1980s

Future Media Short Story Review: Pat Cadigan’s “Rock On” (1984)

/ Joachim Boaz / 14 Comments

Today I’ve reviewed the twelfth story in my series on the science fictional media landscape of the future–and the first from the early 1980s. Pat Cadigan howls a ghastly punk scream into the vastness of the night.

Previously: Ann Warren Griffith’s “Captive Audience” (August 1953).

Up Next: Barry N. Malzberg’s “The Idea” (1971) (as K. M. O’Donnell).

  • Uncredited cover for the 1988 edition of Mirrorshades: The Cyberpunk Anthology, ed. Bruce Sterling (1986)

3.75/5 (Good)

Pat Cadigan’s “Rock On” first appeared in Light Years and Dark: Science Fiction and Fantasy of and for Our Time, ed. Michael Bishop (1984). You can read it online here.

Whenever I delve into the nihilistic streets of cyberpunk, I enter the mental soundscape and acute estrangement imbued by the seminal 80s goth/post punk band The Cure: “scarred, your back was turned / Curled like an embryo” (“Cold” from Pornography, 1982). Robert Smith’s incantation of “a shallow grave / A monument to the ruined age” almost personifies cyberpunk’s fleeting but terrible power and apocalyptic conceptions of dark streets and conglomerates stamping out the last individuals finding their way across the net.

Continue reading →

Updates: Recent Science Fiction Purchases No. CCXCI (James White, Joan D. Vinge, D. G. Compton, Somtow Sucharitkul)

/ Joachim Boaz / 12 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Escape Orbit (variant title: Open Prison), James White (1964)

  • Jack Gaughan’s cover for the 1965 edition

From the back cover: “STRANDED ON A PLANET OF MONSTERS. When the survivors of the his starship were taken prisoner by the insec-creatures against whom Earth had fought a bitter war for nearly a century, Sector Marshal Warren expected to be impounded in a prison camp like those the Earthmen maintained. But the “Bugs” had a simpler method of dealing with prisoners–they dumped them on an uninhabited planet, without weapons or tools, and left them to fend for themselves against the planet’s environment and strange monsters. A “Bug” spaceship orbited above, guarding them.

Continue reading →

Updates: Recent Science Fiction Acquisitions No. CCXC (Robert Silverberg, Octavia E. Butler, Walter M. Miller, Jr., Gérard Klein)

/ Joachim Boaz / 56 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Darfsteller and Other Stories, Walter M. Miller, Jr. (1982)

  • Peter Jones’ cover for the 1st edition

From the back cover: “Walter M. Miller, Jr., wrote A CANTICLE FOR LEIBOWITZ, and changed the nature of science fiction, forever. Now, collected together for the first time are some of his most gripping masterpieces, including the Hugo Award-winning ‘The Darfsteller’ and ‘Crucifixius Etiam.'”

Contents: “The Darfsteller” (1955), “The Will” (1954), “Vengeance for Nikolai” (variant title: “The Song of marya”) (1957), “Crucifixus Etiam” (1953), “I, Dreamer” (1953), “The Lineman” (1957), “Big Joe and the Nth generation” (variant title: “It Takes a Thief”) (1952), “You Triflin’ Skunk” (1955).

Continue reading →

Update: Recent Science Fiction Purchases No. CCLXXXIX (Nevil Shute, Nancy Kress, Hilbert Schenck, and a themed-anthology on future sex)

/ Joachim Boaz / 31 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Shape of Sex to Come, ed. Douglas Hill (1978)

  • Uncredited cover for the 1st edition

From the back cover: “Eight stories from SF names as highly-respected as Aldiss, Moorcock and Silverberg explore the strange and bizarre possibilities for sexuality in the furthest reaches of tomorrow.”

Contents: Robert Silverberg’s “In the Group” (1973), Thomas M. Disch’s “Planet of the Rapes” (1977), A. K. Jorgensson’s “Coming-of-Age Day” (1965), Anne McCaffrey’s “The Thorns of Barevi” (1970), Brian W. Aldiss’ “A One-Man Expedition Through Life” (1974), Brian W. Aldiss’ “The Taste of Shrapnel” (1974), Brian W. Aldiss’ “Forty Million Miles from the Nearest Blonde” (1974), Hilary Bailey’s “Sisters” (1976), John Sladek’s “Machine Screw” (1975), and Michael Moorcock’s “Pale Roses” (1974).

Continue reading →

Updates: Recent Science Fiction Purchases No. CCLXXXVI (Vonda N. McIntyre, Thomas Burnett Swann, William Melvin Kelley, and a World’s Best Science Fiction Anthology)

/ Joachim Boaz / 17 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Where is the Bird of Fire?, Thomas Burnett Swann (1970)

  • John Schoenherr’s cover for the 1st edition

From the back cover: “Were the mythical monsters our ancestors spoke of so often more than fantasy? Is it not probable that these semi-human races existed–and that only human vanity has blurred their memory?

Continue reading →

Short Book Reviews: Octavia E. Butler’s Dawn (1987), Robert Holdstock’s Where Time Winds Blow (1981), and Philippe Curval’s Brave Old World (1976, trans. 1981)

/ Joachim Boaz / 29 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack before the new year and my memory/will fades. Unfortunately, I left two of my favorite reads of the year for last. Stay tuned for more detailed and analytical reviews.

1. Where Time Winds Blow, Robert Holdstock (1981)

  • Mick Van Houten’s cover for the 1982 edition

5/5 (Masterpiece)

I cannot properly review Where Time Winds Blow (1981). Sometimes, while perambulating the interwebs, I encounter a singular encapsulation of a text’s brilliance that defeats all my own attempts to write constructively about a book. I blame Andrew Darlington’s brilliant review/article on Robert Holdstock contextualizing the novel within his early oeuvre. The short paragraph below–an attempt to convince you to procure a copy–is indebted to his review. Please read his review! There are fan writers and then there are fan writers. Darlington should receive a Hugo nod.

Continue reading →

Updates: Recent Purchases No. CCLXXXIV (Ray Bradbury, H. R. F. Keating, Judith Moffett, New Dimensions anthology)

/ Joachim Boaz / 28 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Martian Chronicles, Ray Bradbury (1950)

  • Ian Miller’s cover for the 1979 edition

From the back cover: “A MAGNIFICANCTLY ILLUSTRATED EDITION OF THE MARTIAN CHRONICLES WHICH MASTERFULLY ENHANCES THE CLASSIC WONDER AND TERROR BY THE WORLD-RENOWNED AUTHOR OF THE ILLUSTRATED MAN RAY BRADBURY.

Continue reading →

Short Book Reviews: Jack Vance’s The Languages of Pao (1958), Kit Reed’s Fort Privilege (1985), and John Shirley’s Transmaniacon (1979)

/ Joachim Boaz / 15 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack before my memory and will fades. Stay tuned for more detailed and analytical reviews.

1. The Languages of Pao, Jack Vance (1958)

  • Ric Binkley’s cover for the 1958 1st edition

3.25/5 (Vaguely Good)

Since I started my site in 2011, I’ve soured a bit on Jack Vance’s brand of planetary adventure in richly realized and exotic worlds. I doubt I’d currently rate novels like Showboat World (1975) or The Blue World (1966) as highly as I did back then. One of more appealing elements of having a single project for so long is my ability to track my evolving views on genre. That said, I’d classify Wyst: Alastor 1716 (1978) and The Languages of Pao (1958) amongst his most conceptually ambitious novels I’ve read so far and worth tracking down. For a full list consult my index. Note: I read but never reviewed Dying Earth (1950).

Continue reading →

A SF “bande dessinée” Review: Enki Bilal’s La Foire aux immortels (trans. The Carnival of Immortals) (1980), vol. 1 of The Nikopol Trilogy (1980-2005)

/ Joachim Boaz / 27 Comments
  • Enki Bilal’s art for the 1st edition of La Foire aux immortels (1980)

Collated Rating: 4/5 (Good)

Art: 5/5 (Masterpiece) + Story: 3/5 (Average)

Enki Bilal’s La Foire aux immortels (trans. The Carnival of Immortals) (1980) is the first volume in The Nikopol Trilogy. All three bande dessinée received a 2016 single-volume English translation by Titan Comics. Due to the limited chronological reach of my site, I’ve chosen to only review the 1st volume as the sequels, Le Femme Piège (trans. The Woman Trap) and Froid Equateur  (trans. Equator Cold), were published in 2005.

Of the SF graphic novels I’ve read, The Carnival of Immortals proved by far the most successful. Bilal blends his terrifying depictions of decadence and decay with an oblique, if a bit clunky, story that hints at surrealism and otherworldliness. For what I’m comparing Bilal’s vision to, check out Howard V. Chaykin and Samuel R. Delany’s Empire (1978), Paul Gillon’s La survivante (1985), and Gene Day’s collection Future Day (1979).

Continue reading →