Adventures in Science Fiction Cover Art: The Domed Cities of the Future Part I

(Uncredited cover for the 1965 edition of Beyond the Sealed World (1965), Rena M. Vale)

While browsing through my collection of cover images I’ve collated over the last few months for science fiction art post ideas, I came across the uncredited cover for Rena Vale’s Beyond the Sealed World (1965) and was transfixed!  The angle of the text, the mountain, the dark expanse of space, the little spaceship, the figures silhouetted against the night, and the surreal shape of the domed city connected to other distant domed cities… If anyone knows the artist (or has a good educated guess) please let me know!  The second edition cover (below) still has beautiful domed cities but the caveman, helmeted soldier, and white-clad (not for long, the dress is slipping) woman tableau ruins the feel.

Particularly noteworthy is Jack Gaughan’s elevated domed city cover Continue reading

Updates: Recent Science Fiction Acquisitions N. XVI (Kornbluth + Compton + et al.)

It’s not every day that a signed D. G. Compton novel arrives free in the mail.  About half a year or so ago Ian Sales (check out his amazing blog) hooked me on D. G. Compton’s works and ever since I’ve grabbed as many as I can find on used book stores shelves and I’ve written a slew of reviews (The Unsleeping Eye, The Quality of Mercy, The Steel Crocodile, Synthajoy, The Missionaries).  I made a comment on one of his D. G. Compton posts — a few days later a SIGNED copy of Compton’s Scudder’s Game (1988) (below) arrived in the mail!!  Ian, thanks again and keep up the uncovering of underrated 60s/70s sci-fi authors!

The others, well, the covers are gorgeous!  Two Richard Powers covers (the C. M. Kornbluth short story collection and the Conklin edited anthology).  I must confess that the Hunt Collins purchase was impulsive — in part due to the vibrant 50s cover by Bob Lavin.

I apologize for the recent absence of book reviews — due to the approaching end of my last semester of graduate course work I’ve been pressed for time.  I have reviews for Joanna Russ’ The Female Man (1975), James White’s The Watch Below (1966), and Samuel R. Delany’s Nova (1968) in preparation.

Enjoy!

1. The Explorers, C. M. Kornbluth (1954) (MY REVIEW)

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Adventures in Science Fiction Cover Art: Spherical Spaceships, Spherical Aliens, Unidentified Spheres

(Walter Popp’s cover for the August 1952 issue of Fantastic Adventures)

The sphere — as a manifestation of the perfectly round geometrical shape or replete with various derivations and modifications (tentacles, slight elongations, eye sockets, limbs both fleshly or mechanical) — holds a particular fascination for sci-fi artists and authors.  The possibilities are endless: spherical aliens, spherical ocean descent vehicles, spherical spaceships, spherical robotic doctors, wizards levitating spherical objects, and spherical legged war vehicles…

I’ve selected a delightful variety of these spherical manifestations.  In my favorite (above) female scientists alternately shout about, gaze at, and document descending Continue reading

Book Review: Future City, ed. Roger Elwood (1973)

3.25/5 (Average)

According to Future City, the cities of the future are to be avoided at all costs.  There are no utopias here — only overpopulation, pollution, racial warfare, natural disasters, robot takeovers, and eventual reversion to primitivism!  But there’s a trajectory!  In fact, Roger Elwood, the editor of the volume, asked for new stories that fit along this arc.  Elwood claims that there are twenty-two leading science-fiction writers who contributed to the volume.  Unfortunately, three of these leading authors don’t submit stories: Tom Disch contributes a one page poem, Clifford D. Simak a brief introduction, and Frederick Pohl a short afterword.  Also, two of the twenty-two are monikers for Barry N. Malzberg.  Famous authors like Frank Herbert and Ellison contribute substandard short stories.  Many of the other leading figures are not “leading figures” in any sense of the word!

As with most collections there are gems AND complete blunders.  Robert Silverberg, R. A. Lafferty, Ben Bova (and others) all contribute thought-provoking stories making this collection Continue reading

Updates: Recent Science Fiction Acquisitions N. XIII

A few fellow History grad students and I (and two or three from various departments — Gender Studies, English) have cobbled together a science fiction reading group list for this fall and spring: mainly social sci-fi by female authors along with a few random gems by Ballard (The Drowned World), Silverberg (The World Inside), and Delany (Nova).  I wasn’t going to buy any sci-fi books this semester.  I promise.  That is before we formed our reading group!  So, I had to pick up the few works on our list that I didn’t already own.

What a haul!

1. The Drowned World (1962), J. G. Ballard

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Adventures in Science Fiction Cover Art: A Selection of Elevated Cities Part I

(uncredited cover for the 1975 edition of Growing Up in Tier 3000 (1975), Felix C. Gotschalk)

“After a seven days’ march through woodland, the traveler directed towards Baucis cannot see the city and yet he has arrived.  The slender stilts that rise from the grown at a great distance from one another and are lost above the clouds that support the city […] There are three hypotheses about the inhabitants of Baucis: that they hate the earth; that they respect it to much they avoid all contact; that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it, leaf by leaf, stone by stone, ant by ant, contemplating with fascination their own absence” — Italo Calvino (Invisible Cities, 1972, pg. 77)

I’ve always been fascinated by imaginary and historical cities: the utopian (Tommaso Campanella’s 1602 work The City of the Sun), the allegorical (Calvino’s Invisible Cities), the multi-layered (Rome), the planned (16th century Palmanova), the decaying (Jeff VanderMeer’s Ambergris), the multi-tiered (Tolkein’s Minas Tirith)…   Continue reading

Adventures in Science Fiction Cover Art: Hoot von Zitzewitz’s Fantastic Flights of Fancy

(Hoot von Zitzewitz’s cover for the 1967 edition of The Winged Man (1966), A. E. van Vogt and E. Mayne Hull)

In the 1960s the sci-fi covers of the major publishers Dell, Berkley Medallion, Signet, Avon, Ace (etc) ran the gamut from Richard Powers’ avant-garde landscapes and conglomerate faces to the fantastic collages of a relatively unknown artist by the name of Hoot von Zitzewitz (Hubertus Octavio von Zitzewitz).

I’ve cobbled together a few bits of a biography (if any one knows some more concrete facts let me know).  He was a fine arts teacher at Hofstra University and passed away around 2002.  Hoot worke Continue reading

Adventures in Science Fiction Cover Art: A Selection of Vincent Di Fate’s early 70s Covers

(Cover for the 1972 edition of Plunder (1972), Ron Goulart)

The covers of Vincent Di Fate (1945-) often evoke a Terry Gilliam-esque romp — for example, Ron Goulart’s Plunder — a lone facade and a house dot a purple and green plain, mountains emerge in the distance, planets pepper the sky, a head floats ominously, a bizarre reptilian creature in a boatie rides an antique bicycle.  I desperately want to know if it’s a scene from the book.  If so, I’m tracking down a copy!

Vincent Di Fate’s work graced a few of the great works of the genre Continue reading