(Kelly Freas’ cover for the 1972 edition)

3.75/5 (Good)

First, a snarky comment about Kelly Freas’ unfortunate cover art — I can’t help but giggle at the imposing sci-fi behemoth cityscape which accidentally wandered onto a Thomas Kinkade, “Painter of Light” (or, as I call him, “The Painter of Kitsch”) Christmas tableau.  Kelly Freas’ fuzzy light, happy-budget-hotel-color-scheme art seldom impresses me.  Perhaps I’m too harsh….

On the other less caustic hand, Louis Trimble’s The City Machine is a surprisingly intriguing blend of allegory and sci-fi tale.  In line with my previous Continue reading →