Exploration Log 1: Sonja Fritzsche’s “Publishing Ursula K. Le Guin in East Germany” (2006)

I devour a massive quantity of scholarship on science fiction (authors, culture, fandom, etc.) and history topics that intersect with my SF interests. Some weeks I spend more time reading historical fanzine debates and magazine articles than fiction. I thought that I would share some of what I’ve found most transfixing with you all! In the past I’ve tweeted the most intriguing bits I’ve come across (Michael Moorcock burning John Brunner novels for example) but with the impending implosion of the platform I thought it best to post more on my site which is on track for a banner year.

Thus, I inaugurate the first in what I hope are many future Exploration Logs! Some posts will be a brief survey of the various SF-related non-fiction I’ve read. Other posts, I hope, will be a jumping off point for my own research. In this instance, I’ll share the elements of an article that resonated with me.

Today I’ll cover an absolutely transfixing piece by Sonja Fritzsche on how two Ursula K. Le Guin novels went through an “elaborate approval process” before appearing print in Communist East Germany (GDR). Read more to learn more about the Stanislaw Lem Club’s stash of illegal western SF and how The Dispossessed‘s Shevek was incorporated in the East German national myth!


Sonja Fritzsche’s article “Publishing Ursula K. Le Guin in East Germany” appeared in Extrapolation, vol. 47, Iss. 3 (Winter 2006). As I could not find a copy online, I requested it through my university’s Interlibrary Loan system. If you’re desperate to get your hands on a copy, reach out!

“Publishing Ursula K. Le Guin in East Germany” reveals three fascinating intersecting threads–1) the mechanisms of the censorship program according to the “official literary policy of Socialist Realism,” 2) status of genre within the GDR and 3) how Le Guin’s complex takes were interpreted and rationalized in order to see print for the growing number of East German SF fans in the 70s and 80s.

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Updates: Recent Science Fiction Purchases No. CCCXI (Phyllis Gotlieb, John D. MacDonald, Robert Onopa, and Peter George)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Sunburst, Phyllis Gotlieb (1964)

From the back cover: “In the hideous aftermath of the atomic sunburst. The people of Sorrel Park had been written off. Now they were nothing but a kind of human garbage, festering and hopeless.

In the center of town lived the worst of the human garbage–and by far the most dangerous. They were a breed of terrible children, possessed by terrifying supernormal powers. They were a new race of monster bred out of the sunburst, and if they ever broke loose they would destroy the world…”

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Updates: Recent Science Fiction Purchases No. CCCX (R. A. Lafferty, Jan Morris, Star anthology, and an August Derleth anthology)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Strange Ports of Call, ed. August Derleth (1948)

From the back cover: “‘Begotten of Imagination, on the body of Technology, there springs forth the wild child Science Fiction.’ –Clifton Fadiman

The above is one of the many attempts that have been made to describe a department of fiction which, in spite of some sniping critics, continues to increase its followers. Recently Bertrand Russell observed that science fiction consists of ‘intelligent anticipation–much more intelligent than the expectations of statesmen.’

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Updates: Recent Science Fiction Purchases No. CCCVIII (Brian W. Aldiss, D. G. Compton, and Shirley Jackson)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Sundial, Shirley Jackson (1958)

From the back cover: “THE SUNDIAL is a chilling, suspenseful, bloodcurdlingly macabre novel of twelve strange people awaiting the end of the world in a fantastical house like no other on earth.” SF Encyclopedia describes The Sundial as “the closet to SF she came.”

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Updates: Recent Science Fiction Purchases No. CCCVII (Jack Williamson, William E. Cochrane, a Groff Conklin anthology, and an anthology of gay and lesbian SF)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. 6 Great Short Novels of Science Fiction, ed. Groff Conklin (1954)

From the back cover: “THE BLAST: STUART CLOETE envisions New York City under atomic attack, and tells the story of the lone survivor.

COVENTRY: ROBERT HEINLEIN shows what happens to one of the last individualists, who request a sentence to purgatory.

THE OTHER WORLD: MURRAY LEINSTER reveals a savage, feudal civilization which lives off the sweat of slaves kidnapped from our world.

BARRIER: ANTHONY BOUCHER writers of a time traveler, and his strange encounters with the people who will come after us.

SURFACE TENSION: JAMES BLISH traces a race of microscopic men that works out its destiny under water on a planet somewhere far out of the galaxy.

MATURITY: THEODORE STURGEON depicts the agonizing plight of a super man born in our midst.

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Updates: Recent Science Fiction Purchases No. CCCVI (John Brunner, Phillip Mann, Shepherd Mead, and a Frederik Pohl anthology)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

I planned to have a review up today. Unfortunately, August is always my least productive month writing as it marks the return to work after a much needed summer break. It’s been a rough few weeks! Stay tuned.

1. The Squares of the City, John Brunner (1965)

From the back cover: CHECHMATE IN PARADISE. Ciudad de Vados was a Latin-American showplace, a paradise…a flourishing supercity designed and run nearly to perfection.

But not quite. They had a traffic problem.

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Recent Science Fiction Purchases No. CCCV (William Golding, John Wyndham, Mervyn Peake, Joan D. Vinge, Ralph Blum, and an anthology)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. 5 Tales From Tomorrow, ed. T. E. Dikty (1957)

From the back cover: “THE TIME: TOMORROW… when

…space travel is as simple as suburban commuting

…robots do everything from washing dishes to waging wars

…do-it-yourself surgery kits are as common as Band-aids

…giant electronic brains mastermind all human activity

THE PLACE: SPACE SPACE SPACE

where the cold, dark islands of abandoned planets drift in a fabulous universe flooded with blazing energy, the dust of old suns and the heat of smoldering new stars.

Space–the promise of new life to a crowded earth–the new frontier–the hope of tomorrow!”

Contents: Bud Foote’s “Push-Button Passion” (1954), Tom Godwin’s “The Cold Equations” (1954), Clifford D. Simak’s “How-2” (1954), Robert Abernathy’s “Deep Space” (1954), Everett B. Cole’s “Exile” (1954)

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Updates: Recent Science Fiction Purchases No. CCCIV (Philip José Farmer, Keith Roberts, Pauline Ashwell, Stephen Minot)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Lovers, Philip José Farmer (1961)

From the back cover: “In 1952, Philip José Farmer excited instant acclaim in the science fiction field with the publication of a short story, THE LOVERS.

In 1961, he wrote and published the full-length novel based on that short story.

And in 1972, Ballantine Books is proud to bring this classic work back into print.

Mr. Farmer, who is known for his explorations into the psychological byways of odd relationships, here postulates a love affair which might well have surprised even Haverlock Ellis. but words such as ‘normal’ or ‘abnormal’ simply have no application in the original concepts to which Mr. Farmer’s imagination gives rise. The book remains unique and fascinating.”

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Book Review: The Alien Condition, ed. Stephen Goldin (1973)

3/5 (collated rating: Average)

Stephen Goldin gathers together twelve original short stories–including six by women authors and two co-written with women–on the theme of the alien condition [1]. Despite the “Average” overall rating, The Alien Condition gathers a fascinating range of science fiction with three spectacular visions by Vonda N. McIntyre, Kathleen Sky, and James Tiptree, Jr. I was also pleasantly surprised by Alan Dean Foster’s take on the theme considering my previous exposure to his fiction.

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