feminism

(George Barr’s cover for the 1972 edition)

3/5 (Average)

At the Seventh Level (1972) is part of a loose sequence of novels that feature Trigalactic Intelligence Service agent Coyote Jones and his voyages to various worlds. Although this sequence ostensibly has the trappings of SF space opera, Suzette Haden Elgin subverts the genre conventions so that the premise functions as a polemical feminist text with satirical underpinnings. At the Seventh Level is an important installment in a long line of “women as slaves trapped in vast repressive patriarchy propped up by appeals to tradition and brute force” type novels which, some might argue, culminated in Margaret Atwood’s The Handmaid’s Tale (1985). It is important to note that there were many novels on similar themes before Atwood’s acknowledged masterpiece hit Continue reading →

(Richard Powers’ cover for the 1963 edition)

3/5 (collated rating: Average)

Kate Wilhelm, famous for her Hugo-winning masterwork Where Late the Sweet Birds Sang (1976), started her writing career with more modest works. The Mile-Long Spaceship (1963) collects some of her earliest short stories from the late 50s and a few written for the collection in the early 60s — Clone, her first novel, co-written with Theodore L. Thomas would come out in 1965. However, her best sci-fi was published in the late 60s to the mid-70s. Before then her work tended to be straight-forward with an occasional interesting idea or poignant scene but generally unremarkable….

Three stories are worth reading in this collection: an early work of feminist science Continue reading →