Author: Joachim Boaz

SF TV Episode Reviews: Survivors (1975-1977): Season 1, Ep. 1, “The Fourth Horseman”

/ Joachim Boaz / 47 Comments

In the prehistoric era of my site (2011), I attempted to conduct a watch through of Space: 1999 (1975-1977). After three episodes I quit (1, 2, 3). It reinforced my low tolerance for 70s science fiction TV/movies. As illustrated by my ratings of novels and short stories reviewed in the history of Science Fiction and Other Suspect Ruminations, the 1970s clocks in as my favorite decade for SF texts. I’ve decided that if I’m serious about the process of constructing a morphology of science fiction in the decade, I should reattempt to tackle a TV show or two. Right?

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For whatever perverse reason, I’ve decided to try Terry Nation’s post-apocalyptic drama Survivors (1975-1977). And yes, I’ve been in a post-apocalyptic kick for far longer than our Covid-19 era! For the background and history Continue reading →

Updates: Recent Science Fiction Purchases No. CCLI (J. G. Ballard, Marie C. Farca, John Shirley, Michael Blumlein)

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Note: I’ve changed the post title “Acquisitions” to “Purchases” for the sake of clarity. Some readers (especially on twitter) assume I’ve read these books. I’ve just bought them! (or they are unread books from a pile I bought a while back but never processed). These posts provide my initial half-formed thoughts, links to related reviews, front cover scans of my personal copies (unless noted), and back-cover info. For full-formed thoughts on books check out my reviews. I’ve also changed the format. My “initial thoughts” can now be found after the back cover blurb. Let me know if the format changes are helpful.

As always which books/covers intrigue you. Which have you read? Disliked? Enjoyed?

1. The Wind From Nowhere, J. G. Ballard (serialized 1961) (MY REVIEW)

(Richard Powers’ cover for the 1962 1st edition) Continue reading →

Book Review: The Long Tomorrow, Leigh Brackett (1955)

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(Darrell K. Sweet’s cover for the 1974 edition)

4.5/5 (Very Good)

“No city, no town, no community of more than one thousand people or two hundred buildings to the square mile shall be built or permitted to exist anywhere in the United States of America” (Thirtieth Amendment of the United States Constitution) (1)

Nominated for the 1956 Hugo Award for Best Novel. Leigh Brackett’s The Long Tomorrow (1955) not only clocks in as the best of her work I’ve read so far but also joins my pantheon of favorite 50s SF visions (*).  At first glance Brackett’s novel appears to traverse standard SF juvenile territory where a teenage boy, in a religiously and socially oppressive society, encounters an object  and memories of the past that opens up a path to self-discovery. But memories are memories. And dreams are Continue reading →

Book Review: City Come A-Walkin’, John Shirley (1980)

/ Joachim Boaz / 11 Comments

(Catherine Huerta’s cover for the 1st edition)

4/5 (Good)

“It’s the gestalt of the whole place, this whole fuckin’ city, rolled up in one man. Sometimes the world takes the shape of gods and those gods take the form of men. Sometimes. This time. That’s a whole city, that man” (18).

John Shirley’s City Come A-Walkin’ (1980), an early cyberpunk novel, succeeds as a surreal and earthy paean to  diverse urban community and punk rebellion. A club owner and angst rocker join forces with a physical manifestation of San Francisco to fight the forces of technological change. While a brilliant evocation of aesthetic and emotion with sympathetic main Continue reading →

Updates: Recent Science Fiction Acquisitions No. CCL (Worlds of If and Galaxy magazines)

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(David A. Hardy’s cover art detail from the September 1974 issue of Galaxy)

I am not a collector. “But Joachim Boaz you post recent purchases all the time!” Let me revise: I am a reader who procures a lot of science fiction novels, collections, and anthologies that I may never read. As a general rule, I only buy science fiction that I want to read. There’s a logic behind the handful of duplicate copies I own—for example, both the 1952 and the 1969 editions of Wilson Tucker’s fantastic The Long Loud Silence (1952) grace my shelf. Editors sliced and diced the 1st edition and Tucker Continue reading →

Book Review: Termush, Sven Holm (1967, trans. 1969)

/ Joachim Boaz / 11 Comments

(Uncredited cover for the 1969 edition)

4.5/5 (Very Good)

“[He] maintained that it was in fact essential to conceal what could be concealed; indeed, an inspired lie could be preferred to a malignant truth” (24).

Sven Holm’s Termush (1967, trans. 1969) depicts, with stark minimalism, the psychological state of wealthy survivors holed up in a hotel shelter after an apocalyptic nuclear event. This brief work, a mere 110 pages, is not an adventure story. It is not an exercise in nightmarish brutality like The Road (2006) or an account of humanity’s turn towards evil as the gauze of “civilization” falls away like The Death of Grass(1956).

Rather, Sven Holm (1940-2019) (SF Encyclopedia entry), a Danish author of mainstream literature, delves into the psyche of the survivors, their isolation and inability to grasp the immensity of the changes beyond their walls, and their Continue reading →

Book Review: The Dead Astronaut, ed. uncredited (1971) (J. G. Ballard, Ursula K. Le Guin, Arthur C. Clarke, et al.)

/ Joachim Boaz / 32 Comments

(Pompeo Posar’s cover for the 1st edition)

3/5 (collated rating: Average)

“The dead astronaut: The phrase is filled with anxiety, the words themselves evoking the tension and anguish that gripped the whole world in that fateful month of April 1970, when a technical malfunction came close to costing the lives of astronauts Lovell, Swigert and Haise” (5).

The Dead Astronaut (1971) contains a range of 50s and 60s SF stories—from Ursula K. Le Guin to J. G. Ballard—on the broad theme of astronauts, that appeared in Playboy Magazine. For a  reader of genre for only the last decade (and a bit), it’s shocking to consider that Playboy, at one point, contained top-notch science fiction! That aside, The Dead Astronaut contains a range of soft and hard science fictional accounts of astronauts Continue reading →

Updates: Recent Science Fiction Acquisitions No. CCXLIX (Chelsea Quinn Yarbro, Alan Dean Foster, E. Everett Evans, Ron Montana)

/ Joachim Boaz / 40 Comments

(Back cover detail for the 1959 edition of E. Everett Evans’ Man of Many Minds)

1. Looks like a fun adventure from Alan Dean Foster! And who can resist the crashed spaceship visual trope? I compiled three art posts on the topic: Part I, Part II, and Part III.

2. Of the bunch, Chelsea Quinn Yarbro’s Hyacinths (1983) appeals the most. I’m a sucker for SF stories about the dream state—i.e. Roger Zelazny’s The Dream Master (1966)—and commentaries on media and advertising. And of course, I’m fascinated Philip K. Dick’s dystopian formulations of the future of advertising which Hyacinths seems to expand on…..

I’ve previously reviewed Yarbro’s terrifying post-apocalyptic novel False Dawn (1978)

3. An alternate history where Native Americans defeat the colonizers? Intrigued but suspect it’s on the pulpy side of things. I wish I could find out more about Ron Montana. Was he of Native American descent? His first SF publication, “We the People” (1974), appeared in Craig Strete’s fanzine Red Planet Earth. Here’s his publication listing. Unfortunately, I assume he’s best known for his later copyright conflict with Craig Strete.

4. And finally, this one was hiding in a pile… I can’t remember how long I’ve had it or why I purchased it. Not an author I know and SF encyclopedia isn’t more than lukewarm in its assessment.

Let me know what books/covers intrigue you. Which have you read? Disliked? Enjoyed?

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1. Icerigger, Alan Dean Foster (1974)

(Tim White’s art for the 1976 UK edition reused for the 1978 US edition) Continue reading →

Book Review: The Black Corridor, Michael Moorcock and Hilary Bailey (1969)

/ Joachim Boaz / 33 Comments

(Detail from Bob Haberfield’s cover for the 1973 edition)

4.25/5 (Very Good)

In the Star Trek: Voyager episode “One” (1998), Seven of Nine, unaffected by a nebula’s subatomic radiation, must care for the crew while they’re placed in stasis. Alone on the ship, Seven experiences the prolonged effects of isolation including disturbing dreams and hallucinations. Ever since I saw “One” as a child, I’ve become fascinated with the strategies that humans might use in space to cope with isolation and the rituals they might enact to preserve sanity. Michael Moorcock and Hilary Bailey’s The Black Corridor (1969) (see note below), explores Continue reading →