Tag Archives: Brian W. Aldiss

Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)

M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:

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Don’t worry, I certainly intend to “see tomorrow today!”  I’ll be disappointed if I can’t!

The others are a strange blend…  From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.

Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim.  But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK).  Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973).  With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)….  I will review two or three of the novels in the omnibus one at a time over the next few months.

Thoughts?

1. The Machine in Shaft Ten, M. John Harrison (1975)

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(Chris Foss’ cover for the 1975 edition) Continue reading Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)

Adventures in Science Fiction Art: Tentacles and Other Strange Appendages

ALIENWL1964

(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)

Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977).  I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents…  It terrified me for years.  The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…

…hence, today’s themed art post!

Tentacles and Other Strange Appendages.

 I have a confession:  I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading Adventures in Science Fiction Art: Tentacles and Other Strange Appendages

Updates: Recent Science Fiction Acquisitions No. CXXIV (Jakes + Anthology + Malzberg + Zelazny)

Roger Zelazny’s most radical (according to some critics) novel…

A fun Ace Double with a rather disturbing face imprisoned in a skull cover by Kelly Freas….

More Malzberg (one can never have enough)…

And another anthology from the single best year of SF — 1972!  (my opinion of course).

Thoughts?

1. Tonight We Steal The Stars / The Wagered World, John Jakes / Laurence M. Janifer and S. J. Treibich (1969) (Ace Double)

(Kelly Freas’ cover for the 1969 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXIV (Jakes + Anthology + Malzberg + Zelazny)

Book Review: Best SF Stories from New Worlds 3, ed. Michael Moorcock (1968)

(Uncredited cover for the 1968 edition)

3.5/5 (Collated rating: Good)

New Worlds was one of the premier British SF magazines under the editorship of Michael Moorcock.  It features some of the most experimental works of the era and was important in the growth of the New Wave movement.  Many of the frequent contributors went on to make a name as premier SF authors (Ballard, Aldiss, etc).

This best of collection (1964-1967) is on the whole uneven.  Its big name authors—such as Keith Roberts and Moorcock himself under a pseudonym—disappoint.  The most evocative stories are by rather lesser known voices, Langdon Jones, Charles Platt, and Pamela Zoline.  Zoline’s brilliant entropic vision, “The Heat Death of the Universe” is not to be missed.  The second best work in the collection is (surprisingly) an early story by Barrington J. Bayley (as P. F. Woods) whose novels I have reviewed Continue reading Book Review: Best SF Stories from New Worlds 3, ed. Michael Moorcock (1968)