I while back I put out a call for SF novels/short works on immortality to add to a preliminary list I put together. Due to my lack of knowledge of newer SF and uncanny ability to forget relevant previously read works I eagerly added your suggestions. And Marta Randall’s Islands (1976) motivated me to finally post it…
Here’s the LIST!
If you can think of any that I might be missing be sure to Continue reading
(Vincent Di Fate’s cover for the 1976 edition)
3.5/5 (Good)
Nominated for the 1977 Nebula Award for Best Novel
*Note: I read the 1980 Pocket edition which, according to Locus, was modified (to what extent I do not know) from the original 1976 first edition.
Marta Randall, the first female president of SFWA, is one of numerous female science fiction writers from the 70s that are seldom read today. A while back Ian Sales alerted me to Randall’s work in his very positive review of A City in the North (1976) on SF Mistressworks. Recently, while looking for unread works on my immortality-themed SF list (here), I came across the Nebula-nominated Islands (1976).
One of the more effective ways to write about the ennui Continue reading
First, a painful example of early 60s marketing for a SF novel written by a women: “WOMEN ARE WRITING SCIENCE-FICTION! ORIGINAL! BRILLIANT!! DAZZLING!!! Women are closer to the primitive than men. They are conscious of the moon-pulls, the earth-tides. They posses a buried memory of humankind’s obscure and ancient past which can emerge to unique color and flavor a novel.”
Uh huh.
I wish I possessed a buried memory of humankind’s obscure and ancient past…
A wonderful batch. My first Avram Davidson collection although the blurb and cover are utterly unappealing. More Ballard, my first Margaret St. Clair novel, more Ellison…
Thoughts?
1. Vermillion Sands, J. G. Ballard (1971)
(Richard Powers’ cover for the 1971 edition) Continue reading
(Blanchard’s cover for the 1960 edition)
4/5 (collated rating: Good)
Blanchard’s abstract vaginal cover for the 1960 first edition of Philip José Farmer’s Strange Relations (1960) hints, just obliquely enough to avoid being explicit, at the collection’s radical and groundbreaking contents. Nothing else existed like this from the 50s! Having exploded onto the scene with the “transgressive” (SF encyclopedia) novella “The Lovers” (1952) (later expanded to novel length), Strange Relations (1960) collects a further five short works from the mid-50s and later on similar themes — theology, sex, xenobiology, Freud, and social satire.
Each work revolves around a particular Freudian scenario, a Freudian fantasy. One can imagine that authors such as Barry N. Malzberg Continue reading
More Dallas, TX Half Price Book finds… and a few gifts from 2theD at Potpourri of Science Fiction Literature (found on one of his infrequent trips to the states).
Can’t wait to tackle the Ian Watson collection — Ian Sales has characterized him one of the treasure of the British SF (I’ll post a book of his in the coming weeks). Wilhelm’s extensive reputation seems to be based mostly on her Hugo-winning fix-up novel, Where Late the Sweet Birds Sang (1976). It’s unfortunate that few read her other novels and short story collections. The Nebula-nominated Margaret and I (1971) is a welcome edition to my collection.
I’ve not had success with Philip José Farmer in the past—To Your Scattered Bodies Go (1971) might be the worst novel to win a Hugo—but the collection of 50s novelettes Strange Relations (1960) was too good to pass up.
And finally, my find of the holiday break, a SIGNED (with personal note) copy of Edward Bryant’s collection Cinnabar (1976)! For a mere two dollars (incorrectly placed in the non-signed SF books)….
1. The Very Slow Time Machine, Ian Watson (1979) (MY REVIEW)
(Paul Alexander’s cover for the 1979 edition) Continue reading
(Gene Szafran’s cover for the 1975 edition)
Nominated for the 1976 Nebula Award for Best Novel
5/5 (Masterpiece)
*First, a preliminary note on the publication history: I read the original, unabridged 1975 edition. However, Michael Bishop “completely rewrote” the novel in 1980 (according to ISFDB and his introduction to the later edition). The 1980 rewrite—initially titled Eyes of Fire but later confusingly released under the original title, A Funeral For the Eyes of Fire-–was the one republished and recently available as an eBook through SF Gateway according to Bishop’s wishes. I would prefer my readers, if they are interested in the volume, to not hesitate in snatching up the original. I suspect both are worth reading.
Fresh off Michael Bishop’s strangely wonderful And Strange at Ecbatan the Trees (variant title: Beneath the Shattered Moons) (1976) I eagerly devoured his first published novel, A Funeral for the Eyes of Fire (1975)—and with this work, bluntly put, he enters my pantheon of favorite SF authors. Bishop, completely in command of his narrative, weaves together a literary and anthropological tapestry filled with stories within stories and delicate interplay between these layers.
The deceptively simple premise unfurls into a complex and moving meditation on culture clash and the power of ritual, threatening at every moment to explode into violence. This is perhaps the most sophisticated rumination I Continue reading
Everyone likes lists! And I do too…. This is an opportunity to collate some of my favorite (and least favorite) novels and shorter SF works I read this year. Last year I discovered Barry N. Malzberg and this year I was seduced by…. Well, read and find out.
Top Ten Novels
1. We Who Are About To…, Joanna Russ (1976): A scathing, and underread, literary SF novel by one of the more important feminist SF writers of the 70s (of The Female Man fame).
2. A Funeral for the Eyes of Fire, Michael Bishop (1975): A well-written anthropological clash of cultures novel. Slow, gorgeous, emotionally engaging….
3. Level 7, Mordecai Roshwald (1959): A strange satire of the bomb shelter… Everyday surrealism. Continue reading
(Ron Walotsky’s cover for the 1973 edition)
4.5/5 (Very Good)
Caveat: If a perverse (and Freudian) metafictional (and literary) retelling of Otto Klement and Jerome Bixby’s Fantastic Voyage replete with filmic flashbacks does not intrigue you then stay away….
There are few SF authors who utilize metafictional elements as gleefully and effectively as Barry N. Malzberg. Beyond Apollo (1972), his masterpiece, is a labyrinthine sequence of 67 short chapters of a novel written by the main character who may or may not be recounting real (imagined?) events. While in In the Enclosure (1973) the excruciating paranoia that permeates the pages and the impossible escapes that transpire, recounted as if they were entries in a diary, could indeed be generated by an external force—the exact nature of which is unknowable—implanting memories. Revelations (1972) was entirely comprised of a sequence of documents (interview transcripts, diary fragments, epistolary fragments) Continue reading
(Ron Walotsky’s cover for the 1968 edition)
4/5 (collated rating: Good)
By the late 60s Kate Wilhelm’s SF moved from generally uninspiring pulp (à la the collection The Mile-Long Spaceship) to psychologically taught and emotive mood pieces exploring the almost existential malaise of daily existence and the disturbing effects of “programmed” lives (especially the housewife). The fourteen short-stories in The Downstairs Room and Other Speculative Fiction (1968) (the term “speculative fiction” was coined by Judith Merril in the 60s) comprise a snapshot of Wilhelm’s best New Wave work. It should be noted that not all are SF.
Although some are less engaging than others, her harrowing portrayal of starlets subjected to endless psychological torments at the whims of their viewers in “Baby, You Were Great” (1967) (Nebula nominated) and the evocative tapestry of daydreams Continue reading
Science Fiction and Other Suspect Ruminations 