Adventures in Science Fiction Cover Art: Italian Covers for Philip K. Dick’s Novels and Short Story Collections

(Karel Thole’s cover for the 1986 edition of The Divine Invasion (1981), Philip K. Dick)

Following close on the heels of my post on European (Italy, France, and Spain) editions of Robert Silverberg’s SF I present fifteen Italian covers for Philip K. Dick’s novels and short story collections. Karel Thole, as always, puts in the best shift. But there are some other gems—for example Libero Vitali’s cover for the 1974 edition of PKD’s wonderful (and terrifying) novel A Maze of Death (1970).  My favorite Thole cover of the bunch is for Urania #897 (1981), which contains contains various PKD short stories gathered by the Italian editors. Thole’s delightful ability to interject uncanny surrealist elements in his art matches perfectly PKD’s own stylistic tendencies.

Note: There’s a fantastic (but incomplete) resource that gathers thumbnail images of many of the PKD’s foreign editions. I have tried to find higher quality ones that also appealed to me for the sake of this post. But check Continue reading

Adventures in Science Fiction Cover Art: A Handful of French, Italian, and Spanish Editions of Robert Silverberg’s Science Fiction

(Uncredited cover for the 1977 French edition of Tower of Glass (1970), Robert Silverberg)

Robert Silverberg (b. 1935) has long been one of my favorite SF authors. Especially between 1967-1975 (i.e. his shift away from pulp and before his momentary retirement), Silverberg produced a prodigious and thought-provoking corpus of writing. The sheer number of brilliant works crammed into those few years is only rivaled by Barry N. Malzberg (1969-1976) and Kate Wilhelm (1967-c. 1976).

As I’ve been exploring other less known authors, I’ve not read a lot of Silverberg’s novel-length works recently. Tower of Glass (1970), Nightwings (1969), A Time of Changes (1971), The Stochastic Man (1975), Son of Man (1971), and Up the Line (1969) among others remain unread on my shelf. Rather, I’ve restricted my focus to a few wonderful short stories in various collections here and there—“Passengers” (1968), a haunting masterpiece story of alien possession; “When We Went to See the End of the World” (1972), suburban banter Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXXXII (The Anthology Edition) (Best SF Stories from New Worlds 5, Orbit 6, Alpha 3, Best SF 1972)

Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.

Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.

…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).

Scans are from my collection.

1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)

(John Schoenherr’s cover for the 1972 edition) Continue reading

Book Review: World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series), ed. Donald A. Wollheim and Terry Carr (1967)

(Jack Gaughan’s cover for the 1970 edition)

3.75/5 (collated rating: Good)

Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass,  World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.

Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.

Brief Analysis/Plot Summary

“We Can Remember It for You Wholesale” (1966) Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXXXI (Harrison + Sturgeon + Moorcock + Buzzati)

1) Early Elric stories from Michael Moorcock’s pen. Confession: I bought it in Scotland due to the disquieting cover rather than any love of heroic fantasy—albeit M. John Harrison’s The Pastel City (1971) was pretty darn good.

The fantastic cover is uncredited: thoughts regarding the artist?

2) I adored Dino Buzzati’s magical realist novel The Tartar Steppe (1940). And the movie adaptation The Desert of the Tartars, dir. Valerio Zurlini (1976) inspired by the aesthetics of Giorgio de Chirico —I even wrote a half-baked and cursory review of the movie many years ago. While browsing I discovered that Buzzati wrote what is considered the first serious Italian SF novel—Larger than Life (1960). I can’t wait to read it!

3) More Theodore Sturgeon short stories….

Relevant reviews: A Way Home (1956), The Cosmic Rape (1958) and Venus Plus X (1960).

4) A while back I watched, and struggled to enjoy, the 1975 film adaptation of William Harrison’s short story “Roller Ball Murder” (1973). Time to read the source material. Copy snagged in Edinburgh, Scotland.

As always, I look forward to your thoughts.

1. The Stealer of Souls, Michael Moorcock (1963)

(Uncredited cover for the 1968 edition) Continue reading

Book Review: The Thirst Quenchers, Rick Raphael (1965)

(Uncredited cover for the 1968 edition)

3/5 (collated rating: Average)

Between 1959 and 1981 Rick Raphael produced one fix-up novel—Code Three (1967), expanded from two previously published novellas—and ten other short fictions. The Thirst Quenchers (1965) gathers together three novelettes that appeared in Analog and one new novelette.

In my review of Code Three I wrote that it charms with its realism.” The first two stories of this collection, although lacking the emotional heft of the novel, manage to present Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXXX (The Scotland Edition No. 2) (Ballard + Wyndham + Shaw + Aldiss)

Still abroad. Need my desk and familiar surroundings to write book reviews. Alas.

That said, more books from my Scotland travels. Here’s Part I in my Scotland series.

1) I need to read more John Wyndham. I often find short stories are the best place to start. And as I was journeying around the UK, Penguin editions are plentiful!

2) One of J.G. Ballard’s best known novels. The one Cronenberg got his hands on…. Relevant reviews: Billenium (1962), High-Rise (1975), and The Voice of Time and Other Stories (1962).

3) A late 70s Brian W. Aldiss collection. He’s long been a favorite on this site—especially his short fiction. I’ve reviewed the following collections: Starswarm (1964), No Time Like Tomorrow (1959), Galaxies Like Grains of Sand (1960), and Who Can Replace a Man? (variant title: Best Science Fiction Stories of Brian W. Aldiss) (1965).

4) And finally, another Bob Shaw novel. I’ve heard that The Palace of Eternity (1969) is one strange read.

Note: As I am still abroad and without my handy scanner, I’ve had to include cover images of two of the books which I do not own. At some later point I might replace the images with high-res scans.

As always, I look forward to your thoughts and comments!

1. The Seeds of Time, John Wyndham (1956)

(Uncredited cover for the 1966 edition) Continue reading

Adventures in Science Fiction Cover Art: Body as Landscape

(František Muzika, Z Českého ráje V (Ležící torzo), 1944)

František Muzika (1900-1976), a key member of the Czech New Wave scene, created haunting paintings that blended human form with the surrounding landscapes. His painting that heads this post inspired me to collect various science fiction covers (from a mix of English and non-English language presses) that showcase the interlacing of human and landscape — the body (or body parts) as landscape. There are many many many more covers on this theme and perhaps I’ll gather them for a later post. I am torn over my favorite! Leigh Taylor’s cover for the 1967 edition of J.G. Ballard’s The Disaster Area (1967) Continue reading

Book Review: The Birth Machine, Elizabeth Baines (1983)

(Hannah Firmin’s cover for the 1983 edition)

4.25/5 (Very Good)

“Ladies and Gentleman: The age of the machine” (11).

I continue my loose sequence of reviews on medical science fiction with Elizabeth Baines’ evocative fable The Birth Machine (1983) (see notes). Pushing against notions that pregnancy is “medical: illness” (51), the narrative follows a nightmarish tact as an unsuspecting woman is linked up to a nebulously described machine and drugged. Beset by dehumanizing (and often patriarchal) forces, Zelda, without the help of others, comes to terms Continue reading