avant-garde

Updates: Recent Science Fiction Acquisitions No. XCII (Ellison + Ballard + Davidson + St. Clair)

/ Joachim Boaz / 26 Comments

First, a painful example of early 60s marketing for a SF novel written by a women: “WOMEN ARE WRITING SCIENCE-FICTION!  ORIGINAL! BRILLIANT!! DAZZLING!!! Women are closer to the primitive than men.  They are conscious of the moon-pulls, the earth-tides.  They posses a buried memory of humankind’s obscure and ancient past which can emerge to unique color and flavor a novel.”

Uh huh.

I wish I possessed a buried memory of humankind’s obscure and ancient past…

A wonderful batch.  My first Avram Davidson collection although the blurb and cover are utterly unappealing.  More Ballard, my first Margaret St. Clair novel, more Ellison…

Thoughts?

1. Vermillion Sands, J. G. Ballard (1971)

(Richard Powers’ cover for the 1971 edition) Continue reading →

Book Review: Strange Relations, Philip José Farmer (1960)

/ Joachim Boaz / 13 Comments

(Blanchard’s cover for the 1960 edition)

4/5 (collated rating: Good)

Blanchard’s abstract vaginal cover for the 1960 first edition of Philip José Farmer’s Strange Relations (1960) hints, just obliquely enough to avoid being explicit, at the collection’s radical and groundbreaking contents.  Nothing else existed like this from the 50s!  Having exploded onto the scene with the “transgressive” (SF encyclopedia) novella “The Lovers” (1952) (later expanded to novel length), Strange Relations (1960) collects a further five short works from the mid-50s and later on similar themes — theology, sex, xenobiology, Freud, and social satire.

Each work revolves around a particular Freudian scenario, a Freudian fantasy.  One can imagine that authors such as Barry N. Malzberg Continue reading →

Updates: Recent Science Fiction Acquisitions No. XC (Wilhelm + Watson + Farmer + Bryant)

/ Joachim Boaz / 14 Comments

More Dallas, TX Half Price Book finds… and a few gifts from 2theD at Potpourri of Science Fiction Literature (found on one of his infrequent trips to the states).

Can’t wait to tackle the Ian Watson collection — Ian Sales has characterized him one of the treasure of the British SF (I’ll post a book of his in the coming weeks).  Wilhelm’s extensive reputation seems to be based mostly on her Hugo-winning fix-up novel, Where Late the Sweet Birds Sang (1976).  It’s unfortunate that few read her other novels and short story collections.  The Nebula-nominated Margaret and I (1971) is a welcome edition to my collection.

I’ve not had success with Philip José Farmer in the past—To Your Scattered Bodies Go (1971) might be the worst novel to win a Hugo—but the collection of 50s novelettes Strange Relations (1960) was too good to pass up.

And finally, my find of the holiday break, a SIGNED (with personal note) copy of Edward Bryant’s collection Cinnabar (1976)!  For a mere two dollars (incorrectly placed in the non-signed SF books)….

1. The Very Slow Time Machine, Ian Watson (1979) (MY REVIEW)

(Paul Alexander’s cover for the 1979 edition) Continue reading →

Book Review: A Funeral for the Eyes of Fire, Michael Bishop (1975*)

/ Joachim Boaz / 27 Comments

funeral

(Gene Szafran’s cover for the 1975 edition)

Nominated for the 1976 Nebula Award for Best Novel

5/5  (Masterpiece)

*First, a preliminary note on the publication history:  I read the original, unabridged 1975 edition.  However, Michael Bishop “completely rewrote” the novel in 1980 (according to ISFDB and his introduction to the later edition).  The 1980 rewrite—initially titled Eyes of Fire but later confusingly released under the original title, A Funeral For the Eyes of Fire-–was the one republished and recently available as an eBook through SF Gateway according to Bishop’s wishes.  I would prefer my readers, if they are interested in the volume, to not hesitate in snatching up the original.  I suspect both are worth reading.

Fresh off Michael Bishop’s strangely wonderful And Strange at Ecbatan the Trees (variant title: Beneath the Shattered Moons) (1976) I eagerly devoured his first published novel, A Funeral for the Eyes of Fire (1975)—and with this work, bluntly put, he enters my pantheon of favorite SF authors.  Bishop, completely in command of his narrative, weaves together a literary and anthropological tapestry filled with stories within stories and delicate interplay between these layers.

The deceptively simple premise unfurls into a complex and moving meditation on culture clash and the power of ritual, threatening at every moment to explode into violence.  This is perhaps the most sophisticated rumination I  Continue reading →

Updates: Year in Review (Top Ten SF Novels + Top Ten Short Stories/Novelettes/Novellas + other categories)

/ Joachim Boaz / 25 Comments

Everyone likes lists!  And I do too….  This is an opportunity to collate some of my favorite (and least favorite) novels and shorter SF works I read this year.  Last year I discovered Barry N. Malzberg and this year I was seduced by…. Well, read and find out.

  

Top Ten Novels

1. We Who Are About To…, Joanna Russ (1976): A scathing, and underread, literary SF novel by one of the more important feminist SF writers of the 70s (of The Female Man fame).

2. A Funeral for the Eyes of Fire, Michael Bishop (1975): A well-written anthropological clash of cultures novel.  Slow, gorgeous, emotionally engaging….

3. Level 7, Mordecai Roshwald (1959): A strange satire of the bomb shelter…  Everyday surrealism. Continue reading →

Book Review: The Men Inside, Barry N. Malzberg (1973)

/ Joachim Boaz / 10 Comments

(Ron Walotsky’s cover for the 1973 edition)

4.5/5 (Very Good)

Caveat: If a perverse (and Freudian) metafictional (and literary) retelling of Otto Klement and Jerome Bixby’s Fantastic Voyage replete with filmic flashbacks does not intrigue you then stay away….

There are few SF authors who utilize metafictional elements as gleefully and effectively as Barry N. Malzberg.  Beyond Apollo (1972), his masterpiece, is a labyrinthine sequence of 67 short chapters of a novel written by the main character who may or may not be recounting real (imagined?) events.  While in In the Enclosure (1973) the excruciating paranoia that permeates the pages and the impossible escapes that transpire, recounted as if they were entries in a diary, could indeed be generated by an external force—the exact nature of which is unknowable—implanting memories.  Revelations (1972) was entirely comprised of a sequence of documents (interview transcripts, diary fragments, epistolary fragments) Continue reading →

Book Review: The Downstairs Room and Other Speculative Fiction, Kate Wilhelm (1968)

/ Joachim Boaz / 13 Comments

(Ron Walotsky’s cover for the 1968 edition)

4/5 (collated rating: Good)

By the late 60s Kate Wilhelm’s SF moved from generally uninspiring pulp (à la the collection The Mile-Long Spaceship) to psychologically taught and emotive mood pieces exploring the almost existential malaise of daily existence and the disturbing effects of “programmed” lives (especially the housewife).  The fourteen short-stories in The Downstairs Room and Other Speculative Fiction (1968) (the term “speculative fiction” was coined by Judith Merril in the 60s) comprise a snapshot of Wilhelm’s best New Wave work.  It should be noted that not all are SF.

Although some are less engaging than others, her harrowing portrayal of starlets subjected to endless psychological torments at the whims of their viewers in “Baby, You Were Great” (1967) (Nebula nominated) and the evocative tapestry of daydreams Continue reading →

Adventures in Science Fiction Cover Art: Fractured Bodies (unraveling, decaying, [de]constructing)

/ Joachim Boaz / 32 Comments

CRMPTNDVDD1979

(Paul Lehr’s cover for the 1979 edition of Crompton Divided (variant title: The Alchemical Marriage of Alistair Crompton) (1978), Robert Sheckley)

Paul Lehr’s cover for the 1979 edition of Robert Sheckley’s Crompton Divided (1978) was the inspiration for this post.  I found the cover many years ago while looking through Lehr’s entire (mostly brilliant catalogue) and was intrigued.  The man, comprised of puzzle-like pieces that slowly morph into the swirls of his clothes, stares at us with hybridized eyes — a planet, a pupil — while one missing puzzle piece allows the viewer a glimpse of a barren landscape.  His brain, entirely a puzzle, is complete, but are his senses crumbling?

 Dean Ellis’ cover for the 1971 edition of Larry Niven’s collection All the Myriad Ways (1971) is even more fantastic — the puzzle pieces (bones, faces, limbs) dangle in the air Continue reading →

Updates: Recent Science Fiction Acquisitions No. LXXIX (Haldeman + Chalker + Oliver + Anderson)

/ Joachim Boaz / 32 Comments

Some Chicago finds from Powell Books (Hyde Park)…  I own too many SF novels in my to read pile (I have close to 300 waiting to be read so I am going to try to put a stop on rampant — yes, they are cheap — purchases).

Last one of these for a while?  Should I take bets?

Some titles definitely not my normal fare — I’ve read Haldeman’s The Forever War (1975), Forever Peace (1999), and Forever Free (1999) but not a single one of his short stories so Infinite Dreams (1978) is a welcome addition to my collection.

Chad Oliver is one of the “second-tier” greats whom I’ve not read…. And Chalker falls in that category as well.  Poul Anderson’s The Byworlder (1971) is generally not considered one of his best but it did snag a Nebula award nomination.

Thoughts?

1. Infinite Dreams, Joe Haldeman (1978)

(Clyde Caldwell’s cover for the 1979 edition) Continue reading →