as a matrix that holds the scene unfolding amongst its spires…  Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example.  The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” Continue reading →

Adventures in Science Fiction Cover Art: The Vaguely Defined Looming Man Shape

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(John Richards’ cover for the 1961 edition of Earth Abides (1949), George R. Stewart)

Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy.  I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures).  Two of the three covers were made for Signet press and all three are from the early 1960s.  I suspect if I perused the covers from the Signet catalogue from that era I’d find even more….  Perhaps it’s the work of Sanford Kossin?  He was producing covers for Signet around the same time.  Solved: The cover artist is John Richard.

And now The Vaguely Defined Looming Man Shape Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXIII (Aldiss + Nourse + Biggle, Jr. + Levy + Coleman)

Part 4 of 5 acquisition posts covering my haul from the marvelous SF bookstore Dawn Treader Books in Ann Arbor, Michigan (Part I, Part II, Part III).

Three of the five books have been on my to acquire list for long time.  I adore Brian Aldiss’ early work (Non-Stop is one of my favorite SF novels) so I snatched up Starswarm (1964) without a moment’s hesitation.  Lloyd Biggle, Jr. writes very unusual (not sure if it’s good) SF — The Light That Never Was (1972) certainly had potential despite its flaws.  Regardless, The World Menders (1971) is supposedly his best work (despite the egregious Freas cover it was “graced” with).  After reading some good reviews of some of Alan E. Nourse’s 1950s medical themed stories, I’ve been looking for a copy of the fix-up novel The Mercy Men (1955).  The remaining two novels in this post were in the 50 cent clearance section — both have stunning covers (Powers + Lehr) and are probably absolutely atrocious reads.

1. Starswarm, Brian Aldiss (1964) (MY REVIEW)

starswarm

(Uncredited cover for the 1964 edition) Continue reading →

Book Review: The View from the Stars, Walter M. Miller, Jr. (1965)

(Richard Powers’ cover for the 1965 edition)

3.75/5 (Collated rating: Good)

Almost all SF fans have read Walter M. Miller, Jr.’s masterpiece A Canticle for Leibowitz (1959) but few indulge in his shorter works.  By 1957 Miller had virtually quit publishing new SF (A Canticle is comprised of novellas published between 1955-1957).  His only work published later was Saint Leibowitz and the Wild Horse Woman (1997) completed by Terry Bisson and released posthumously.

The View From the Stars (1965) — containing five short stories, two novelettes, and one novella — is a cross section of his most productive decade.  Although I found that none of the works included should be considered masterpieces, “I, Dreamer” (1953), “Dumb Waiter” (1952),  “Big Joe and the Nth Generation” (1952), and “The Big Hunger” (1952) were wonderful.  All the others are readable Continue reading →