3/5 (Average)
James Blish’s The Star Dwellers (1961) is a quality sci-fi novel (for younger readers) easily comparable to some of Heinlein’s juveniles. The plot is straightforward/predictable yet still engaging. Of course, Jack, our seventeen year old hero, saves the day! Unlike the best “alien encounter” sci-fi novels which convey a certain sense of convincing “reality,” The Star Dwellers demands Continue reading
3.5/5 (Good)
Bob Shaw’s Ground Zero Man (1971) is a well-told take on a common 50s/60s/70s sci-fi trope — the discovery of technology which could potentially end the omnipresent danger of all out nuclear war. Although the premise is straightforward and simplistic, the main character (Lucas Hutchman) and his motivations are drawn in a convincing manner, the ending is somewhat surprising and dark, and the novel is on the whole characterized by solid Continue reading
3.5/5 (Good)
Theodore Sturgeon’s The Cosmic Rape (1958) is an unusual and refreshing take on the alien invasion trope — especially for a 1950s novel. Unlike many other reviewers, I found that the mechanics of the work (innumerable characters, short length, and ramshackle structure) do not detract from the overall result. Sturgeon’s prose is, as always, Continue reading
4.5/5 (Very Good)
Nominated for the 1970 Nebula Award for Best Novel
“The ground was covered with old names…” (76)
Joanna Russ, famous for her feminist sci-fi novel The Female Man (1975), weaves together a bizarre (and difficult) novel filled with strange images, peculiar characters, and a fragmented/layered/bewildering narrative structure. And Chaos Died (1970) is a startlingly original take on the staple sci-fi Continue reading
3/5 (Average)
Brian M. Stableford’s Journey to the Center (1982) is a poor man’s Ringworld (1970) mixed with a light dose of Pohl’s Gateway (1977). The combination is pleasantly surprising in parts but also downright dull. Stableford’s alien species are interchangeable and uninteresting and his descriptions of the world — although a fantastic idea — fail to encapsulate the awe Asgard should inspire. Continue reading
2.5/5 (Average)
For me Robert Silverberg has finally lost his aura. I knew it would happen eventually if I delved into his lesser read 60s works — but I’d been impressed recently with a string of his best (Thorns, Downward to the Earth, The World Inside) which created the aforementioned aura. I believe in the demystification of an author (for nebulous reasons) however painful the reader’s experience might be — at least The Time Hoppers (1967) clocks in at a mere 182 pages.
The Time Hoppers takes place in an overpopulated world Continue reading
1971 Nebula Award Nominee for Best Novel
3.75/5 (Good)
D. G. Compton’s novel The Steel Crocodile (1971) is a thoughtful yet ultimately unspectacular exploration of the intersection of religion and science. Although the work is nowhere near the level of Compton’s masterpieces (Synthajoy, The Unsleeping Eye), it infinitely surpasses the later The Missionaries (1972) which attempted to explore similar themes. I find his strong female characters Continue reading
3.5/5 (Average)
Brian Aldiss’ Earthworks (1965) takes place in a future Earth wrecked by the effects of overpopulation and the resulting environmental repercussions of intensive, expansive, and destructive over-farming. In this disturbed world of increasing automation and devaluation of human life, robots are worth more than people and the hungry diseased hordes of mankind have reverted to Continue reading
2/5 (Bad)
Mack Reynolds’ Rolltown (1976) takes place a few decades in the future where democracy has devolved into a meritocracy. The United States has a huge database for every individual and jobs are given based on IQ scores, etc. The most intelligent people get to vote. However, because of the meritocracy all racial tension Continue reading
Science Fiction and Other Suspect Ruminations 