Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)

M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:

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Don’t worry, I certainly intend to “see tomorrow today!”  I’ll be disappointed if I can’t!

The others are a strange blend…  From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.

Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim.  But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK).  Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973).  With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)….  I will review two or three of the novels in the omnibus one at a time over the next few months.

Thoughts?

1. The Machine in Shaft Ten, M. John Harrison (1975)

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(Chris Foss’ cover for the 1975 edition) Continue reading

Guest Post: Where Late The Sweet Birds Sang, Kate Wilhelm (1976)

The first in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Admiral Ironbombs (twitter) who blogs, rather compulsively, on Vintage SF and other things over at Battered, Tattered, Yellowed, & Creased.   Check out his site if you haven’t already!

~

(Ed Soyka’s cover for the 1977 edition)

Won the 1977 Hugo Award for Best Novel

Won the 1977 Locus Award for Best Novel

Nominated for the 1977 Nebula Award for Best Novel

Before Joachim asked me to write a review as part of this guest post series, I didn’t know much about Kate Wilhelm. (That being the point, of course, a way to raise awareness of lesser­-known but deserving authors.) I knew Wilhelm was the wife of famed editor­critic Damon Knight, I’ve seen other SF bloggers write glowing praise for her novels, and I’ve enjoyed a few of her short fiction in the not too distant past. But I’m Continue reading

Adventures in Science Fiction Art: Tentacles and Other Strange Appendages

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(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)

Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977).  I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents…  It terrified me for years.  The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…

…hence, today’s themed art post!

Tentacles and Other Strange Appendages.

 I have a confession:  I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXIV (Jakes + Anthology + Malzberg + Zelazny)

Roger Zelazny’s most radical (according to some critics) novel…

A fun Ace Double with a rather disturbing face imprisoned in a skull cover by Kelly Freas….

More Malzberg (one can never have enough)…

And another anthology from the single best year of SF — 1972!  (my opinion of course).

Thoughts?

1. Tonight We Steal The Stars / The Wagered World, John Jakes / Laurence M. Janifer and S. J. Treibich (1969) (Ace Double)

(Kelly Freas’ cover for the 1969 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. CXXVIII (Malzberg + Robinson + Berk + Ball)

A few more books from Carl V. Anderson‘s gift + two acquisitions of my own.  Including my first Spider Robinson novel, an unknown post-apocalyptical quantity via Howard Beck, and more pulp by Brian N. Ball—not going to lie, Singularity Station (1973) was fun!

I now own a nearly complete Barry N. Malzberg collection of his SF solo works (i.e. no co-written novels with Bill Pronzini).  What I am missing: his first two novels which are more speculative rather than SF, Oracle of a Thousand Hands (1968), Screen (1968), his SF novel Scop (1976), his movie novelization Phase IV (1973) which I have held off buying despite seeing it for cheap in used stores, and his non-SF novel Underlay (1974).  I have all his collections of short fiction pre-1994 other than Final War and Other Fantasies (1969), The Best of Barry N. Malzberg (1976), and Down Here in Dream Quarter (1976).

Thus, I own a grand total of 28 Malzberg novels and collections!

Thoughts?

1. Overlay, Barry N. Malzberg (1972)

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(Ray Feibush’s cover for the 1975 edition) Continue reading

Book Review: Orbit 8, ed. Damon Knight (1970)

(Paul Lehr’s cover for the 1971 edition)

3.25/5 (collated rating: Good)

The avant-garde leaning Orbit anthology series, edited by Damon Knight, had an illustrious run from 1966-1976.  Recently I have become more and more intrigued by the anthology as a way to access a wider range of authors and radical visions.  Despite my rather lowish collated rating of Best SF Stories from New Worlds 2, ed. Michael Moorcock, it was a satisfying collection which exposed me to the SF of Langdon Jones and Pamela Zoline.  Likewise, it somewhat rehabilitated my view of Charles Platt whose Planet of the Voles (1971) has long been one of my least favorite SF novels.

Anthologies are fascinating cross sections of the genre reflecting what was perceived as worthwhile SF by editors.  They will almost always be more uneven than single author collections.  But the exposure to forgotten authors and authors who never received a single author collection makes them almost always worthwhile.

Orbit 8 (1970) is no exception.  The anthology swings wildly from Gardner Dozois’ masterpiece “Horse of Air” (1970) Continue reading

Book Review: Best SF Stories from New Worlds 3, ed. Michael Moorcock (1968)

(Uncredited cover for the 1968 edition)

3.5/5 (Collated rating: Good)

New Worlds was one of the premier British SF magazines under the editorship of Michael Moorcock.  It features some of the most experimental works of the era and was important in the growth of the New Wave movement.  Many of the frequent contributors went on to make a name as premier SF authors (Ballard, Aldiss, etc).

This best of collection (1964-1967) is on the whole uneven.  Its big name authors—such as Keith Roberts and Moorcock himself under a pseudonym—disappoint.  The most evocative stories are by rather lesser known voices, Langdon Jones, Charles Platt, and Pamela Zoline.  Zoline’s brilliant entropic vision, “The Heat Death of the Universe” is not to be missed.  The second best work in the collection is (surprisingly) an early story by Barrington J. Bayley (as P. F. Woods) whose novels I have reviewed Continue reading

Updates: Recent Science Acquisitions No. XXVII (Vance + Neville + Fairbairns + Coney)

A fascinating collection (one of three acquisition posts incoming) via Dunaway’s Books in St. Louis, MO (on one of my numerous perambulations…).  And there were nearly one hundred more novels I would have snatched up if I had unlimited funds and unlimited room.

A hard to find feminist SF novel, and supposedly quite solid, by Zoe Fairbairns.

A Michael Coney novel I’ve been dying to get my hands on—the immortality concept delightfully satirical/hilarious.

A strange 70s fix-up novel of 50s material by an author championed by Barry N. Malzberg (and John Clute)—Kris Neville.

And Vance, one rarely goes wrong with Vance…

Thoughts?

1. Friends Come in Boxes, Michael G. Coney (1973)

(John Holmes’ cover for the 1973 edition) Continue reading