Updates: Recent Science Fiction Acquisitions No. LXXIII (Aldiss + Nourse + Biggle, Jr. + Levy + Coleman)

Part 4 of 5 acquisition posts covering my haul from the marvelous SF bookstore Dawn Treader Books in Ann Arbor, Michigan (Part I, Part II, Part III).

Three of the five books have been on my to acquire list for long time.  I adore Brian Aldiss’ early work (Non-Stop is one of my favorite SF novels) so I snatched up Starswarm (1964) without a moment’s hesitation.  Lloyd Biggle, Jr. writes very unusual (not sure if it’s good) SF — The Light That Never Was (1972) certainly had potential despite its flaws.  Regardless, The World Menders (1971) is supposedly his best work (despite the egregious Freas cover it was “graced” with).  After reading some good reviews of some of Alan E. Nourse’s 1950s medical themed stories, I’ve been looking for a copy of the fix-up novel The Mercy Men (1955).  The remaining two novels in this post were in the 50 cent clearance section — both have stunning covers (Powers + Lehr) and are probably absolutely atrocious reads.

1. Starswarm, Brian Aldiss (1964) (MY REVIEW)

starswarm

(Uncredited cover for the 1964 edition) Continue reading

Book Review: The View from the Stars, Walter M. Miller, Jr. (1965)

(Richard Powers’ cover for the 1965 edition)

3.75/5 (Collated rating: Good)

Almost all SF fans have read Walter M. Miller, Jr.’s masterpiece A Canticle for Leibowitz (1959) but few indulge in his shorter works.  By 1957 Miller had virtually quit publishing new SF (A Canticle is comprised of novellas published between 1955-1957).  His only work published later was Saint Leibowitz and the Wild Horse Woman (1997) completed by Terry Bisson and released posthumously.

The View From the Stars (1965) — containing five short stories, two novelettes, and one novella — is a cross section of his most productive decade.  Although I found that none of the works included should be considered masterpieces, “I, Dreamer” (1953), “Dumb Waiter” (1952),  “Big Joe and the Nth Generation” (1952), and “The Big Hunger” (1952) were wonderful.  All the others are readable Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXII (Sturgeon, Harness, Sheckley, Duke)

Part 3 of 5 acquisition posts covering my haul from Dawn Treader books in Ann Arbor, Michigan…. The only Sturgeon novel I’ve read was the masterpiece (and rightly so) More Than Human (1953) so I was thrilled when I found not one but three copies of Venus Plus X (1960).  Unfortunately, I was not able to scour the shelves closely enough to find a first edition and thus am stuck with Gray Marrow’s cover for the 1968 Pyramid Science Fiction edition.  But, I went ahead and posted the first edition art instead because it’s without doubt Victor Kalin’s best cover…..

Sheckley is brilliant so I snatched up another collection of his short stories without hesitation.

The two other authors are ones I have heard about but never read — Charles L. Harness and Madelaine Duke.  Duke’s novel was a complete risk due to the ridiculous sounding premise but I love reading works by unknown authors.  Harness is claimed by some to be one of the great authors whose neglect, in the words of John Clute in the SF encyclopedia entry on Harness, “is difficult to understand.”  His work sounds like my cup of tea….

Thoughts?  Has anyone read Charles L. Harness?

1. Venus Plus X, Theodore Sturgeon (1960) (MY REVIEW)

(Victor Kalin’s cover for the 1960 edition) Continue reading

Book Review: A Pail of Air, Fritz Leiber (1964)

(Richard Powers’ cover for the 1964 edition)

4/5 (Collated rating: Good)

My only previous exposure to Fritz Leiber was his enjoyable and highly experimental Hugo-winning novel The Big Time (1958) — an unusual story (evoking a one-act play) whose characters are soldiers recruited from all eras of history relaxing in between missions during a vast temporal war.  The same sort of invention and incisive wit abounds in the collection A Pail of Air (1964).  Against a post-apocalyptical backdrop that runs throughout most of the stories, Leiber’s stories are chimeric (and satirical) parables on a vast spectrum of themes — the mechanization of the future, gender relations, endless war, media saturation…  The stories shift between whimsical delight and gut-wrenching despair.

This collection of eleven stories from the early 50s to the early 60s is highly recommended for all SF fans — especially the title story  “A Pail of Air” (1951),  “The Foxholes of Mars” (1952), Continue reading

Updates: Recent Science Fiction Acquisitions No. LXX (Lafferty, Sheckley, Lightner, Ball)

There is no better book store for used SF in the US (that I have been to) than Dawn Treader Books in Ann Arbor, Michigan….  Thankfully, I made the pilgrimage for an altogether different purpose — I delivered a paper at a conference at the University of Michigan — but couldn’t help but spend a while amongst the heavenly stacks (well for a SF fanatic).  This is part 1 of 5 acquisition posts which will showcase the bounty I procured.  And there were probably close to 80 other books I wanted.  Alas.

So, what have we here?  One of Lafferty’s most famous novels — nebula nominated Fourth Mansions (1969).  I’ve only read his shorter work so I’ll be devouring this one soon. More Sheckley for one can never have enough of his biting, wonderful, and hilariously satirical short stories.  A straight-forward space opera by Brian N. Ball (yes, I know, not normally my cup of tea) on recommendation from Mike at Potpourri of Science Fiction Literature… And a somewhat more risky purchase, A. M. Lightner’s The Day of the Drones (1969) — this work of social SF is supposedly her most mature work (she tended to write for the young adult audience) but it was still edited for publication to be suitable for younger readers.  Despite the socially relevant theme, I suspect it will come off as rather corny/undeveloped.

1. Fourth Mansions, R. A. Lafferty (1969)

(Diane and Leo Dillon’s cover for the 1969 edition) Continue reading

Adventures in Science Fiction Cover Art: Crashed Spaceships, Part II

SFA53-02

(Earle Bergey’s cover for the February 1953 issue of Science Fiction Adventures, ed. Philip St. John — i.e. Lester del Rey)

Make sure to take a peek at Part I if you haven’t already.

Crashed spaceships!  Our heroes forced to trek across desolate landscapes, fight giant robots, and evil aliens….  Or, aliens stumble from the wreckage of their flying saucers — unusual green matter emanates while the flames reach ever upward.  I suspect that if I were a kid in the era of pulp SF magazines I would have snatched everyone with a crashed spaceship regardless of the often dubious contents.

I am generally no fan of Kelly Freas but his cover for the July 1957 issue of Science Fiction Stories, is one of my favorite action/adventure type SF covers.  Unusual aliens on the back of a massive turtle alien swimming through lava Continue reading

Book Review: Of Men and Monsters, William Tenn (1968)

MNNDMN1968

(Stephen Miller’s cover for the 1968 edition)

4/5 (Good)

There’s a small pile of novels on my shelf that wait ever so patiently to be reviewed months and months after I’ve read them — J.G. Ballard’s The Drowned World (1962), Robert Silverberg’s The Masks of Time (1968) and Dying Inside (1972), David R. Bunch’s Moderan (1972) (among others), and, until now, William Tenn’s Of Men and Monsters (1968).  Perhaps I was put off by the three mysterious pages filled with small chicken scratch composed by some earlier reader– “224 PKNY, 248 MINCED, 219 M in OKST” — that hinted at some arcane undercurrents or masonic messages that had alluded me.  Perhaps it was my confusion over Tenn’s Heinlein-esque female character, who, in a work of satire, could indicate something so much more progressive than Continue reading

Book Review: Armed Camps, Kit Reed (1969)

Screen shot 2013-08-29 at 9.24.15 AM(Bob Haberfield’s cover for the 1969 edition)

4.5/5 (Very Good)

“[…] and the men were on the way to the bar, they were talking about the performance, they had to compare it to every other performance, they had to link them all and form them into something continuous, something to keep away the dark” (19).

Kit Reed’s first SF novel Armed Camps (1969) is all about characters constructing narratives and conjuring visions in order to keep the aphotic tides of societal disintegration at bay.  The two paralleled narratives — a woman (Anne) running from her past and a man (Danny March) slowly recounting what led to his own downfall — are two different ways of fighting off what is bound to come.  An oppressive melancholy that never lifts soaks the passages, presaging the motions of the characters as if they are trapped in some Thucydidean manifestation of the cyclicality Continue reading

Adventures in Science Fiction Art: Spacewomen of the Future (flying spaceships + exploring alien landscapes + delivering galactic mail), Part II

1951_02_spacestories_emsh

(Ed Emshwiller’s cover for the February 1953 issue of Space Stories, ed. Samuel Mines)

Part II of my Spacewomen of the Future series — Part I.

In my first installment I discussed the stereotype of the 40s/50s SF pulp heroine — for example, she shrieks at the evil alien while the man has to rescue her or despite her education, she spends her time serving the men coffee on the spaceship (there’s a cringeworthy scene along these lines in It! The Terror From Beyond Space (1958), dir. Edward L. Cahn).  Hopefully these cover art depictions will complicate the stereotype.  Of course, I have not read all the contents of magazines/novels bellow so I can not speak for the portrayals within the texts.  In the stories they could potentially be astronauts in the service, scientists, civilian love interests, colonists, partners of the male astronauts, etc…

I have somewhat arbitrarily decided for thematic reasons that “Spacewomen”  is a woman in a space uniform of the future or Continue reading