Kate Wilhelm

Guest Post: Where Late The Sweet Birds Sang, Kate Wilhelm (1976)

/ Joachim Boaz / 30 Comments

The first in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Admiral Ironbombs (twitter) who blogs, rather compulsively, on Vintage SF and other things over at Battered, Tattered, Yellowed, & Creased.   Check out his site if you haven’t already!

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(Ed Soyka’s cover for the 1977 edition)

Won the 1977 Hugo Award for Best Novel

Won the 1977 Locus Award for Best Novel

Nominated for the 1977 Nebula Award for Best Novel

Before Joachim asked me to write a review as part of this guest post series, I didn’t know much about Kate Wilhelm. (That being the point, of course, a way to raise awareness of lesser­-known but deserving authors.) I knew Wilhelm was the wife of famed editor­critic Damon Knight, I’ve seen other SF bloggers write glowing praise for her novels, and I’ve enjoyed a few of her short fiction in the not too distant past. But I’m Continue reading →

Update: Kate Wilhelm Guest Post Series Announcement

/ Joachim Boaz / 2 Comments

Kate Wilhelm is most widely known for her Hugo- and Locus-winning,  Nebula-nominated, fix-up novel masterpiece Where Late The Sweet Birds Sang (1976).  However, this linked series of novellas (her favorite form) was already the product of a long and fruitful career starting with somewhat standard pulp in the late 1950s.  By the late 1960s and early 1970s her SF took on psychologically heavy and often devastatingly effective themes with great success: for example, in 1972 she was nominated for an astounding four Nebulas (winning none of them).

Most of her critical success focused on shorter forms which might be the reason why other than Where Late the Sweet Birds Sang (1976) little of her work has remained firmly entrenched in the SF canon.  Which is a crying shame as she is easily one of the most regularly brilliant writers I have encountered.

Thus I have rounded up my normal suspects from across the vintage SF blog sphere for my second guest post series! The first covered the work of Michael Bishop.  As always, I have no idea whether they like her work or not but the purpose is to expose my readers to the range of her amazing visions.  I will place links to their twitter accounts (if they have them) and Continue reading →

Book Review: Orbit 8, ed. Damon Knight (1970)

/ Joachim Boaz / 33 Comments

(Paul Lehr’s cover for the 1971 edition)

3.25/5 (collated rating: Good)

The avant-garde leaning Orbit anthology series, edited by Damon Knight, had an illustrious run from 1966-1976.  Recently I have become more and more intrigued by the anthology as a way to access a wider range of authors and radical visions.  Despite my rather lowish collated rating of Best SF Stories from New Worlds 2, ed. Michael Moorcock, it was a satisfying collection which exposed me to the SF of Langdon Jones and Pamela Zoline.  Likewise, it somewhat rehabilitated my view of Charles Platt whose Planet of the Voles (1971) has long been one of my least favorite SF novels.

Anthologies are fascinating cross sections of the genre reflecting what was perceived as worthwhile SF by editors.  They will almost always be more uneven than single author collections.  But the exposure to forgotten authors and authors who never received a single author collection makes them almost always worthwhile.

Orbit 8 (1970) is no exception.  The anthology swings wildly from Gardner Dozois’ masterpiece “Horse of Air” (1970) Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXIV (Wilhelm + Spinrad + Ball + Vance)

/ Joachim Boaz / 23 Comments

Another wonderful batch including two novellas by Kate Wilhelm in the collection Abyss (1971).

A Norman Spinrad novel, The Men in the Jungle (1967), courtesy of the MPorcius, the proprietor of MPorcius Fiction Log.  I sent him a portion of my wall of shame (i.e. worst SF novels) and got a few worthwhile ones in return…

Another Vance novel courtesy of MPorcius as well—one of the Demon Prince novels.  Do I have to read them in order?

And Brian N. Ball’s first novel, Sundog (1965).  I thought Singularity Station (1973) was unadulterated pulp fun.

So the Spinrad novel critiques pulp and Ball revels in pulp…

Thoughts?

1. Abyss, Kate Wilhelm (1971)

(Lou Feck’s cover for the 1973 edition) Continue reading →

Updates: Recent Science Fiction Acquisitions No. CIII (Wilhelm + Clarke + Tucker + Malzberg)

/ Joachim Boaz / 14 Comments

Another Wilhelm to add to my growing stack of her novels and collections—I’ve read and reviewed quite a few recently: Margaret and I (1971), The Downstairs Room and Other Speculative Fiction (1968), and Juniper Time (1979)

More Malzberg (Ace Double story collection + discursive SF novel about fandom)—early stuff from his K. M. O’Donnell pseudonym days.

Clarke’s first novel—although my edition does not have the amazing cover I placed in the post (sorry!).

And, the perhaps OK novel, Ice & Iron (1974) by Wilson Tucker.  I really should read his more famous time travel novels first, I have at least two on the shelf….

Enjoy!

1. The Infinity Box, Kate Wilhelm (1975)

(Ed Soyka’s cover for the 1977 edition) Continue reading →

Book Review: Juniper Time, Kate Wilhelm (1979)

/ Joachim Boaz / 48 Comments

(Bob Aulicino’s cover for the hideous 1979 edition)

3.5/5 (Good)

Nominated for the 1980 Nebula Award

“Everything that is, Robert had said, must be.  Every cycle must be completed, must lead to the next cycle.  He had talked about times when the desert had been drier than it now was, times when it had been lush and wet, and there had been no questions in his mind that this too must be” (170-171).

At the heart of Kate Wilhelm’s Nebula-nominated novel Juniper Time (1979) is the notion of historical cyclicality at both the macro- (earth cycles) and the micro- (human historical time) levels.  Wilhelm’s near-future mysteriously drought-stricken world is at an important juncture of two such cycles.  The macrocycle concerns devastating world-wide desertification, which is most likely caused by a natural cycle but the precise nature of which is unknown.  The microcycle concerns a shift in human populations in the drought stricken countries: mass migrations towards coasts as the springs and rivers of the hinterlands turn to mud.  In this world the farmer, in the past linked tightly to his fields, abandons his traditional position in American society and moves to a cluttered and violent state Continue reading →

Updates: Recent Science Fiction Acquisitions No. XCVI (Varley + Wilhelm + Blish + Effinger)

/ Joachim Boaz / 21 Comments

With the sole novel of his I’ve read, What Entropy Means to Me (1972), George Alec Effinger has entered the pantheon of my favorite authors—the novel is that brilliant.  So, with a birthday gift card from my sister I procured a copy of Irrational Numbers (1975), a collection of short fiction.  Will read soon….

I know very little about John Varley’s work.  I have a copy of his collection The Persistence of Vision (1978)  but had no idea that his first novel, The Ophiuchi Hotline (1977) was as well known as the Goodreads ratings make it out to be (1,476 votes!).  I am positive that Boris Vallejo’s horrid cover prevented me from even considering the novel in the past.

More Wilhelm! (Juniper Time)

More Blish! (Midsummer Century)

All first edition hardbacks for a mere $1-2 each.

Thoughts?

1. The Ophiuchi Hotline, John Varley (1977)

(Boris Vallejo’s cover for the 1977 edition) Continue reading →

Book Review: Margaret and I, Kate Wilhelm (1971)

/ Joachim Boaz / 24 Comments

(Uncredited cover for the 1978 edition)

3.5/5 (Good)

Nominated for the 1972 Nebula Award for Best Novel

The grayness swirled and became solid, a plain that was featureless at first, then with grotesque shapes emerging from it, obviously things growing, but things that shouldn’t have been.  They looked like monstrous scabs, like leprous fingers curled obscenely in an attitude of prayer, like parts of bodies covered with a fungus or mold, misshapen and horrible” (73).

Margaret and I (1971) is a profoundly unsettling and hallucinatory exploration of a woman’s sexual and emotional self-realization.  Or, to use the Jungian terms deployed by Wilhelm in her preliminary quotation, the novel charts the process of individuation where the conscious and unconscious “learn to know, respect and accommodate Continue reading →

Updates: Recent Science Fiction Acquisitions No. XC (Wilhelm + Watson + Farmer + Bryant)

/ Joachim Boaz / 14 Comments

More Dallas, TX Half Price Book finds… and a few gifts from 2theD at Potpourri of Science Fiction Literature (found on one of his infrequent trips to the states).

Can’t wait to tackle the Ian Watson collection — Ian Sales has characterized him one of the treasure of the British SF (I’ll post a book of his in the coming weeks).  Wilhelm’s extensive reputation seems to be based mostly on her Hugo-winning fix-up novel, Where Late the Sweet Birds Sang (1976).  It’s unfortunate that few read her other novels and short story collections.  The Nebula-nominated Margaret and I (1971) is a welcome edition to my collection.

I’ve not had success with Philip José Farmer in the past—To Your Scattered Bodies Go (1971) might be the worst novel to win a Hugo—but the collection of 50s novelettes Strange Relations (1960) was too good to pass up.

And finally, my find of the holiday break, a SIGNED (with personal note) copy of Edward Bryant’s collection Cinnabar (1976)!  For a mere two dollars (incorrectly placed in the non-signed SF books)….

1. The Very Slow Time Machine, Ian Watson (1979) (MY REVIEW)

(Paul Alexander’s cover for the 1979 edition) Continue reading →