Updates: Recent Acquisitions No. XXIX (Dick + White + Harrison + et al.)

A return to old familial haunts yields a heart warming stash of gems and a few radiating a more dubious aura…

And more Richard Powers’ covers for my growing collection….

Most importantly, I picked up my fourteenth or fifteenth Philip K. Dick novel! I will acquire ALL of them eventually.

And another Ace double — little did I know (but I should have guessed considering the egregious art and interior images) that is was sci-fi of the more comic variety.  But, I wanted at least one of Lafferty’s novels after reading a few of his impressive short stories.

Enjoy!

1. Star Surgeon, James White (1963)

(Richard Powers’ cover for the 1963 edition) Continue reading →

Adventures in Science Fiction Cover Art: Eye[s] in the Sky

(Ed Valigursky’s cover for the 1957 edition of Eye in the Sky (1957), Philip K. Dick)

Inspired by Ed Valigursky’s stunning cover for the 1957 edition of Philip K. Dick’s early novel Eye in the Sky (1957), I kept on the lookout for novels with similar disembodied eyes (floating, gazing with menacing presence at fearful scurrying forms arrayed below).  I discovered that it was a common theme — sci-fi artists use eyes to illustrate otherworldly (alien, spiritual) presence, big brother-esque governmental control, inhuman powers…  Few equal the true presence of Ed Valigursky’s cover but are fascinating nevertheless.

Many years ago I read Eye in the Sky but remember little.  I was intrigued but not blown away by Simak’s Way Station (below).  Dr. Futurity (below) is waiting to be read on my shelf and Continue reading →

Adventures in Science Fiction Cover Art: Underwater Expeditions (futuristic submarines, unusual sea life, underwater cities) Part I

(Paul Lehr’s cover for the 1968 edition of Conquerors from the Darkness (1965), Robert Silverberg)

A cornucopia of underwater sci-fi cover art images!  As always, Paul Lehr’s covers are among my favorite for he masterfully renders the green-blue depths and textures of water inundated worlds (especially above, Conquerers from the Darkness).  Watery worlds evoke unusual underwater life, a place fraught with danger where humans and aliens meet, unusual cityscapes (domes, water impervious shields, a plethora of transport craft) and of course, the vehicles for transportation (for example below, the futuristic submarine in Treasure of the Black Flacon and 21st Century Submarine, etc)  evoke the same giddy sense of adventure as when first reading Jules Verne’s Twenty Thousand Leagues Under the Sea (1870) or watching Richard Fleischer’s surprisingly good 1954 film adaptation of the novel.

There are countless films, sci-fi TV shows, novels, short stories Continue reading →

Adventures in Science Fiction Cover Art: Domed Cities of the Future Part II

(Dean Ellis’ cover for the 1970 edition of Eight Against Utopia (1967), Douglas R. Mason)

Part II of my sci-fi art series on domed cities of the future (perhaps doomed as well) — part I.

Glass-domed against pollution, the ravages of evil space creatures, the vacuum of space (below: April, 1954 edition of If), adverse climates/atmospheres (below: The Sands of Mars, Trouble on Titan)?  Or, nagging fears that something might come — whatever it might be.  And of course, to keep people in (above: Eight Against Utopia).   Some of these seemingly fragile domes contain devastating weapons (below: The Lunar Eye), or are part of a vast computer network (below: Matrix), or contain the last remnants of a previous metropolis (below: The Years of the City)

Some truly wonderful works of art….  Are any of the books Continue reading →

Book Review: Daughters of Earth, Judith Merril (1968)

daughters of earth

(Robert Foster’s cover for the 1970 edition)

4/5 (Good)

Judith Merril was not only an important early science fiction author of novels and short stories but a political activist and a member of the influential 1940s sci-fi group known as the Futurians (members included her husband Frederik Pohl, James Blish, Damon Knight, David A. Wollheim, C. M. Kornbluth, et al.).  Her fascinating collection, Daughters of Earth (1968), contains three novellas from the 1950s: ‘Project Nursemaid’ (1955), the highlight of the collection — ‘Daughters of Earth’ (1952), and the underwhelming ‘Homecalling’ (1956).  

All three contain a plethora of female characters Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXVIII (Ace Doubles: Brunner, Dick, Delany, et al.)

I’m the proud new owner of four ace doubles in remarkable condition!  And considering the general quality of many of the Ace doubles, I consider it quite the haul.  The contents: two early pulp works (of rather dubious quality) by John Brunner (one under his pseudonym Keith Woodcott), one early Philip K. Dick novel, two early Samuel Delany novels, and an assortment of works by lesser known authors (Tom Purdom, Jack Sharkey, and Bruce W. Ronald).  I will devour the Philip K. Dick and John Brunner works — yes, Brunner’s early works are terrible but I’m a Brunner completest which requires a high pain threshold for his pre-Stand On Zanzibar (1968) works.

1. Captives of the Flame/The Psionic Menace (1963), Samuel R. Delany, John Brunner (as Keith Woodcott)

(Cover by Jack Gaughan Continue reading →

Book Review: The Dark Side of the Earth, Alfred Bester (1964)

(Uncredited cover for the 1964 edition)

3/5 (Average)

Despite enjoying Alfred Bester’s famous novels The Demolished Man (1952) and The Stars My Destination (1956), I found his short stories in The Dark Side of the Earth (1964) on the whole nowhere near as masterful.  Yes, they are witty, comedic, playful, silly, pseudo-intellectual (references to film directors such as De Sica, etc), and on occasion refreshingly experimental in structure (‘The Pi Man’).  Of those adjectives, ‘silly’ is the most constant.

Bester is at his best when he blends his satirical/comedic side with a fascinating concept — for example, an inventive theory of time travel in ‘The Man Who Continue reading →

Book Review: The Silent Multitude, D. G. Compton (1966)

(Leo and Diane Dillon’s cover for the 1969 edition)

4.25/5 (Very Good)

“He was out now looking for signs.  He knew how to stay alive.  He was a strangely violent man, to him the fall of the city was some sort of unholy celebration (89).”

The decaying/empty city as allegory: its few post-evacuation occupants (a tramp and his cat, the cathedral’s dean, a young suburban woman, a troubled architect’s son — all well-drawn characters) wander the deserted streets of Gloucester consumed with their own obsessions.  The cement consuming fungus — a vague agent of destruction that severs us from our loci of civilization, our functionalist cityscapes, Continue reading →

Adventures in Science Fiction Cover Art: The Space Age Family

(Malcolm Smith’s cover for the 1951 edition of Space on My Hands (1951), Frederic Brown)

I’ve scrounged through my collection of cover images over and over again trying to find families — and not alien families being slaughtered by intrepid earthmen à la The Red Planet (below).  Simply put, sci-fi generally revolves around characters who set off on their own, occasionally (at the end) finding a spouse (alien or not) and starting a family.  Heinlein’s juveniles are a great example — boy from broken family (dead mother, abandoned orphan…) learns all the math necessary for navigating in space from a book, sets off (or stows away) in the nearest possible spaceship and goes on grand adventures — perhaps killing some alien families along the way…..

I’ve still managed to find a few.  The best Continue reading →