book reviews

Updates: Recent Science Fiction Acquisitions No. XXV (Silverberg + Dickson + Bester + et al.)

/ Joachim Boaz / 4 Comments

I have a substantial backlog of purchases from my “productive” book hunting Spring Break in Texas….

I’ve read Alfred Bester’s The Demolished Man (1952), which I loved, and The Stars My Destination (1956), which I mostly enjoyed, however I’ve rarely seen his short story collections in used book stores.  I snatched up the gorgeous covered The Dark Side of the Earth (1956).  I suspect Bester is even better at short stories than his novel length works….

The Time of the Great Freeze (1964) is considered one of Robert Silverberg’s best pulp works.  On indirect advise of my friend Michael Dalke at Potpourri of Science Fiction Literature, I’ve procured more of Gordon R. Dickson’s short works…  Thankfully, he hasn’t reviewed the collection The Star Road (1973) yet (I think) — we have a “rivalry.”  Haha.

I’ve already reviewed the short story collection edited by Donald Wollheim, The End of the World (1956) (MY REVIEW), and highly recommend it. A few of the stories are duds but two are in my top 5 short work list.  Philip K. Dick’s ‘Impostor’ (1953) alone is reason enough to track down the volume.

1. The Dark Side of the Earth (1964), Alfred Bester (MY REVIEW)

(Uncredited cover for the 1964 edition) Continue reading →

Book Review: The End of the World (1956), ed. Donald Wollheim

/ Joachim Boaz / 12 Comments

(Ed Emshwiller’s? cover for the 1956 edition)

3.75/5 (Good)

 The End of the World (1956) is a highly readable collection of short works by some of the leading figures of the 50s:  Robert Heinlein, Edmond Hamilton, Philip K. Dick,  and Arthur C. Clarke are the most notable contributors.  All the works, including the short by the virtually unknown author Amelia Reynolds Long, have appeared in other volumes but it’s nice to have them grouped according to theme with a quality Ace edition 50s Emshwiller cover.

Wollheim gathers together a fascinating range of accounts of the end of the world — seen through the eyes of aliens, humans from the present viewing the future, the last men on earth surveying the ruins, a robotic bomb who thinks it’s human and “accidentally” triggers the end of the Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXIV (Simak + Henderson + Pangborn + Coney)

/ Joachim Boaz / 15 Comments

Returning to my old haunt (Texas) conjures the normal quality science fiction haul….  Not the range of Dallas’ spectacular Half Price Books but still a nice selection.

As always, I took a few risks.  I know very little about Zenna Henderson’s short stories — and the cover for the 72 edition of Holding Wonder (1971) (below) is atrocious!  But she’s generally considered a worthwhile author despite the rather hokey premise of her The People series.  I’m most interested in Edgar Pangborn’s A Mirror for Observers (1954) — and I promise not only because of the Richard Powers’ cover.  My father disliked Simak’s Our Children’s Children (magazine 1973) so I don’t have high hopes…  I’m rather ambivalent towards Simak.  I enjoyed City (1954) but would never call it a masterpiece.  Cemetery World (1973) was an interesting read but more in concept than delivery.  Way Station (1963) didn’t deserve the Hugo award but had its moments… etc.

Michael G. Coney’s The Hero of the Downway (1973) was an impulsive buy.  I know very little about the quality of his writing but was persuaded by Josh Kirby’s cover!  And underground societies usually hold my interest — even if they don’t achieve the heights of David F. Galouye’s wonderful Dark Universe (1961).

Enjoy the covers!  And the back cover blurbs!

1. A Mirror for Observers (1954), Edgar Pangborn

(Richard Powers’ cover Continue reading →

Updates: New Book Review Index by Rating

/ Joachim Boaz / 8 Comments

I’ve added a new index ordered by rating for easy navigation to my book reviews (here).  This is in addition to by index by author (here).  This makes my best  (here) and worst science fiction book index (here) redundant and I might get rid of it at a later date.  I’ll also add more themed indexes in addition to my Sci-Fi Novels about Overpopulation Index, Sci-Fi Works by Female Authors over the course of the next few weeks.

All the indexes can be found on the bar on the righthand side.

Thanks for all the fascinating comments/observations and words of encouragement.  I’ve greatly enjoyed reading/reviewing and conversing!

Book Review: The Bright Phoenix, Harold Mead (1955)

/ Joachim Boaz / 7 Comments

(Richard Powers’ cover for the 1956 edition)

3/5 (Average)

Harold Mead’s The Bright Phoenix is a readable future ultra-regulated “perfect” State themed science fiction novel with a time-worn but proven plot. Unfortunately, the end product, despite moments of intriguing characterization and oppressive gloom, sinks into forgettable melodrama and the conclusion resorts to frustratingly obvious references to a “second coming” (of sorts).  Mead is less interested in describing the mechanisms of the “perfect” state and more interested in the slow evolution of a character coming to grips with the deficiencies of the system.  This is an admirable program that falls woefully short in part due to the paltry descriptions of the before mentioned system.  This causes our hero’s evolution to occasionally ring hollow.  The primitive but somehow “truer” pseudo-Christian civilization contacted by our hero, the fulcrum of his transformation, lacks any seductive qualities that would facilitate Continue reading →

Adventures in Science Fiction Cover Art: The Art of Robert Foster, Part II

/ Joachim Boaz / 34 Comments

(Robert Foster’s cover for the 1971 edition of The Dakota Project (1968), Jack Beeching)

Unfortunately, science fiction covers from the 60s/70s are not always credited — Robert Foster’s covers are no exception.  Originally I assumed that Foster had only produced a handful (see my first post on his work, Part I), but after searching under Bob Foster and identifying covers by sight I’ve cobbled together another varied/intriguing/unusual collection of his work.

His work are often characterized by fascinating collaged, geared, industrial machinery paired with nudes and semi-nudes Continue reading →

Updates: Recent Science Fiction Acquisitions N. XXIII (Farmer, Malzberg + et al.)

/ Joachim Boaz / 10 Comments

A while back I slogged through Philip José Farmer’s dismal To Your Scattered Bodies Go (1971) (the worst novel ever to win the Hugo Award?) and all the increasingly terrible sequels and made a solemn vow to wait a few years before I returned to his extensive oeuvre — so, against my better judgement I picked up a copy of  Traitor to the Living (1973).  I don’t have high hopes (but I love the cover!).  I hope my two dollars were well spent.

Malzberg is shaping into my “under read/unjustly forgotten author of the year” whom I’ll showcase.  Last year’s winner was the brilliant D. G. Compton (see INDEX for reviews).  Fresh off Conversations (1975) and In The Enclosure (1973) I picked up a copy of Guernica Night (1975).  I can’t wait!

Harold Mead’s The Bright Phoenix (1955) is yet another against the oppressive state à la Orwell’s 1984… But, I’ve found that the premise generally holds up despite frequent re-interpretations…

Greenfield’s Waters of Death (1967) should be avoided — at all cost.  I’ve already written a scathing review (rant).

1. Traitor to the Living (1973), Philip José Farmer (MY REVIEW)

(Hans Ulrich Osterwalder and Ute Continue reading →

Book Review: In The Enclosure, Barry N. Malzberg (1973)

/ Joachim Boaz / 14 Comments

(Davis Meltzer’s cover for the 1973 edition)

4.5/5 (Very Good)

Fresh off Malzberg’s intriguing young adult novel, Conversations (1975), I picked up a copy of the altogether more disturbing, transfixing, unnervingly prescient, and at moments, brilliant In The Enclosure (1972).  As with many of Malzberg’s oeuvre, the work is infused with a steady dose of metafiction — our hero laments (and we writhe along with him in a malaise of unease), “I will never really know” (189).  Just as Quir is unsure of his own reality, his diaristic words — which the reader is desperate to hold on to — are admittedly, “an impression, a conception, nothing more” (190).

Combining the science fiction trope of implanted memories with the literary narrative mode of the unreliable narrator creates an overwhelmingly uncomfortable gulf between reality and constructed reality.  The result, the overpowering desire to pick up a piece of pulp science fiction where the future is rosy, technology = happiness, the kids smart, where rockets Continue reading →

Book Review: Eight Keys to Eden, Mark Clifton (1960)

/ Joachim Boaz / 24 Comments

(Ralph Brillhart’s cover for the 1962 edition)

3.25/5 (Average)

Mark Clifton’s readable and thought-provoking Eight Keys to Eden (1960) has been unfortunately overshadowed by his dismal failure, They’d Rather Be Right (1955) (co-written with Frank Riley), which is generally considered the worst novel ever to win the Hugo Award.  Although I wouldn’t classify Eight Keys to Eden as a masterpiece, the novel does contains an original premise, good plotting, and sufficiently thought out “pseudo-intellectual” content that is only overbearing at the work’s climax.  The serious nature of the premise is weakened by a forced strain of unfunny “humor” that creeps in at the wrong moments.  Also, a complete lack of character development makes us care little for the challenges Continue reading →