Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading

Book Review: Best SF Stories from New Worlds 3, ed. Michael Moorcock (1968)

(Uncredited cover for the 1968 edition)

3.5/5 (Collated rating: Good)

New Worlds was one of the premier British SF magazines under the editorship of Michael Moorcock.  It features some of the most experimental works of the era and was important in the growth of the New Wave movement.  Many of the frequent contributors went on to make a name as premier SF authors (Ballard, Aldiss, etc).

This best of collection (1964-1967) is on the whole uneven.  Its big name authors—such as Keith Roberts and Moorcock himself under a pseudonym—disappoint.  The most evocative stories are by rather lesser known voices, Langdon Jones, Charles Platt, and Pamela Zoline.  Zoline’s brilliant entropic vision, “The Heat Death of the Universe” is not to be missed.  The second best work in the collection is (surprisingly) an early story by Barrington J. Bayley (as P. F. Woods) whose novels I have reviewed Continue reading