Adventures in Science Fiction Cover Art: Fractured Bodies (unraveling, decaying, [de]constructing)

CRMPTNDVDD1979

(Paul Lehr’s cover for the 1979 edition of Crompton Divided (variant title: The Alchemical Marriage of Alistair Crompton) (1978), Robert Sheckley)

Paul Lehr’s cover for the 1979 edition of Robert Sheckley’s Crompton Divided (1978) was the inspiration for this post.  I found the cover many years ago while looking through Lehr’s entire (mostly brilliant catalogue) and was intrigued.  The man, comprised of puzzle-like pieces that slowly morph into the swirls of his clothes, stares at us with hybridized eyes — a planet, a pupil — while one missing puzzle piece allows the viewer a glimpse of a barren landscape.  His brain, entirely a puzzle, is complete, but are his senses crumbling?

 Dean Ellis’ cover for the 1971 edition of Larry Niven’s collection All the Myriad Ways (1971) is even more fantastic — the puzzle pieces (bones, faces, limbs) dangle in the air Continue reading

Book Review: Xenogenesis, Miriam Allen deFord (1969)

(Richard Powers’ cover for the 1969 edition — there is some speculation that it might be a collaboration with Leo and Diane Dillon)

3.5/5 (Collated rating: Good)

Miriam Allen deFord—one of the more prolific SF short story authors of the 50s-70s whose works appeared in The Magazine of Fantasy and Science Fiction, If, Fantastic Universe, Galaxy, Worlds of Tomorrow, etc—deserves a Gollancz Masterworks volume.  But, as Ian Sales has pointed out so forcefully in his recent article (here), despite the number of prolific women SF authors in the 50s-70s they were rarely republished and are perhaps the least read group of SF authors for modern audiences.  There are some exceptions but few readers can name a women author pre-Ursula Le Guin.  deFord’s shorts were collected in only two volumes, Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971) and both print runs were limited to the first year of publication.

Informed by her feminist activism (she was an important campaigner for birth control) and her earlier career in the newspapers, deFord’s stories tackle themes such as overpopulation, racism, colonialism, gender issues, sexism, and alienation.  Her works range from deceptively simple allegories to future histories vast in scope and complexity (for short stories).  Her female characters are almost all individualistic, resourceful, and highly educated–they often struggle against increasingly regimented/mechanized/homogenized societies in order to raise families in addition to their careers.  In short, deFord advocates forcefully the right to self-determination Continue reading

Updates (New Resource): List of Immortality Themed SF (a call to contribute!)

This post is a call for readers to submit their favorite immortality themed science fiction NOT included on my list below (and even examples they did not care for so I can make this a more substantial resource).  I’ll make a page with all the information I receive for easy consultation soon (INDEX of similar pages/articles).

A while back I started gathering a list of titles — via SF Encyclopedia, other online resources, and my own shelves — on immortality themed SF.  I have always been intrigued by the social space (one plagued by violence and despair or buoyed by the hope of a better future) that the possibility of immortality might generate.

I would argue that the single best example of social effects that the possibility of immortality might create is Clifford D. Simak’s Why Call Them Back From Heaven? (1967).  In similar fashion, James Gunn’s The Immortals (1962) takes place in a world where immortals do exist, they skirt Continue reading

Book Review: A Way Home, Theodore Sturgeon (1956)

(Mel Hunter’s cover for the 1956 edition)

3/5 (collated rating: Average)

Although Theodore Sturgeon is generally considered a master of the SF short form, his collection A Way Home (1956) contains only two worthwhile stories — “Thunder and Roses” (1947) and “Bulkhead” (1955).  The rest I was either unable to finish or struggled to muddle through over the course of the last two or so weeks.  Fortunately,  the near masterpiece “Bulkhead” was almost worth the pain induced by the intelligent dog related subgenre of SF manifest in “Tiny and the Monster” (1947) or the cute accidentally destructive hurkle kittens of “The Hurkle Is a Happy Beast” (1949).

At this stage in my recent endeavor to brush up on the best of the 50s short story wordsmiths, I place Sturgeon below Robert Sheckley, Brian Aldiss, Philip K. Dick, Fritz Leiber, Miriam Allen deFord, Lester del Rey, Walter M. Miller, Jr., C. M. Kornbluth, and Frederik Pohl. (shocking to some, I know!).

However, before I make a more definitive conclusion I call on my readers to list what you consider his best short work Continue reading

Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I

1-1957_04_fantasticuniverse_finlay

(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)

At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….

While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces Continue reading

Updates: A New Classic SF Review Blog to add to your list

MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog.  Please visit him and comment on his posts!

queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online.  Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc).  However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVII (Cowper + Asimov + Clarke + Dickson)

Bargain bins yield some Clarke and Asimov classics I read when I was a teen but never owned….   I remember thinking at the time that Imperial Earth (1975) was one of Clarke’s best novels.  Dickson’s Dorsai! (1960) — I’ve never been a fan of military SF — is a classic I need to get around to reading.  And, my final find was Richard Cowper’s Time Out of Mind (1973).  I was surprisingly impressed with his lighthearted romp of a novel, Profundis (1979).

Thoughts on the books?

1. Time Out of Mind, Richard Cowper (1973)

(Don Maitz’s cover for the 1981 edition)

From the back cover: “As a young boy, Laurie Linton encountered a strange apparition: a ghostly man who urgently mouthed a message: KILL MAGOBION!  Years later, as members of the UN Narcotics Security Agency, Linton and the beautiful Carol Kennedy were assigned a special duty: investigation of a mysterious drug which endowed its addicts with superhuman powers. Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVI (Effinger + Morgan + deFord + Bishop)

A nice haul from the local used book store and various internet sources….  After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.

Miriam Allen deFord was a prolific 50s short story writer.  Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.

Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good.  I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.

Have you read any of these novels?  If so, what did you think?

1. Relatives, George Alec Effinger (1973)

(Uncredited cover for the 1976 edition) Continue reading

Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

THMMNTFCLP1979

(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading